Susane Colasanti Take me there.html

Take Me There Susane Colasanti
FOR PIERRE, who proves that true love is something real.

Acknowledgments
FINDING MY WAY into the light would not have been possible without the gu idance and encouragement of the phenomenal support team at Viking Childre n’s Books. Anne Rivers Gunton, my spectacular editor, has an incredible t alent for shaping a story until it sparkles brighter than I ever imagined . Your patience and dedication are invaluable. Regina Hayes is an amazing

source of inspiration. Thank you so much for believing in me. Sam Kim cr eated an absolutely gorgeous cover and Nico Medina is the best copy edito r ever. You guys rock.
I would also like to thank my agent, Gillian MacKenzie, for her determination

and attention to detail. Can’t wait to hear the soundtrack.
My life would be a darker world without these contributions of glowing gen ius. Authors Laurie Halse Anderson, Blake Nelson, Judy Blume, and S. E. Hi nton have sparked an eternal flame with their brilliance. All of my studen ts over the past decade have challenged and influenced me in countless way s. The fascinating Tatyana Cabrera let me share her fierce talent with the

world. And Jonathan Rubinstein created a neighborhood coffeehouse that al ways feels like home.
My friends are the most dazzling family I could ever hope for. I would be lo st without all of you. Laila, your awesome daily e-mails of encouragement ke pt the fire burning. Allison, you increased the luminosity of all those morn ings.
Intense thanks to Pierre, for being my number-one fan and totally devoted to

taking excellent care of me. You give me the strength to keep going. Feel t he gluons.
To everyone who reads this book, infinite thank-yous. You are pure sunlight

to me.

PART ONE
May 20-23
To move the world, we must first move ourselves.
–Socrates
CHAPTER 1
Saturday
MY LIFE COULD not possibly suck more than it does right now. I try not to cry.
And to let it go.
I don’t want to be this totally depressed person, with a heart so broken it hur ts every time I breathe.
I still love him. And here’s the worst part.
I want him back.
The homework pile on my desk is laughing at my pain. I’m not laughing with you, it says. I’m laughing at you. You pathetic idiot.
The homework pile is right. I am pathetic. I am an idiot.
I vaguely remember remnants of my normal life. They’re
2
like a dream. These detached, blurry images that may belong to someone els e.
I hate being like this.
And then other times I’m like, Okay, Ree. Enough already. Get over it. Bec ause how can I let someone who doesn’t love me anymore turn me into this p erson I don’t even recognize?
Being awake sucks.
My Persian cat Snickers, aka Snick-Snick, jumps up into bed with me and purrs.

He curls up in a fluff ball, pressing against my ribs. I pet his long, soft f ur. He feels sad, like me.
Question: When does the pain go away?
I reach over to my nightstand for the remote and my glasses. I turn on the TV. Here’s the agenda: I’ll watch a gazillion movies, read the huge stack o f magazines I’ve accumulated because I never have time to read them, and sn arf horrifying amounts of junk food until it’s time to get up and go to sch ool on Monday.
Getting dumped is crazy times. Like . . . what? You’re supposed to instantly

turn off all your emotions just because he says it’s over? You’re supposed to go on with your life like nothing happened?
Garden State is in the DVD player. I press play even though I just watched i t a week ago.
I wish Steve were here so bad, watching the movie with me. We had this way

together. I would lie against him with my cheek on his chest, feeling his heartbeat. And he would hold my hand with my fingers folded in between hi s. He had this way of making me feel so good by not really doing much of a nything. Just by being him.
Question: Where did all that love go?
3
Last week I went through the motions of school on automatic. I cried at th e most random things. Someone would be pouring a glass of water and I’d su ddenly feel tears running down my face. But the absolute worst was when pe ople asked if I was okay. Because then I had to admit that it was real, it

happened, and we weren’t together anymore.

And yeah, it got better. My stomach eventually went back to normal. I didn’t cry every day.
But my heart. My heart will always be broken.
Just when Zach Braff is screaming into the rain, Brooke comes barging in w
ith Cinnabon.
Brooke’s hair is wrapped in a towel because she’s in grad school and on brea
k and it’s two in the afternoon and that’s what time she gets up. Brooke is
ten years older than me (I’m seventeen), so you have to wonder what my paren
ts (who are over fifty) were thinking. She’s in this endless PhD program for art history. Dad’s always ranting how she’ll never find a job after. But it
‘s just what she’s into, and she’s not changing her mind. That doesn’t stop
Dad from trying to change it for her, though. He’s an international currency trader, and he’s all about the big bucks. As in he wants us to get paid the big bucks when we grow up. Which is highly unlikely, considering the types
of careers we want.
But Dad is really stubborn. So he got this summer internship
4
all set up for Brooke with a broker at Citigroup, where he works, hoping tha
t she’d see the light and become someone she’s not because that’s what respo
nsible adults do. But she was like, I’d rather eat dirt than expose myself t
o the corruption of impressionable minds. So Dad was like, Okay fine, be lik
e that, but don’t expect me to keep paying for it.
Anyway, Brooke has an apartment in this sketch neighborhood uptown near Co
lumbia, where she goes, but she always stays here for breaks since the dow
ntown nightlife is where it’s at. She works the bar-and-club scene somethi
ng fierce. Like she’s nineteen and just having fun instead of twenty-seven and interviewing potential husbands.
So she’s been home for a week, but she’s going backpacking through Europe on one of th! ose Europe-on-Thirty-Dollars-a-Day plans. She’s leaving Frid
ay.
“Extra icing!” Brooke reports. She sits on the side of my bed and puts the Cinnabon box on my stomach. I haven’t moved since I woke up. Or whatever
you call it.
Brooke glances at the TV. “Oh! I love this movie!”
I sniff at the box.
She goes, “But how can you watch it again?”
“It’s the best.”
“But you already know what happens.”
“So?”
“So then how . . . ? Whatever.” Brooke looks me over. “And FYI? This is the last day we’re letting you sulk. No boy is worth wasting a gorgeous weeken
d over. It’s really nice out, by the way.”
“How would you know?”
“I’ve been out, hello.”
5
I pop open the box. This intense cinnamon smell wafts out. “So?”
“So you have to get up and get on with your life.” Brooke rubs her hair with
the towel. “He is so not worth it.”
“It’s only been a week.”
“Yeah! Exactly!” Brooke rubs furiously. “Which is more than enough time to r
ecuperate. News flash! You live in the best city in the world! There are end
less possibilities out there!”
I peel open the container of extra icing.
“And plenty of guys who will treat you better than Steve ever did.”
“He treated me great.”
“Please. The boy couldn’t get a clue if they were giving them away on the str
eet.”
It’s not like I’m agreeing with her or anything. But if your boyfriend, out
of nowhere and with no advance warning whatsoever, dumps you for no apparent reason, is it really about you? Or is it all him?
When the phone rings, I have no idea how long I’ve been in bed. All I kno
w is I’m on my third movie, I’ve read two People magaz! ines and ! one Teen V
ogue, and I’m most of the way through a box of Vienna Cremes. The Cinnabo
n is long gone.
“Hello?” my voice cracks into the phone.
“Hey,” James says.
“Hey.”
“What’s wrong?”
That’s the thing about James. He knows when something’s
6
wrong, before you even say anything. He’s so not a typical straight boy.
It’s impossible to describe my agony. And I’m sure my friends are sick of hearin
g about it. So I just go, “I’m still . . .”
“Still?”
“Yeah.” Drag.
Everyone says that it gets better with time and that time heals all wounds an
d blah-di-blah-blah.
Question: What if they’re wrong?
“Tell me about it,” I mumble.
“Sounds like you could use a change of scenery.”
I wait for him to try. It’s not going to work.
He goes, “Nice how Keith’s party is tonight.”
“I already told you. I’m not going.”
“Um-hm, yeah. So when am I picking you up?”
“No way.” Come on.
“Not going.”
“You have to go.”
“I’m not leaving this bed.”
“Distraction is your friend.”
“Not leaving.” I so don’t want to deal with people right now. Plus, there’s a chance Steve will be there. But still. Somewhere in the back of my mind, a v
oice is screaming at me to get up, brush myself off, and go. So it’s complica
ted.
“Steve is such a dumbass,” James informs me.
“I knew it!” I always knew James had a problem with Steve, even though he
never said anything. James has been my best friend since seventh grade, wh
en I lost my notebook on the first
7
day of school and he helped me find it. It’s awesome that we ended up going to the same hi! gh school! , too. “But why?”
“You deserve someone better.”
“Better like how?”
“Better like not a dumbass.”
“Yeah. He was overrated.” Not like I believe what I’m saying. I’m just tryi
ng to convince myself that out of me and Steve, I wasn’t the one who did an
ything wrong.
“Exactly,” James says. “So what time should I pick you up?”
Top Five Things I Miss About Steve
5. Cracking up together over old SNL reruns of Mr. Bill.
4. When we’d double with Nicole and Danny to see bands at The Elbow Ro
om.
3. The way he’d surprise me by rinding out where movies were being filme
d around our neighborhood in Greenwich Village. And then we’d go watch.
2. He always remembered that I like extra sprinkles when we went out for i
ce cream.
1. How it felt to be loved.
“Hey!” James yells at Keith, who almost dumped his beer all over my shirt.
“Watch it!”
8
“Sorry, man,” Keith grumbles, not looking sorry about anything.
James turns back to me and goes, “Freak.”
Which is what I usually think every time I see Keith. So I’m trying to preten d that even though we’re at Keith’s house, I won’t have to see him again. Bec ause he’s totally obnoxious. But he lives in this huge loft in SoHo, which is , like, this ultra-ritzy neighborhood one over from the Village, and he throw
s these incredible parties. So of course everyone goes. And if you just avoid him while you’re there, it’s a total blast.
We drool over the enormous living room, the balcony, the high ceilings. My
house is nothing compared to this. This is ridiculous.
“Did you see the flat-screen TV?” James pants. “It’s gotta be a fifty-inch. I’
d never leave the house.” Sign me up.
The music is so loud my bon! es are sh! aking with the beat.
“So,” James says.
“So,” I say.
“Are you okay?”
“No.”
“Maybe after, we’ll do Magnolia?”
The Magnolia Bakery is this place in our neighborhood that has the most ama
zing cupcakes ever. The thing about these cupcakes is they have icing in al
l these sweet pastel colors and old-school sprinkles. My favorite combinati
on is pink icing with blue flower sprinkles. Serendipity determines if you’
ll get the icing-sprinkle combo you want.
“I think this party is enough excitement for one night,” I tell him. Another th
ing about Magnolia is that it’s open really late
9
on weekends. The line at midnight is outrageous. “How about tomorrow?”
“You’re on.”
“You guys having a good time?” Keith butts in. He holds out a beer for me. A
s if I’m interested in drinking something that tastes like Drano.
“I don’t drink.”
“Oh.” Keith nods, acting all serious. “And doesn’t that make you thirsty?” Th
en he laughs like that was the funniest thing anyone’s ever said in the entir
e history of the world.
“I mean I don’t ingest toxic substances.”
“Well, then I guess I didn’t have to hide the rat poison after all.” Keith lau
ghs hysterically again. “Yo!” he gasps. “I crack myself up!”
We stare at him.
“Anyway,” Keith continues smoothly, as if we all have a sense of humor in c
ommon. “That sucks about you and Steve, but… if you ever feel like hangin
g out…”
“Urn.” I can’t believe he’s actually asking me out like this. I glance at James.

