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The Magnificent Ten Chess Players Of The 20th Century
Fischer – Stein [C 92] Sousse (izt) 1967 – 4/336 (CI 4)
Fischer – Reshevsky [C 93] Sousse (izt) 1967 – 4/346 (CI 4)
Fischer – Portisch [C 69] Havana (ol) 1966 – 2/235 (CI 2)
Fischer – E. Jimenez [C 69] Havana (ol) 1966 – 2/237 (CI 2)
Fischer – Gligoric [C 69] Havana (ol) 1966 – 2/236 (CI 2)
Fischer – Unzicker [C 69] Siegen (ol) 1970 – 11/221 (CI 11)
Kasparov – L. Portisch [E 12] Niksic 1983 – 36/608 (CI 36)
Kasparov – Karpov [D 55] London/Leningrad 1986 – 42/575 (CI 42)
Karpov – Kasparov [E 86] Linares 1993 – 57/576 (CI 57)
Kasparov – Shirov [B 33] Horgen 1994 – 61/178 (CI 61)
Kasparov – Anand [C 80] New York 1995 – 64/315 (CI 64)
Kasparov – Topalov [B 07] Wijk aan Zee 1999 – 74/110 (CI 74)
Alekhine, Alexander Alexandrovich
Capablanca – Alekhine [D 63] Buenos Aires (m/21) 1927
Alekhine – Lasker [D 67] Zurich 1934
Alekhine – Reshevsky [B 05] Kemeri 1937
Alekhine – Euwe [E 34] Netherlands (m/8) 1937
Portraits of Chess Giants
The Magnificent Ten Chess Players Of The 20th Century | ||||||||||||||||||||||||||||||||||||||||||||||||
Chess Informant will present you an individual portrait The 20th century is the golden century of chess, the oldest and most beautiful game created by men. In this century, from the “Royal Game” chess has been transformed to the “Game of Millions” and marked by the names of thousands of chess players.
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(percentage ratio between obtained and maximum points) | ||||||||||||||||||||||||||||||||||||||||||||||||
Fischer, Robert James
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Kasparov, Garry Kimovich
One of the best chess player of the 20th century, selected by | |
Birth: Apr 13, 1963 |
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The most important results: | |
1982 Moscow (izt) 1st |
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Corrections put right It is not luck; | |
| In the interval between the second and the third encounter between Karpov and Korchnoi, at |
The bearer of this name swore by Botvinnik but admired Fischer. Fischer played chess in a swimming-pool, picked up errors in the games played in the last century, removed from his life everything other than chess. Kasparov corrected Fischer’s rectifications of Botvinnik’s analyses; he also argued that being short of a pawn was actually an advantage and that there are no opening variants that could not be made stronger. He possessed an inquiring mind and energy which he placed in the service of a universal order on the chess board and in the chess world. Most professional chess players think of their wives and children before they plunge into an adventure on the chess board. For Kasparov no such risks were entertained. Najdorf said: “When Tal offers a sacrifice, take it first, then verify; when Petrossian does so, resign.” To paraphrase him, when Kasparov offers a gambit, first verify, then resign. Both risk and sacrifices, as well as an accurate calculation, require acute intuition. Your intuition will not function unless you are prepared to take a risk, to make a bad move. If you never allow yourself flights of whimsy, your playful hand will grow awkward and heavy. After all, why not risk an occasional error? Your choice is between an occasional error or perennial time pressure. | |
A player is threatened by a clock when a player uses a microscope for his first twenty or so moves, and then a telescope for the next twenty. Mistakes deflect you from your path to the truth, and they are counterbalanced by other lesser or different mistakes. Garry Kasparov has an uncanny intuition, seldom gets into time pressure, and makes mistakes less frequently than others. That is why he is a champion. |
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The world championship match between Karpov and Kasparov in 1984/85 made chess history: after five months of play and 48 games, the match ended without a winner. Karpov quickly won four games, later a fifth one, but then in the course of the next two and half months, he failed to cross his last, the sixth hurdle. Three months elapsed before he lost his first game, but soon afterwards he lost another two in a row. A trained eye could recognize in the second half of the match a much chastened and prudent Kasparov. Karpov for his part displayed in the first half of the match all the brilliant characteristics of his style. But who was Kasparov’s opponent in the second period? Not Karpov, it would seem! After a promising start, Karpov decided to lean back and wait. Time would help him finish the job, and in due course, Kasparov would fall into his lap like a ripe pear. | |
| It was an excellent opportunity to administer a salutary lesson to the man who in all probability would be his challenger once again. The humiliating 6-to-nil score would not be forgotten by the time the next match came to be played. Karpov was now on his guard, his breathing slowed. |
A period ensued when medical prognoses counted for more than the predictions of chess experts. But in Karpov’s case it was the great psychological strain that was hardest to bear: all he needed was just one more win, just one more step to the goal – oh, when was this match going to come to an end! What Kasparov was afraid of was a quick ending: it suited him to go on playing for another five months! By A. Matanovic | |
Kasparov – L. Portisch [E 12] |
Alekhine, Alexander Alexandrovich
One of the best chess player of the 20th century, selected by | ||
Birth: Oct 31, 1892 |
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The most important results: | ||
1912 Petersburg 1st | | |
Sidelights on Alekhine | ||
| In 1940 Alekhine told some intimates that he would not mind losing his title to a master of the younger generation – Keres, Botvinnik – but he did not want to lose it to a player of his own generation. “I dominate them all!” | |
In tournaments Alekhine analyzed his adjourned games for hours and hours: during his meals, in bed or on a pocket set, and mentally while he was walking. Alekhine unlike Lasker and Capablanca really loved chess. He read everything which appeared on the game and was au courant with the smallest analysis ever written by a tyro in some unknown periodical. Alekhine was no churchgoer. But he believed profoundly in the immortality of the soul, especially of his own. “I cannot conceive that nothing should be left of me after my death….” Alekhine’s culture and intelligence were extraordinary. He was an exceptionally well-read man and had really fluent command of about ten different languages. | ||
Alekhine’s partiality for alcohol caused his downfall. After his blindfold displays he would drink brandy in ordinary tumblerfuls. |
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He had innumerable acquaintances all over the world but few real friends. His selfishness and his oblivion of services rendered stunted all sympathy. By Thomas Olsen | ||
| “The creative achievements of Alekhine, a truly great chess artist, will live for decades. Replaying his games, chess players will gain real aesthetic pleasure admiring the strength of his genius” M. Botvinnik | |
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Capablanca – Alekhine [D 63] | ||
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