“Oh,” Keith goes. “Are you two . . . ?” “No!” I say. “We’re just friends.”
“That’s what I thought.” Keith inspects me. He actually does that sleazy gu y thing where they slowly rake their eyes up and down your body. Gross.
Then Keith’s like, “Well. . . you know where to find me.” And he slithers awa y like the snake that he is.
James mumbles something.
“What?”
10
“Nothing.” He looks bothered. “I’m getting a Coke.”
Standing there with the party swirling all around me, I get this really inte nse alone feeling. Even with James here and Nicole coming later, being at a party with friends instead of a boyfriend is always sort of sad. Especially when you thought you’d have a boyfriend to do couple things with for the res t of junior year. And maybe even longer if Steve came back from college to t ake me to the prom and stuff. Before The Incident, this year felt like it wa s going by really fast. Now it’s taking forever, even though we only have fo ur more weeks left.
I’m itching to check my voice mail, but James made me leave my cell at home.

He knew that if I brought it with me, I’d be checking to see if Steve calle d like every three seconds.
“Hey, Ree,” Nicole says, suddenly here. She hugs me.
I hug her back, clinging to her like Velcro. Nicole is the type of person tha t’s great in a crisis. She can figure out your problem before you’re even don e explaining it. And she always knows exactly what to say to make you feel be tter.
“Are you okay?” Nicole is worried about me. She knows it’s too soon to be o ver it. She knows I think about him all the time.
“Yeah,” I say. “I mean . . . no. You know.”
She knows. She’s been here.
Nicole bites her lip. “If it makes you feel better, we can go over it again.” That’s another thing about Nicole. She comes off all wild like with how she dr esses, but she’s not really like that. She’s actually super sensitive and swee t.
But still. It must take an enormous amount of strength for her to say that. W e’ve analyzed the whole thing to the point of
11
exhaustion, until there’s nothing left to say. But why he dumped me is the most annoying unsolved mystery ever. So of course I want to go over everyth ing he said for the millionth time.
I’m like, “Only if it’s truly okay with you and you’re not just saying that be cause you feel sorry for me because–”
“It’s okay.”
“So . . . well, at first he seemed the same as always . . .”
The whole thing was so strange. The entire four months we were going out, I thought we had this amazing connection, right from the start. No, I knew

we did.
But then.
“I, um … I don’t think we should go out anymore.”
“What?” He couldn’t be serious. There was no way. “What are you talking a bout?”
“I just don’t feel it anymore,” Steve said. All casual. As if he was saying, “I don’t feel like going to the park.”
“Why not?”
“I don’t know.”
“How can you not know?” I kept expecting the joke to be over. Steve just shook his head, looking at the floor.
“What happened?” I said. My eyes filled with tears.
“Nothing. I just. . . I’m leaving for college anyway, so–”
“But that’s not until August!”
“Yeah, but…”
“So that’s why?” I wiped my cheek. “I thought you said you wanted to try a l ong-distance relationship.”
12
“Look. I know this is hard to hear, but … I just don’t think it’s a good idea.” I watched Steve. He didn’t even look sad. How was that possible? This is a boy who said he loved me. Who stayed in my room all day when I was sick , playing cards and making me smoothies in the blender, even though he di dn’t know how and the blender got jammed. The same boy who put his hands all over my body, kissed me for hours . . .
And then suddenly it was over. It was the worst feeling I’ve ever felt in my en tire life.
I cried harder.
Steve got up.
“Where are you going?” You could hear how scared I was. I was like, This is it. He’s leaving already. He can’t even stand to be in the same room with me . I’m that repulsive.
Steve sat back down on the couch with the tissue box. He held one out. “Here,” he said.
I wiped my nose. “Do you still love me?”
“Yeah, but–”
“Then why are you doing this?”
&#! 8220;It’s not you. It’s me. I’m . . .”
“You’re what?”
“I just have to do this, is all.”
“But I still love you.”
Steve cracked his knuckles. I always hated when he did that, but now I would

give anything to be back together with him. If he would just take it all ba ck, he could crack his knuckles all he wanted and I wouldn’t care. I sniffed.
13
“I was wondering,” he said, “if … we could maybe . . . like, be friends?” Was he serious? In what twisted universe would a girl who’s just been dump ed still want to be friends with the boy who dumped her?
“I don’t get this,” I said. “I thought you were happy with me.”
“I was.”
“So why are you doing this?”
Steve got up.
“Don’t go!” I yelled. I was crying so hard.
“I’m sorry. . . .”
“Please don’t go!” I wanted him to sit next to me and hug me and say that h e was still mine. That I’m the only girl in the world who could make him ha ppy. That we belong together.
But Steve just walked away. He walked right out of my house.
And then I was completely alone.
“I want him back,” I reveal to Nicole.
“Huh?”
“I’m getting him back.”
“How?”
“I was hoping you’d know.”
Nicole stares.
“I can’t do this,” I say. “I’m not this strong. I still think about him all the tim e. It’s driving me insane.”
“You’ll get through this. And I know it’s impossible to believe right now, but it gets better. Trust me.”
14
It’s so weird how Nicole and I always go through the same things at the sa me time. So of course both of our relationships just ended. Nicole and Dan ny broke up three weeks ago. And Steve dumped me last week. Or seven days,

nine hours, and twenty-three minutes ago. Not that I’m counting. Before Danny, she was seeing this guy Jared. And Jared dumped her so hard she wouldn’t get out of bed. So I would go over to her place after school with all her favorite snacks. Butterscotch Krimpets (which you can only ge t at this one deli nowhere near either of our neighborhoods). Lemonheads ( candy section, middle shelf, Rite Aid). Entenmann’s Ultimate Crumb Cake (a vailable everywhere). Chocolate-covered cherries (strictly Godiva, no disc ount type allowed). Nicole was totally destroyed. And then one day she dec ided that she was completely over Jared. And she started dating Danny the next day.
Nicole thinks the same thing will happen to me. That once I start liking some one else, this will all go away. But I’m still in love with Steve. And I’ll n ever feel this way about anyone else. He just needs me to remind him of what he had.
Has.
“Don’t you think I can get him back?” I panic.
“No, it’s just . . . why would you want to after what he did?”
“Because I still love him. You can’t just turn love off. You still feel it.” “But that’ll go away and–”
“But I don’t want it to go away,” I interrupt. “I want to be with him.” “Hello, sexy ladies,” Sheila says.
“Hey,” I go.
15
Nicole’s like, “Where’s Brad?”
“He’s coming later. I’m going up to see the pool. Want to come with?” “Sure,” I tell her. I assume Nicole will also come, but then I notice her wa tching Danny. Who’s walking over here. “Let’s
go.”
Sheila’s talking about Brad and this problem they’re having, but I’m not bei ng a good friend. I manage to steer the conversation back to me and Steve by

doing one of those sorry-ass moves where you take something the other perso n just said and go, “Oh, yeah! That’s just like what happened with me when . ..” When, really, the two things aren’t even related. You’re just using it a s an excuse to talk about yourself more.
I want to get Sheila’s advice. So I’m about to tell her about the whole Steve dilemma when I notice Joni. She’s standing really close to our lounge chairs. Too close. All pretending not to listen. When it’s totally obvious that she’s majorly listening.
The conversation shifts back to Sheila’s stuff. I don’t say anything else abo ut Steve. I don’t really need the whole school knowing my business. The first thing I do when I get home is zoom to my room to check my messag es and e-mail. Snick-Snick follows me in. I close my door and peek at the answering machine. The red light stares back at me defiantly. Not blinking . There’s nothing on my cell, either.
I press the start button on my iBook and go to the closet. I take out a soft

white tank top and pink pajama bottoms from
16
my dresser. I watch my screen saver of Topher Grace come on while I chang e. James always teases me about it whenever he comes over. He’s all like,

“Where’s the screen saver of me?”
I click my Gmail widget and see that I have five new messages. I get this adr enaline rush of anticipation.
But none of them are from Steve.
I can’t wait anymore. If I wait around for him to realize how lame he’s being,

I’ll probably be waiting forever.
I click on “Compose Mail.” Here’s what I write:
To: steve <richthecopyguy>
Subject: us
Steve,
I just have to tell you that I don’t know how to do
this. I still have feelings for you and I think
I click the DISCARD button. I start again.
Steve,
I’ve written this e-mail a thousand times in my head, all different versions,

trying to think of the right words that will make you come back to me. I nev er stopped loving you
I click DISCARD.
I start again.
Steve,
How’s it going? I thought I would see you at Keith’s
17
party tonight, but no. Were you there? It was fun
times, as usual.
So, I was wondering if
DISCARD.
Again.
Steve,
Can you just tell me why you did this?
I don’t send that one, either.
18
CHAPTER 2
AWAKE.
I push the covers down to the bottom of my bed. Snickers meows and leaps awa y onto the floor with his legs sticking out in all different directions. It’ s those negative vibes of desperation I keep giving off. They’re repelling e veryone and everything around me.
I go over to my desk to check my e-mail. Still nothing from Steve. And my cel l’s been on all night, so I know he didn’t call.
This is torture. It’s just torture.
Question: If you were happy with your boyfriend but he wasn’t happy with y ou, was that happiness real?
Sundays blow. There’s never anything on. But I have to kill time so I can get to the part where I feel better faster. So I go over to
19
the DVD shelf and pick out 13 Going on 30. I just want to lose myself in a fa ntasy that I’m still hoping will come true.
When I’m at the part where Jenna and Matt get Razzles, Brooke strides into the living room. She goes, “God!” and flings herself dramatically over the other couch. “New York guys are such . . . children.”
I don’t know what it is with her and interrupting my busy movie schedule. I press pause on the remote. This won’t be short.
“There’s this total manwhore phenomenon happening, where even the geeks ar e players now. It’s like Manhattan is this giant playground and guys want to keep playing forever.”
I gaze at the TV wistfully.
“They’re all totally neurotic and! miserable. Working these eighty-hour weeks

to pay for a bunch of stuff they don’t even have time to enjoy.”
The sad thing about all this is that Brooke won’t meet her soul mate in a ba r. He’ll probably be standing next to her in Walgreens, getting toothpaste o r something. Or maybe he’s been living next door this whole time. Like when Nicole liked this guy she kept seeing at the Barnes & Noble cafe? She’d go b ack to Barnes & Noble around the same time every Saturday and he was there a

lot of the times. But after all that stalking, it turned out that he lived in her building right above her.
But it’s hard to find your soul mate when everyone’s so anonymous and livin g in their own private bubble worlds. It’s not like you can just go up to a

boy you like and say, “Are you my soul mate?”
Brooke is oblivious that some of us are trying to watch a movie here. She kee ps ranting about how unfair it is.
20
I pick up the remote, hoping she’ll take a hint.
“Even if you’re pretty, it still doesn’t matter.” Brooke sinks back against the cushions, deflated. “They’ll buy you a drink, but they’ll be looking ove r your shoulder the whole time they’re talking to you. Looking for something

better to come along. Because you know. Angelina Jolie might be just around the corner.”
“And she might actually like them.”
“I just want a boyfriend,” Brooke says miserably.
I press play. If I keep listening to Brooke complain, all that hope I was feel ing might start feeling more like desperation.
The thing about New York weather is that lots of times it’s too cold or too hot or too humid or too something. We don’t get a lot of absolutely perfect weather, where you just want to be outside all day. But now it’s the last we ek of May and gorgeous out.
I’m chilling in the park near my house, waiting for James. This is a really c ool park because it’s right on the Hudson River. There are piers sticking out

over the water and paths to ride your bike and it’s the ultimate place to co me at night and do moon observations. I have three whole journals with moon s ketches. Or sometimes I just sit and think about stuff, watching the city lig hts glitter across the river in New Jersey.
There’s still some of my granita left. It’s the best, most refreshing drink in the world, and I get them from my fave coffeehouse, Joe the Art of Coffee . I love being there, just sipping my granita and reading. Everyone thinks i t’s named after the owner, but his name is Jonathan. He’s this super friendl y guy who comes around
21
and talks to you. This one time we had a really intense conversation about wh en he started Joe. He said it never occurred to him that he would fail. I wis h I felt that confident now.
My iPod is playing a really cool song by the Watchmen, this random Canadian

group James told me about. I’m lying on my back on the grass with my eyes closed. I found a spot in the shade, so it feels like the air and my skin a re exactly the same temperature. Like I’m completely blended in with the en vironment. Maybe this is what it feels like to get reincarnated as a flower , the way Nicole wants to.
But I can’t really appreciate how good this should feel. Because every place I

go, it’s like I can still feel the energy of being there with Steve. Just lik e in the movie Serendipity. And I can’t stand it, because every time I think I ‘m improving, I realize there’s no way to completely get my life back. If I we re a flower, none of this would be happening.
The last time Steve and I were here, it was on my birthday. He gave me this

huge present. But it actually wasn’t. Because when I opened the box, there was another box inside. And another box inside that one. There were, like, six boxes altogether, and each one was wrapped in a different type of pape

r. It must have taken him forever.
When I finally opened the last box, there was this superball inside that li ghts up when you bounce it. And it wasn’t just any old superball, either. I t was this special one we saw at the MoMA Design Store when I was bouncing it all around and yelling about how awesome the lights were. Which totally made the security guard come over and guard my area, like I was going to st art bouncing the ball against people instead of the floor or something. Any way, Steve remembered all that,
22
and he went back and got the exact same superball.
A breeze blows over me, smelling like summer. Summer is almost here. I sh ould be happy.
I open my eyes and look up at the sky and there’s James, looking down at m e.
“Hey,” he says. “Did I scare you?” “No.
“Sorry if I scared you.”
“You didn’t.”
“Ready?”
I hold out my hand. And he helps me up.
“Did you see if they have pink ones?”
“Oh, come on. They always have pink ones.”
I point at James. “But did you see pink ones?”
“Not exactly,” he admits. “But don’t worry. It’s all good.”
The line at Magnolia isn’t too long today. We’re almost up to the window. T hat’s where you can look in to see what cupcakes they have and with what co lor icing.
“So,” he says.
“Yeah?”
“Keith was so random last night–”
“I know! It’s like, Hello! My boyfriend just broke up with me!” “What’s up with that?”
“Seriously.”
We move up a few steps in line. I still can’t see in.
“As if I’d ever go out with him,” I add.
23
James smiles. “What’s so bad about Keith?”
“Like he’s anywhere near my type.”
“And what’s your! type?”
“Oooh!” I can see in the window now. “Yes! They have the pink ones! Plus

your green ones. Bonus!”
“What sprinkles?”
“I think yours are . . . yeah, yellow circles.”
“Nice.”
“And mine have blue flowers!”
We slap a high five.
We always walk to the pier and eat our cupcakes there. It’s amazing how you can do something like this a million times and never get sick of it. As usua l, James inhales his cupcake in three bites while I’m still peeling the pape r off mine.
He’s like, “You never told me.” Some crumbs fly out of his mouth. “Told you what?”
“What your type is.”
“You’ve been my best friend for four years. How can you not know this?” “Urn, maybe because you never told me?”
Which is true. We’ve both dated a few people since middle school, but Steve is the first boy I’ve been serious about. And James never takes the risk of asking a girl out unless he knows she likes him first. He does pretty good f or a computer geek, though. He’s even dated a couple hotties. But for some r eason it never lasts. And he always has the lamest excuse for why it didn’t work out. He was going out with Jessica for a while, but I don’t know what h appened with that. If he wasn’t such a good person, I’d suspect that he’s a closet manwhore. But James is way too
24
sensitive and deep for that. It must be a standards thing.
“Okay, well . . . you know I like Topher Grace.”
“Ah, yes. Of the infamous screen saver.”
“Jealous much?”
“Not to negate my heterosexuality, but he doesn’t exactly seem like the most attractive candidate out there.”
“He’s not,” I explain. “That’s the whole point of him.”
“Obviously.”
“I mean, it’s something about him that’s the attractive part. Like, I think he’ s cute and all, but i! t’s more about his personality. Something in his eyes.” I take a huge bite of my cupcake. Sprinkles fall off.
“I hate to be the one to tell you this.”
“What?”
James leans over and whispers, “You don’t actually know Topher Grace.” I throw a flower sprinkle at him. It bounces off his nose.
“You know what I mean,” I say. “There’s something about him that’s–I just know what I like.”
James is watching the skyline sparkle as more lights blink on. My favorite th ing is how the pink sunset light reflects off all the building glass. I try t o concentrate on this, on being here. I don’t want to think about Steve anymo re. Somewhere underneath it all, I know he doesn’t deserve to take up space i n my brain.
One way I know James and I are going to be friends for a long time is tha t we both love board games. And who else loves board games anymore? All m y other friends switched to video games
25
or being glued to the computer sometime around fifth grade. But James neve r changed. And neither did I.
So now we’re at his place, playing Parcheesi. I always feel really comfy wh en I’m over, because it’s so colorful and warm and cluttered with his mom’s

pottery and knickknacks. This is what a home is supposed to feel like. Not like mine, which feels too empty. And big. You could probably fit this who le apartment in my living room. I used to feel really guilty about it when I came over, like I don’t deserve to live in a brownstone while James doesn ‘t even get his own room. But now I just feel relaxed. We sometimes have th ese sweet family dinners with his parents and little brother and real comfo rt food. Not gourmet cuisine like the complicated, exotic stuff my mom alwa ys gets. And then we sit around after, playing games or talking or watching

TV. Or just doing our own things, together.
But I know James doesn’t feel the same way about living here. That’s why I hope he becomes a super successful software designer and gets the house he’ s always dreamed about. I know he feels cramped here. It’s not like he’s th e one just visiting.
“Oh, man,” James mutters. I have a blockade set up, and he wants to pass. “Sucks to be you.”
“Somewhat.” He’s trying to figure out a way to save himself.
“There’s no way out.”
“Maybe not.” He inspects the board, configuring all the possibilities. “Admit it. You’re screwed.”
“Not yet.”
“James!” his mom yells from the kitchen. “Could you give me a hand, pleas e?”
26
“Not now,” James says.
“What?”
“Not now, Mai”
Mrs. Worther comes into the living room. “It’ll only take a second.” “It never takes a second. And in case you haven’t noticed, I have company.”

“Well, of course I noticed!” his mom huffs. “I just need–”
“Okay. Ma? If I help you, do you promise I can have the rest of the night f ree to hang out with Rhiannon?”
“Jeez! You act like I’m always bothering you.”
“That’s because you are always bothering me.”
Listening to James and his mom, I miss not having that kind of relationship

with my mom. Not that I want her to always be bugging me to do stuff, but it would be nice if we did things together once in a while–the way we used
to when I was younger–and if we talked more. Mom’s always so tired or bus y when she gets home from work. If we’re eating together, it’s mostly in si lence.
“Don’t touch the board,” James warns me.
“Who, me?” I flutter my eyelashes innocently. “Whatever do you mean?” “Knock it off. I’m on to your cute act.”
“Hmmm?”
“Yeah, yeah . . .” James mutters on his way out.
I examine the board. I’m definitely winning, so there’s no point in moving a ny of my guys. Not that I ever would.
Okay, except sometimes? James is too good, and I have no chance of winning without a little intervention. It’s like when we play Monopoly. We both hav e very different strategies. He’s
27
always like, “Why do you even bother with Baltic Avenue?” Meanwhile he has a zillion hotels on Boardwalk, so there’s really no point in playing him. S ometimes not even being the lucky wheelbarrow helps. So I might take a few five-hundreds from under his side of the board when he gets up for a drink or something. But he always figures it out right away when he comes back, s o it’s not really cheating. It’s more like teasing.
Brian peeks around the corner. Brian is five and too cute for words. He has his stuffed Prickle with him. Prickle is his favorite Gumby character, and t he stuffed Prickle was his mom’s when she was in high school.
“Hey, Brian,” I say.
“Hi.”
“Come here.”
Brian runs over with Prickle’s arms waving all around. He almost crashes i nto the Parcheesi board. “What are you doing?”
“Playing a game with James.”
He looks around for James. “But James isn’t here.&#! 8221;
“Yeah, he is. He’s helping your mom with something.”
“So you’re playing by yourself?”
“No. I’m just waiting for him to come back.”
“Is waiting boring?”
“Kind of.”
“Beading’s more fun, right?”
“Right.”
“Wanna read?”
“Sure.”
So Brian runs to get Lafcadio, which is this cool Shel Sil-verstein book we’ re currently reading. And the TV’s on and the
28
ceiling fan’s whirring and the neighbors are laughing through the wall. And
his dad is in the little office space he converted from a closet, working on an article and listening to National Public Radio. And I can smell dinne r cooking and James and his mom are talking in the kitchen and Brian comes running back with his book.
This place definitely feels like home to me.
I usually have this horrible feeling in my stomach on Sunday nights. I cal l it the Sunday Night Dread. Because tomorrow I have to go back. And there ‘s all this homework I promised myself I would do Friday night so I wouldn ‘t be doing everything totally last-minute the way everyone else does. And
now it’s already Sunday night and where did the weekend go?
Back in my room, I get out my binoculars and try to see Mars. It’s close to Ea rth right now, which means you’re supposed to be able to see it with the naked
eye. It looks like a red star. But, as usual, it’s not clear enough to see mu ch of anything besides the moon. Still, I like this routine of trying. Steve always hated routines. He complained that I wasn’t spontaneous enough , that I always had to plan everything in advance. I could tell he wanted m e to be more exciting, but it’s just the way I am. I love routines. Like ho w James and I have our Magnolia routine. Or even when we play Monopoly, he’ s always the top hat and I’m always th! e wheelba! rrow. It’s our thing. It’s j ust the way we are together.
But Steve wasn’t like that.
Maybe that’s okay, though. Maybe it’s impossible to find
29
everything you want in one person. Maybe everyone in your life gives you ce rtain things you need. And your friends give you the rest of what you can’t
get from your boyfriend.
Question: Is it unrealistic to believe that one person can be your everything?

30
CHAPTER 3
Monday
THE THING ABOUT first period is that it starts at eight o’clock and my brain isn’t working yet. No one’s is. Except for the teachers’. But they get paid f or that. And even then you can totally tell that some of them are still hungo ver from partying too late. Or maybe that’s just true about Mr. Farrell. He l ooks like he might be fun to hang out with.
My brain’s still asleep. Plus my contacts were all dry and irritating yester day, which means I had to wear my glasses today. And it’s not like I have co ol retro glasses like James or anything. I have these boring ones that I pic ked out freshman year and never bothered updating because I thought I wouldn ‘t have to wear them again.
Question: Did I pick out these glasses because I was trying to make a statem ent that dorky glasses are in?
Anyway, I have Earth Science first period, and today’s a lab day. Which mea ns that instead of going to gym second period,
31
we have science for twice as long. Which would be excruciating enough for most kids in here under normal circumstances. But lab in this school is no t normal circumstances. And that would be because our school is retarded. First off, we don’t have enough lab stools. So it’s first-come-first-sit. But

even the prospect of standing for two periods hunched over the lab table the whole time isn’t enough to make me get out of bed ten minutes earlier. I usu ally slide in just as the bell’s ringing. So I’m standing and bending over an d my back is killing me. You’d think Eliezer or Miguel would have the skills to be a proper gentleman and let me sit. But no.
We go to Eames Academy of Design. It’s a magnet school for kids who want to be things like interior designers or urban planners or architects. When I fi rst told my parents I wanted to apply, my dad was like, No way. He was hatin g Brooke’s decision to reject the joys of capitalism and wanted me to make u p for it. So we had this whole heated argument about how it’s more important

to do something you love than to make a lot of money (my side), versus you have to be a responsible adult and support yourself because no one else is g oing to do it for you (his side). I had to throw this whole hysterical screa ming fit before he even listened to what I was saying. Which is such a joke,

because this school is really selective and lots of kids don’t even get in, so it’s supposed to be a privilege to even be here. So we agreed that I cou ld go if I got in. If I didn’t get in, I’d be forced into some obnoxious col lege-prep private school horror show. Guess who won that battle? Kids apply from all over New York City to go here. It’s supposed to be one of the best public schools around. But you don’t necessarily get in for hav ing good grades in middle school.
32
It’s not that kind of selective. You have to have some special talent. Besi des me and James, there are only a few other kids who live close by. Everyo ne else is from the Bronx or Brooklyn or Queens, or just from other neighbo rhoods in Manhattan, all spread out.
So you’d think our school would be all technologically advanced and crammed

with supplies. Which I guess it is when you see the computer labs and proj ectors in the classrooms. But not so much with basic stuff, like restocking
soap in the bathrooms or having short paper for the copier (so all of our handouts are on long paper until more short paper comes in) or having enoug h lab stools to sit on.
I stand up straight and stretch out my back. Part of it makes a cracking noise .
Other than lab days, Earth Science is tolerable. Math’s okay (I’m a peer tu tor), English Lit rocks (mostly because of free-write time), and Web Design
blows (completely). I wish I was as smart as James. Then everything would be so easy. Everyone always says how I’m so smart, but they don’t know what
it’s like being me. Always feeling like you could do better. Maybe I’m too
hard on myself. But that’s part of being a perfectionist.
There are only about three people who know what’s going on in this class, be cause Ms. Parker can’t teach. Plus, she always throws in these impossible qu estions that like maybe Einstein could figure out on one of his good days. S o the last fifteen minutes of lab is the worst kind of stressful. It’s this frenzy of flipping through notes and everyone getting mad at everyone else b ecause no one knows what to put for the conclusions section.
33
“What’d you get for three?” Eliezer asks us.
“We just did three,” Miguel says. “Weren’t you listening?”
Here’s Miguel: wicked smart, completely destroys the curve.
“Dude,” Eliezer says. “Just what’d you get?”
Here’s Eliezer: burnout senior, needs this class to graduate.
Miguel looks at Eliezer like he’s the biggest reject ever. Then he starts ex plaining like he’s talking to someone whose last reading accomplishment was Pat the Bunny.
“You have to explain that the half-life of Carbon-14 is 5,700 yea! rs, so that means after that period of time has elapsed, half of the original C-14 sample
is still radioactive element, while half of the sample has been converted in to its stable decay product, which is Nitrogen-14.”
Eliezer stares at Miguel. He goes, “Huh?”
I think Miguel lost him at elapsed.
“What part don’t you get?” I ask him.
Eliezer snatches Miguel’s paper and starts copying.
“Don’t!” Miguel panics. “You know if we copy, we’ll all get zeroes.” Eliezer keeps copying. “Like she’s gonna notice one answer.”
Miguel throws me a desperate look.
“She reads everything,” I say. I unzip the side pocket of my bag and take ou t a new pencil. They’re lined up in their holders next to my colored pens an d regular pens.
Eliezer goes, “Yeah, right.”
“Ever read her comments when you get your labs back?”
“No.”
“Well, if you did, you’d see that she reads everything.”
“She even corrects your spelling,” Miguel adds.
34
Eliezer realizes he’s outnumbered. He pushes Miguel’s lab back to him. “Whatever,” he groans. “Let’s just get this over with.”
On my way to math, Steve’s across the hall and I want to go up to him. But t he hall is crowded and I can’t get through, and then he’s gone.
Nicole’s waiting for me around the corner. She’s like, “Did you see Brad?” I didn’t.
“He shaved his head!”
“Ew. How does it look?”
“Disgusting. Everyone’s saying how his head is shaped like an egg.” “This just in.”
“Did you get number thirty-two on the homework?”
“Urn.” I think I might have tried that one between thinking about Steve and thinking about Steve.
The bell rings.
̶! 0;Not tha! t it matters,” Nicole grumbles on her way to the back of the room. S he always sits in the back and I always sit in the front. Unless we have ass igned seats. She likes to do that so she can spy on everyone and write down story ideas without them knowing. “I didn’t get any of the other ones, eithe r.”
“You’re coming to tutoring, right?”
“I’m not sure.”
I’m a peer tutor for math on Tuesdays. Nicole comes almost every week. I lik e explaining math to people. I’m into the finite
35
rules and organized methods. I guess that’s why I rock at math. Which is wei rd, because you’re not supposed to be good at both math and artistic stuff. But making numbers work has a calming effect on me. Plus, everyone knows tha t colleges will reject you if you don’t have enough activities. It’s so they
know you’re not just some antisocial brain in a jar.
I sit down. Keith is staring at me. He waves.
I wave back. I still haven’t told him no. For some reason, I lied to James yes terday and told him I already did.
“Good morning, leaders of tomorrow!” Mr. Farrell shouts. “Who wants to pu t number thirty-two on the board?”
I look back at Nicole. Her eyes say, See?
“Nicole?” Mr. Farrell says. “Thanks.”
“But I didn’t–”
“And who wants to do thirty-three?”
Nicole sighs this long, dramatic sigh. She pops open her binder. She lifts h er homework pages out like they’re made of lead instead of paper. “Okay, Jackson,” Mr. Farrell decides. Jackson always looks like he’s about t o bust a vital organ over the chance to put a problem up.
Then Mr. Farrell sits on top of his desk to take attendance. He’s wearing h is math tie with the neon numbers and a white shirt and his brown cords. He
has this habit of wearing the same pants every Monday for som! e reason.! The y look like they’ve seen better days. And his scuffed brown loafers don’t r eally go with his pants. They’re different shades of brown.
Nicole is putting the problem up. Mr. Farrell finishes attendance and turns a round to watch her. I catch him looking at her butt for a few seconds. I look
around to see if anyone else
36
caught it. But the class is dead. It’s always like this at the end of the ye ar. Especially on Mondays. We have these state tests coming up called Regent s Exams. You have to pass all of the ones you need or you can’t graduate. Th e Regents are less than a month away, but no one stresses until the night be fore. Now we’re just killing time. Stuck in faux-education limbo. A police siren screeches by outside.
Nicole puts the chalk down. The problem is only half done.
“Not so fast, Nicole,” Mr. Farrell says.
“But I didn’t get this one.”
“You need to at least try.”
“I did. I got half of it.”
“You need to try harder.”
Nicole sucks her tooth. She picks up the chalk.
Everyone’s waiting.
“Like she’s ever gonna get it,” Gloria informs the room.
Nicole freezes up. She doesn’t turn away from the board.
“Can I explain miner 1 ” Jackson begs.
“Not yet.” Mr. Farrell holds his hand up in a you-must-chill gesture. “Let’s give Nicole a chance to finish.” Then he darts an angry look at Gloria. But Nicole just stands there. I send her a telepathic message to hang in. “Here’s what we’ll do,” Mr. Farrell announces. “Why don’t we start this wor ksheet–no, stay where you are, Gloria, you’re working individually–and th at way I can walk you through it, Nicole. Okay, who–thanks, Jackson, you c an have a seat, we’ll go over that one later–who wants to pass out the wor ksheet?”
No one ! raises their hand. Someone yawns rude loud.
37
“Do we get participation points?” Gloria demands. Sure.
Gloria gets up to pass them out. She snaps her gum. The snap sounds like a f irecracker.
“Gum, Gloria,” Mr. Farrell warns.
She’s like, “Sorry.” Even though you can tell that she’s totally not. “It won’t
happen again.”
“I know. Because you’re going to throw your gum out.”
Gloria glares at him. He should know better by now.
Gloria is one of those girls whose purpose in life is to give teachers a hard
time. And also all of us, for extra fun. Girls are petrified of Gloria, beca use she’s totally gorgeous and can have any guy she wants. And every guy she wants is coincidentally already someone’s boyfriend. Not that she cares. If y ou give her attitude or even look at her wrong, she’ll get you back. And it w ill be ugly. Or sometimes, she’ll just decide she wants what you have and the re’s nothing you can do about it.
Like in ninth grade? Our social circles actually intersected for a little wh ile at the beginning of the year. Back when I thought we were friends. And o ur mutual friend Sheila was having a movie-night party at her house (it was Reese Wither-spoon screening night), where six of us got together to eat piz za and watch movies and do the old-school sleepover thing. So we were playin g Truth, and I said how I liked this boy Emilio and I could tell he liked me , too.
I can’t even tell you how shocked I was when Gloria totally went after him M onday at school. She seemed completely trustworthy and sympathetic at the sl eepover, all listening to everyone’s secrets and giving advice. And then she
went and did that? I totally didn’t see it coming. Neither did the rest of the girls
38
who were there. They all heard me say how I liked Emilio, and they all saw
how Gloria stole him away from me. So! of cours! e we all iced her. A couple
of the girls told the whole school what she did. And even though it was e mbarrassing, I wasn’t that mad. Because then Gloria got this immediate rep utation as a skanky boyfriend-stealing chickenhead.
It’s not like I didn’t confront her. I did. And you know what she said? She w as all, “But you never went up to him.”
And I was like, “But you knew I liked him.”
“You don’t even know for sure if he liked you,” Gloria said. “You just thoug ht he did.”
“Yeah,” I said. “Because he did.”
Then she was like, “There’s no law against talking to people. That’s all I d id. He was the one who asked me out.”
Yeah. That tends to happen when you rub your ginormous breasts up agains t some boy’s arm.
I take out my red mechanical pencil that I always use for math. Red goes wit h math. I click it twice and wait for my worksheet.
Gloria holds a sheet out to me. But when I reach for it, she drops it on the fl oor.
“Oops,” she drawls. “My bad.”
She doesn’t pick it up.
I reach down to get it. My binder slides off my desk and crashes to the floor.

“Oops,” she says. “So sorry.”
Apparently, Gloria still blames me for when all the girls stopped talking to her. Like her lack of morals is somehow my fault. It’s so stupid. I start the first problem. I show my work for cross-multiplying. 39
I try to concentrate. This is one of the few rooms with ventilation, but there’s

still not enough air in here.
Steve and I usually sat together at lunch, but I’ve been sitting with James s ince The Incident. I wonder if I should try and sit with Steve anyway since h e said let’s be friends. Or maybe I should wait until after school, when I ca n talk to him alone.
Mr. Farrell is still helping Nicole with the problem. Which is weird, becaus e he never helps us put up homework problems. It’s either sink or swim in he re. But maybe he feels bad for her, because even though she works really har d, she’s still barely passing this class. Or maybe he feels bad about what G loria said.
I’m trying to figure out what I should say to Steve later. Should I be like how I miss him and I forgive him? Or would that make me look desperate? Or m aybe I should wait for him to come to me instead. . . .
When Mr. Farrell tells us to pass our papers up, I’m still on the first problem .
I hate days like this.
Like when one minor thing happens but it gets all huge in your head and ends up bothering you for the whole rest of the day. I can already tell the thing with Gloria is like this. The entire day is going to suck now.
But then I open my locker. And there’s a bunch of flowers sitting there, righ t on top of my books.
They’re not just any flowers, either. They’re spray roses. I love spray roses because they’re smaller than regular roses, so
40
there are a few different buds on the same stem. And they smell just as prett y.
I lift out the roses carefully and hold them up to my nose. I love this. And I

love what this means.
There’s only one person who knows how much I love spray roses. This must be his way of saying sorry. But maybe he’s not ready to talk about

it yet. He probably just wants me to know that he’s thinking about me and t hat he still loves me and he realizes that he made a huge mistake and he tot ally misses me.
I love days like this.
At lunch, I sit with James.
Steve looks at me from across the cafeteria.
My heart forgets how to beat.
He smiles at me.
I smile back.
And then James shoves his chair back and gets up.
I’m like, “Where are you going?”
He says, “I’m done.”
It’s obvious something’s wrong and he doesn’t want to talk about it. And it i sn’t the first time he’s shut down. It’s how James deals with stress. Especia lly when he has a ton of stuff to do and no time to do it. I know he needs sp ace right now.
So I go back to sneaking looks at Steve. He smiles at me again.
I’m so psyched that even the grungy Hot Pockets taste good.
41
By the time the last bell rings, I know exactly what I’m saying to Steve. I worked it all out during the mind-numbing dreck that was eighth period. And I’m sure he’s been waiting for me to talk to him ever since I found the flow ers.
I’m putting my stuff in my bag and trying to smooth down my out-of-control cur ly and out-of-control frizzy dark brown hair. Which is a pointless struggle, b ut we try. I have a really big Italian last name. Ferrara. I also have really big Italian hair to go with it. Everyone loves my hair, but I hate it. It’s wi ld. It doesn’t fit into my ultra-organized life. It extends beyond the borders , freaking out whenever it feels like it.
But my first name is way more interesting. Mom got the idea from an old F leetwood Mac song, which was this major group in the seventies. Back when

my parents were these people I would never recognize today.
The halls are emptying fast. No one wants to stick around for tutoring during the last week of May when it’s sunny and seventy out. Maybe Mr. Farrell will t ell me I only have to do another week of tutoring. There’s Regents later, but the one for this class is a joke. I heard it’s not because the test is that ea sy, but the grading scale is way lax.
I go down the back staircase in case Steve already went to his locker and h e’s on his way out. I need to tell him this now. When I’m about to walk dow n the hall to where our lockers are, Nicole comes running around the corner

and slams into me.
“There you are!” she gasps.
“What’s wrong?”
42
“Wrong? Nothing! Nothing’s wrong.” She stands right in front of me, swaying f rom side to side. “I, uh . . . I just thought you left already.”
“So?”
“No, it’s just … I have a surprise for you.”
I smile really big. I love surprises. As long as they don’t disrupt my schedul e or anything. “What is it?”
“I can’t tell you–duh! Okay, so let’s go.” She grabs my arm and spins me tow ard the stairs.
“Wait! I need to go to my locker.”
“No way. We don’t have time.”
“Why not?”
“Because of the surprise!” Nicole coughs. “We have to leave right now.” “But I need my stuff.”
“Like what?”
“Uh . . . review books? And my math book?”
“Oh, yeah! I totally spaced on those homework problems.”
“What are you talking about?” Nicole never forgets about math homework. Sh e stresses it every night.
“You know what?” Her voice sounds all high-pitched and anxious. “I have to

get my book, too, so why don’t I get your stuff for you?”
“What–is Brad dealing weed in front of my locker again?”
“Ha-ha! Right? Okay, so meet me out front!” Nicole zooms off. “Wait!” I yell after her.
She turns around and walks backward. “What?”
“Get the roses!”
“What roses?”
43
“Just get them!”
We know each other’s locker combinations and we’ve gotten stuff for each ot her before. But she’s acting weird. If I didn’t know her better, I’d think she was hiding something from me.
The cute waiter we always hope we get at Chat ‘n Chew puts a huge plate wit h a grilled cheese sandwich (tomato and bacon) and fries (extra crispy) in front of us.
On the walk over here, I told Nicole about the roses. I wanted her to agree t hat it was Steve’s way of saying sorry. But she looked less than thrilled. Sh e’s definitely in a weird mood.
Instead of talking about Steve, Nicole talked my ear off about the Last Blas t dance. That’s what we’re getting instead of a junior prom. Joni’s cousin g oes to school in New Jersey, where they’re having their junior prom next wee k. So of course Joni’s all twarked up into a big snit because she won’t have

the opportunity to spend hundreds of dollars on a dress she’ll only wear on ce in her life. She took her argument straight to the principal. Plus, her f ather’s this big-shot PR rep who’s probably the only parent to donate money to the school every year. Supposedly, when he heard we don’t even get a juni or prom, he was outraged.
So Mr. Pearlman said we could have a junior dance at the end of the year, but

it had to be before June. He didn’t say why, but I know he’s paranoid of any thing that would distract us from studying for the Regents. As if a dance wou ld even make a dent in the abundance of other distractions in our lives. It’s

like this: if a lot of kids pass the Regents Exams, the school gets a 44
reputation for being good and the principal can go home happy at the end of the day thinking he had something to do with it. So the Last Blast dance is this Friday.
The whole scenario was supposed to teach us about compromise. But all I re ally learned is that money is powerful enough to bend the rules. Rhiannon:

0, Dad: 1.
“You better be treating,” I say. “I have, like, four dollars.”
Nicole picks up her half of the sandwich. Melted cheese oozes from her piece

to mine. “Of course. That’s the surprise!”
“Just so you know? I was about to get Steve back when you ran into me.” Nicole chokes on a huge bite of cheese. “How?”
“I have my ways. . . .”
“Ree.” Nicole gets her serious look she always gets when she’s trying to con vince me to think like her. “I know you don’t want to hear this, but … he might not want you back.”
“So then what were the roses for? And I know he still loves me. Oh, and he s miled at me in lunch today. Why would he smile at me if it’s really over?” I

sprinkle pepper on my half of the fries. “He’s just worried about us not be ing together next year is all. But we’ll still have the whole summer.” “Are you sure it’s only about next year?”
“Yeah. What else could it be?”
Nicole sips her lemonade through a purple straw. She doesn’t say anything. There’s this project for Contemporary Design that’s due next Monday. We h ave to pick a museum to do research at and go
45
there sometime this week. I picked the MoMA because modern art rocks. We’re

allowed to work in pairs, but then the project has to be twice as long. An d both people get the same grade, even if it’s obvious that one person did all the work. Which I usually hate, because I’m always the one who ends up doing all the work. So I don’t normally work in pairs if there’s a choice, but Nicole’s in my class so we’re working together. We’re doing our project

on using recycled material in designs that enhance urban aesthetics. After Chat ‘n Chew, we argue about when we’re going to the MoMA. “Fridays are free from four to eight,” Nicole advertises.
“But I don’t want to wait that long. And there’s the dance Friday.” “But we could go before.”
“Can we please just go now? I seriously need something to distract me until

I can see Steve tomorrow. I’m going crazy.” I use my pity-me frownie face. It works.

“Okay,” Nicole gives in.
“Let’s go.”
“Fine. But we need to hurry up. I’ve got stuff to do.”
“What stuff?”
“Just stuff.”
Lately it’s like there’s all this drama going on in Nicole’s life she’s not tel ling me about. And she hasn’t even given me the remotest hint about what it is. We go. We take notes on sculptures. I want to find this one Picasso sculptur e called She-Goat that used all these recycled materials. Picasso totally pu t in a wicker garbage can and flowerpots and bottles and stuff when he was m aking it. That’s hot.
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But we can’t find it. So I go up to a guard and say, “Excuse me. Where is Pi casso’s She-Goat}”
And he’s all, in his snazzy French accent, “Zee goat is in zee garden.” And he sweeps his hand in this grand gesture that’s like, After you, madam. The sculpture garden is awesome. I recognize She-Goat from some photos I sa w online. I put my face really close to the surface. I don’t know if you’re

allowed to touch the sculptures or not. There’s no sign or anything saying not to touch them. I mean, I know you’re not supposed to touch the paintin gs because the oil from your hands could damage the paint, but these sculpt

ures are all outside. One of the photos even showed She-Goat almost buried in snow from that huge storm we had last winter. So it’s probably okay. But maybe not. I look closer.
“What are you doing?” Nicole says.
“Trying to find the garbage can.”
“Huh?”
“You know how it’s–”
“Oh, yeah. You told me.”
I can’t find the garbage can. Or the flowerpots. Or really anything. We take notes for a while, not talking much. But I’m still wondering what’s taking over Nicole’s life these days. And why she hasn’t told me about any o f it. I’m trying to be okay with respecting her privacy, though. We had a bi g fight last year about how I felt like I was sharing a lot more of my life than she was. And she said how there were some things she just wasn’t ready to talk about. But she promised to tell me about the important things. So wh atever’s going on, it’s probably no big deal.
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The sound of the phone not ringing is the loudest sound there is. It’s distracting me from the poem I’m supposed to be reading for English. I can’t concentrate on iambic pentameter. I can’t think about anything but why

Steve isn’t calling me.
He gave me flowers. He should be calling me.
I get up from my desk and open my window some more. It’s so nice out. I’m d ying to walk to the pier and sketch the moon since it looked so incredible yesterday. But I don’t want to go in case Steve calls. I can’t have my cell

on when I’m visiting the moon. That would be impolite.
I sit back down at my desk. I stare at the next page. My brain refuses to wor k.
The phone still doesn’t ring.
I can’t concentrate. But I have to do something.
Sitting still long enough to watch a movie is not an option. I need to move ar ound, but I can’t leave. Cleaning my room would be a perfect solution if it wa sn’t already perfect. I’m so anal about it. I don’t know where it comes from, but I’m an organization freak. If even one thing is out of place, I have to pu t it back or else it totally distracts me. I guess that’s why I want to be an interior designer. Or even a closet organizer. I think organizing people’s stu ff is super fun. The most fun is when someone is a total slob. You can organiz e their life for days. And inspire this calm feeling that permeates into all a reas of their life. Since everything is connected.
Nicole is always saying my room is so cool. It has a puffy red couch against the wall with all the pillows I made that have satin trim and ribbons and seq uins. And a stainless-steel mini
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fridge with a magnet that says, leap and the net will appear. Then there’s my

architect table with the special lamp that I love sitting at because it make s me feel all adult. Like I just came back from a hard day at work, figuring out how the skylights should look in a new green office building. And then there’s all my projects. Things I haven’t felt like doing since The

Incident. Like the decoupage jewelry boxes and bags I make for my friends. There’s just no inspiration anymore. The passion’s gone.
The phone still doesn’t ring.
At my computer, I click on my day-planner widget. I have this thing about wr iting down everything I have to do. I like the feeling I get when I finish s omething in my day planner and I can check it off. So maybe there’s somethin g pending I forgot about. But when I go through everything, there’s only sch ool-related stuff.
There’s a pile of journals on my desk. Each one is for something different:

fave quotes from books and movies, Top Five lists, and my general journal where I do my moon sketching. I’m not ready to take it to the blog level. B ecause how can you be totally honest about your feelings if you know someon e’s going to read all about them?
I decide to make a new list.
Top Five Reasons Why Steve Isn’t Calling Me
5. He’s cramming for a test.
4. He thinks I’m asleep.
3. He’s asleep.
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2. He’d rather talk to me in person tomorrow.
1. He hates me.
It feels like the walls of my room are closing in on me.
What if I organize my books by size and color instead of author? I saw that on e time in Real Simple magazine and it looked sharp. And it’s only ten thirty. Steve might still call for like another hour. . . .
By the time I’m done with Project Reconfiguring Bookshelves, it’s after m idnight. None of my homework is done.
And the phone never rang.
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CHAPTER 4
“EAT YOUR EGGS,
Mom says. “They’re too runny,” I say. “No, they’re not.”
“How do you know? You’re only having coffee.” Mom gives me The Look. It ‘s the look she gives me when I’m being persnickety.
“Someone woke up on the wrong side of the bed,” she goes.
“That tends to happen when someone was up until three.”
Mom sighs. “Do we need to take away your TV?”
That would be the royal we. She uses the royal we whenever she threatens, im plying that Dad has input. But in reality, it’s
more like my dad is never here and Mom makes all the real
decisions herself. He’s not even here now. Dad leaves wicked
early, because by the time we wake up in New York, people have had most of their day in Japan already. So all those finance guys have to be at work by seven–sometimes earlier. Apparently, no 51
one is allowed to work on Wall Street plus h! ave a life. And even when Dad’s here, he’s a severe Crack Berry addict, so it’s not exactly like he’s really

with you when he’s with you. Mom is a corporate lawyer, so she works long h ours, too, but she doesn’t OD like Dad.
“I was doing homework, Mom.”
“Why so late?”
“I couldn’t concentrate before.”
“Why not?”
Here’s what will happen if I tell Mom why not. She’ll listen up to a point, wi th these strategically timed glances at the clock I’m not supposed to notice. So it’s really just half listening, half thinking through her itinerary for th e day. Then while she’s giving me detailed advice, she’ll pack files into her briefcase. And then her briefcase will click shut, along with my problem. Case

closed.
It’s not like she’s a bad mom. I know she tries. It’s just that when you’re t rying to balance so many things at the same time, it’s inevitable that someth ing’s going to fall. And her job has changed her a lot. My parents didn’t use d to be this way. They were all into that seventies lifestyle, way more relax ed about life. They were just different people back then, wearing different c lothes and even listening to different music. I basically grew up with our st ereo (and, horrifyingly, our record player) exclusively playing all these son gs about peace and love and a time when things were much easier for kids. Question: What happens to people when they grow up?
It’s like they forget who they originally were or something. But I guess some

of it rubbed off on me, because I definitely have this seventies vibe/style thing going on.
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I’m sure in another life, Mom would be one of those super involved soccer mo ms. But in this life, it’s all about multitasking. Which means she’s never c ompletely here. And since I’m not really in the mood to race the clock, I’m not getting her started.
I poke my fork into my eggs. “Long story.”
“I’ve got time.”
“No,” I say. “You don’t.”
When Sheila and Brad show up way late to math, it’s like I’m seeing her for t he first time.
Sheila is the most put-together girl I know. Her makeup is always perfect, an d she has this amazing style with clothes where it’s like she has this differ ent theme going every day. Like one day she’ll come in all hard-core biker-ch ick and the next she’ll be type peasant in lace and a flowy skirt. Plus, she’ s always in a good mood. Or at least that’s how she presents herself. But not today. Today she looks terrible. Actually, this isn’t the first time I’ ve seen her like this. Totally frazzled. It has to be Brad’s influence. He’s a mess and he’s dragging her down with him.
I wish there was something I could do to make her realize. But how can she n ot already see it herself?
We’re doing a poetry unit in English. I usually don’t like poetry, but we all g ot to pick a poet to do a project on. Mine is E. E.
53
Cummings. He totally rocks. All of his poetry is like this random, flowing th ought process. He liked to use lowercase letters when they should have been c apital. And unlike with other poetry, even when you don’t get it, it’s still interesting.
Today we’re getting extra credit for presenting our original poems. It’s opti onal because most of the stuff people are writing is way personal. “Tatyana?” Ms. Portman s! ays. “Would you like to present?”
Tatyana Dias is amazing. She has more self-confidence than everyone else in here put together. And she does all this eccentric stuff like paint her bags

and write song lyrics all over her sneakers, and she wears this loud beaded jewelry her mom makes. I swear she has every color of Converse ever invente d. Even the ones with polka-dots. And she’s not afraid to say these weird, r andom things to stick up for herself, but it’s like she’s also being funny a t the same time. Like if you press her, she’ll be all, “You best back up bef ore you get smacked up! And I put you on the bulletin board and you get tack ed up!” Then she’ll crack up for days. But the coolest thing about her is th at she writes freestyle poetry that completely blows you away. Just hearing two lines of her poetry makes you feel really intense. She’s already won two

New York City poetry slams.
Tatyana strides to the front of the class like nervous is this foreign count ry she’s never been to. She has this strong, clear voice. Totally unlike mos t kids who mumble so bad you can hardly hear them and the teacher always mak es them repeat what they just said. And you still can’t hear them. Usually when someone goes to the front of the room, they’re all jittery or they ramble or they say how they don’t know what
54
they’re doing. And you feel bad for them because you can totally see their h ands shaking the paper they’re holding. But not Tatyana. She just reads. Rebel
I have the might of separating the fight between darkness and light. With as hes that surpasses my sight, crime in time
slashes, isolating my rights. I speak with my eyes, and visualize with my mi nd.
I’m on a quest that has left me possessed and stressed ’cause I envy the ble ssed and pity the depressed. You can whip me, strip me, crucify me to a cros s; my
imagination within my deepest destination will not fall!
The poem rocks me to my core. It’s all about following your heart and never

giving up until your beliefs have become reality. And how if you don’t fol low your heart, you’ll never become the person you want to be.
Something just clicks for me. Like, hearing her words and feeling the power of her voice, I realize that I have to put myself out there to get what I wa nt. Even if it means surviving a potentially humiliating experience. Because

my life isn’t going to wait around while I figure out how to make it work. I’m like, “This is it?
55
No one else is here for tutoring. Not even Nicole.
“It would appear so,” Mr. Farrell says. He’s at his desk, grading papers. “Pull

up a chair.”
“What for?”
Mr. Farrell looks up at me.
“I mean … if nobody’s here …” I can’t wait to get to the library. Ever sin ce my epiphany in English, I know how to get Steve back. But I have to do some

research first.
“Are you implying that I’m nobody?” He smiles.
My pulse speeds up. It’s remarkable that a man can look so incredible every single time you see him. Like, doesn’t he ever have a bad hair day? “You–no! I’m . . .”
Mr. Farrell waits.
I sit down at the desk in front of him.
“So,” he says. “How’s school going?”
Coming from anyone else, this question falls into the Extremely Annoying Sm all Talk category. But with Mr. Farrell, I actually care enough to answer. Maybe it has something to do with the fact that he could be a stand-in for Jude Law. All the girls have a colossal crush on him.
“Good.” I clear my throat. “You know.” I cross my legs. “Same old thing.” I

mash my lips together.
“Do you like school?”
“Sometimes.”
“What do you like about it?”
“When we’re on break.”
He laughs. “There’s that sense of humor we know and love.”
No one is coming to tutoring today. It’s obvious. I’m about to ask Mr. Farrel l if I can go when he’s like, “By the way.”
56
“Yeah?”
“I want to tell you something.”
“Okay.” Here’s the part where he tells me that I’m a sucky tutor and I’m not g etting credit and I can’t put it on my college applications because I suck so bad.
“Thanks for tutoring this year,” Mr. Farrell says. “I know you’ve helped a lo t of kids. You’ve really made a difference.”
“Oh.” I’m mad gassed. “Thanks.”
“You’re welcome.”
“Is it okay if I go? I mean, since no one’s here and all . . .”
“It’s probably safe to say you’ve been stood up.” Mr. Farrell picks up his p en. “Onward. Go be a teenager.”
Yeah. I think I’m starting to get how to do that.
Whenever I get this really strong feeling to do something, I know I have to

do it. And right now I’m motivated to do something huge–like, way over-th e-top huge–that I normally wouldn’t do.
The thing that clicked while I was listening to Tatyana’s poem has to do wi th something Steve said. It was two weeks before we broke up, and we were i n my room listening to some new music I’d downloaded. Steve was lying on th e couch with his legs in my lap, reading The Outsiders. I was trying to dec oupage the front cover of a journal, but it was hard to balance everything on his legs.
One second I was bending over to pick up a tropical-fish sequin off the fl oor, and the next second Steve’s saying, “Do you ever wish you were more s pontaneous?”
“What do you mean?”
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“Like . . . more . . . doing unexpected things.”
I had absolutely no idea what he was talking about. “Where is this coming from?”
“Nowhere. Don’t get mad. It’s just a question.”
“I’m not mad,” I huffed. But of course I was. What was he trying to say? Th at I’m not exciting enough for him?
“Well?”
“Well what?”
“Do you?”
“I don’t know. I’ve never really thought about it.”
“Oh.” Steve went back to reading.
“Wait!”
“What?”
“You can’t just say something like that and not tell me why you’re asking.” “There’s no reason. It just came into my head.”
“It just came into your head?”
“Yeah.”
“From where?”
“Dude. You’re being irrational.”
“How is that being irrational?”
“You can’t ask me where it came from. It’s impossible to know.” I scrunched up my face like, Do you even hear yourself when you talk? Steve closed the book. “You always say you want me to tell you ! what I’m thi nking, right?”
I pressed the fish sequin over the journal.
“Right?”
“Yeah.”
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“So I’m telling you. You can’t get mad at me.” Steve sat up and rubbed my back. “I’m only doing what you wanted.”
Which I guess in a way was true. But there was obviously more to it. And he just didn’t want to tell me.
So now I know I have to be more spontaneous and exciting. Or that I already am, but I need to prove it.
Question: Does it still count as spontaneous if you plan what you’re going to

do before you do it?
Steve is the only person I know who loves chemistry. So there’s no way my p lan won’t get his attention.
I’m all about the pheromones when I’m going out with a boy. Like how Steve would sometimes let me borrow his shirt after he took it off. Then I would keep it under my pillow for a week. It would still smell like him that whol e time. I loved breathing him in all night.
In the chem section of the library, I find a humungous college textbook call ed Pheromone Biochemistry. I lug it over to a table. I’m practically the onl y one in here, so I don’t have to worry about anyone seeing.
I look up moths in the index. There’s something about them on page 533. There’s this saying that goes something like, “I’m drawn to you like a moth to a flame.” That’s how I feel about Steve. There’s always been this pull be tween us, like I couldn’t turn away even if I wanted to. I happen to know th at moths are all about the pheromones, too. I saw it on the Discovery Channe l.
I open my journal for random things and take some notes.
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It all means nothing now. But by tomorrow, it will mean everything. Nicole’s like, “So . . . we’re doing this?”
I think about it. After what Nicole just told me, this could be really embarra ssing. Plus, I could get in so much trouble for doing this if anyone figures o ut it was me. But I want to do it anyway. I want to take that risk. “Yeah,” I decide. “We are.”
“Are you sure?”
“Absolutely.”
There’s a courtyard area in front of our school that’s not too close to the s idewalk, but far enough away from the front doors for people to notice. I tak e out the two packs of sidewalk chalk and rip them open.
“The flashlight’s in here somewhere,” Nicole promises. She’s rummaging thr ough her bag. “Could it be any darker?! 221;
“Your bag is like the Bermuda Triangle.”
“At least that explains why my history homework’s missing.” She finally dig s the flashlight out of her bag. She glances around nervously.
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“Don’t worry.” This block of West Tenth Street is pretty quiet at night. It’s b asically all residential except for our school.
“So how are we doing this?” she whispers.
“Okay.” I take out the folded paper. “I think I should outline the letters firs t, and then you can color them in.”
“Do you want patterns or solids?”
“Um …” If I were Steve and I was looking at a huge sidewalk-chalk message f or me that took up the whole space in front of the school and everyone was go ing to see it, would I want the letters to have patterns or would I like it b etter if they were just colored in? “Maybe solid colors? That way after every one walks on it, you’ll still be able to see what it says.”
“True. What colors do you want?”
“Whatever you think looks good.” I survey the area. If we start over near the flowerbed and go all the way to right before the grass . . . and if we make ea ch letter about two feet high . . .
I bend down with a pink chalk stick and start the first letter, which is tricky

because it’s an S. Those are always the hardest to draw in block letters. Nicole holds the flashlight over me, because the streetlamps are too far away t o see here. When she starts filling in his name, she puts the flashlight on the

ground and angles it so we can both see. At first it’s hard to keep the letter s straight, but then I get the hang of it.
An old guy walking his minuscule dog stops to see what we’re doing. “We go here,” Nicole tells him. “It’s for a project.”
“Oh,” he gravels in his deep voice. “How nice.”
I keep writing. Nicole keeps coloring.
A few minutes later, I look over my shoulder to make sure
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he’s gone. But he’s still there. Watching. As if this is performance art or som ething.
I’m like, “But it’s not done and . . . we’re not allowed to have anyone see it y et.”
“Oh,” he says. “Well, I guess I’ll have to wait till tomorrow, then.” “Pretty much,” Nicole goes. “Sorry.”
“Come on, Bear,” he tells his dog. The dog’s paws click away on the sidewal k, fading out.
I imagine what tomorrow morning will be like. The knots in my stomach tigh ten. What will everyone say? What will Steve tell everyone? Will he try to

find out what it means before he comes to find me? Or will he come right up to me and say he’s sorry for everything and he doesn’t know what he was
thinking and can I ever forgive him for being such an idiot?
When we’re done, we look over our work. It says:
Steve-
My chemosensory organ occludes your phenethyl alcohol.
Love, He
Not even Steve will know what it means at first. But he’ll know who it’s fr om. And it will be the perfect way to make him see that I can do unexpected
things. Because there’s no way that anyone would expect something like thi s.
Tomorrow will probably be the most humiliating day of my life. But when it’ s over, Steve and I will be back together. And that makes everything worth it.
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NICOLE
CHAPTER 5
Saturday
SO HERE’S WHAT happened
Danny was my boyfriend. He was sweet and funny and cute and he totally ad ored me. And that’s why I had to break up with him.
I’m the kind of girl who gets noticed all the time. Which you’d realize is so
ironic if you knew me, because I’d rather be the one watching than the one b eing watched. But the reason I get noticed is because supposedly I have this in-your-face wild-style thing going on, even though I don’t think there’s any thing wild about it. Just your average graphic tanks and spiked belts and cro pped vintage tees and funky jewelry and fishnets with combat boots, that sort
of thing. Oh, and I have a nose ring, but technically it’s just this small d iamond stud that you can hardly see unless you get really close to me. Which I don’t exactly invite a lot of people to do.
So most people assume I’m wild like my style, which isn’t even that wild in th e first place (like, hello, it’s called the East Village, you might want to ch eck it out sometime), but I’m really not. Just
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because a person chooses to express themselves in! an extreme way doesn’t me an they have an extreme personality. I’m just making a statement. It’s not some rage against the machine, down with the man type deal. Plus, it’s this
whole new thing with me. I just put my wardrobe together last September an d came back to school all different. I guess you could say I needed a chang e.
Anyway. Danny was my first real boyfriend. The thing with Jared doesn’t co unt because he was only trying to score. So when Danny not only noticed me
but also asked me out, I was like, “What’s wrong with you?” Because norma lly people look at me but they don’t exactly talk to me. They just kind of
sneak looks like I can’t tell they’re gawking, or they get shocked into s ilence, depending on the person. But Danny was like, “Nothing.” And I beli eved him because he was Danny.
He just came right up to me with his cute smile and customized Vans, which is the ultimate skater-boy sneaker that gets me every time, and his yellow rubber bracelet that says moment of zen and his radical attitude and picked
me to be with out of everyone else. Maybe he thought my clothes matched hi s political fanaticism.
And it was great at first. But then there was that night. So I had to break up w ith him. I couldn’t deal with it then and I still can’t deal with it now and tha t’s just the way it is.
Yeah. You know what? The whole thing is way too complicated to even get i nto here.
So I’m in my room listening to X & Y and ignoring Mom yelling how if I don’t
clean my closet I can’t go out tonight and consulting the latest entries in
my spy notebook. I’ve had one of these since fourth
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grade when I fell in love with Harriet the Spy and wanted to be her more th an anyone else in the whole entire world. And I still have spy notebooks, b ecause it’s this thing I do to get plot ideas for the screenplay I! 217;m wri! tin g. I spy on random strangers and kids at school all the time for ideas, and
they don’t even know it. No one knows about my notebook except for Rhianno n. Well yeah okay and I told Danny, but I’m sure he probably forgot by now.
Who remembers everything about somebody?
My ultimate goal is to be a film director, but writing screenplays is an exc ellent way to get noticed in the indie world. I love being in control of eve rything that happens, like being the one to decide who gets a happy ending. It would be so kickass if I turned out to be like Todd Solondz (Welcome to t he Dollhouse, Happiness) or Alexander Payne (About Schmidt, Election), who a re, like, the ultimate mega gurus of film. And not to toot my own horn, but I have an amazing eye for detail, which is critical in this business. Like w ith Mike White? I totally noticed that he wrote The Good Girl (which is one of my all-time faves and if you haven’t seen it, there is just no excuse for
that kind of behavior) and that he was also a writer for season one of Daws on’s Creek. But that’s not the detail. The detail is that he had this almost
identical line in both of them. Something about “going to the grave with un lived lives in your veins.” I’m sure there was me and like two other people in the world who noticed that.
So I’m consulting my spy notebook and now Mom is yelling that dinner’s read y and I so don’t want to go down there I can’t even.
But like I have a choice. So I slog down to the dining room. Or the part of the living room we call the dining room because we put a dining-room table t here. It’s from our old house and it
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doesn’t even fit into this pocket-sized apartment, but somehow Mom cramme d it in anyway. When we lived upstate in Water Mill, there was room for e verything. Out in the country with a whole backyard and a stream. You cou ld fit like ten of our apartments in that house, which was my grand! parent s&! #8217; and where my mom grew up. Here it’s a mega challenge to just get room to breathe.
It’s been three weeks. Let’s just say Danny’s still not over me. But I like him and I want to be friends with him and he said that’s cool, but you can t ell it’s not. Because how can you be just friends with someone when what you
really want is so much more? But he said he’d rather be friends with me tha n not know me at all. So now we’re both at this party at Keith’s place, and I heard that Danny might ask me to the Last Blast dance next Friday and I do n’t know what to say if he does.
I drink my 7-up and watch Heather fake-sip her beer. I totally get that she’s
fake-sipping it because she knows Carl is watching and she has a major crush
on him, but still. That’s no excuse to act like someone you’re not. It’s lik e, if you don’t want to drink then don’t drink. It’s so tragic. That’s one th ing I love about Rhiannon. She’s straight-edge and doesn’t care who knows, be cause she’s proud of it.
Scanning the crowd for Rhiannon, I find her standing near the wall looking s ad. I try to remember the last time she didn’t look sad and I can’t. And I c an’t believe Steve dumped her like that and didn’t even tell her why. Who do es that? But unfortunately for Ree, you can’t argue your way into someone li king you again when they just announced that they don’t anymore. It’s over f or them, so it has to
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be over for you, even though it’s so not. I never used to get this, but after I broke up with Danny, everything was crystal.
I walk over to Ree and think about what I can say to make her feel better. Not to be shallow at a time like this, but her outfit rocks. She has the co olest sense of style anywhere. It’s like she doesn’t have “good clothes” an d “bad clothes” categories,! because ! all her clothes are hot. She has these retro orange-and-brown-striped pants and about three hundred jelly bracelet s and an orange shirt that says CALIFORNIA DREAMIN’ . Her bag has three pin s–the fox from The Little Prince, John Lennon in his New York City tee, an d one that says LOOK CLOSER . It’s a whole different look from the party ou tfit I am currently working, which is my black knee-high biker boots (the o nes with all the buckles and three-inch heels), shiny red vinyl micro-mini,
and Hello Kitty tee. But you know. They both work for different reasons. So I ask Ree where James is and he’s getting a drink. And she looks so sad an d lonely, and I hug her. And then she asks me if her eyes look red, and they’ re totally bloodshot but I tell her they’re fine and that she looks gorgeous as always. Which is true.
She’s like, “Can you believe this place? What do Keith’s parents do again?” And I’m like, “I think his dad works with Donald Trump.”
Ree says how that’s so typical. And then I’m preparing for another rant about
Steve and how lacking he is, but Ree’s not like that. Ree’s like how she wan ts to get Steve back.
Danny passes by but doesn’t come over, and I can feel him watching me from
all the way over there.
Ree notices and goes, “How’s the let’s-just-be-friends thing going?” I go, “Nowhere. It’s impossible for a boy and a girl to just be
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friends.” Ree smirks so I add, “Okay, except for you and James.” And she’s all, “So it is possible.” But I’ve never believed that Rhiannon and James are just friends. They have to like each other more than that. Even if t hey don’t want to admit it.
So I say, “Are you seriously telling me that you’ve never…”
“What?”
“Didn’t you ever want to get with him?”
And she! ’s like, “James? No way! He’s like my brother or something.” And the n she does this shudder thing, but I’m not entirely convinced. Plus James i s her type–she goes for the smart boys with glasses.
So I go, “But he’s mad cute.”
And she’s like, “Yeah, but… no. See? You can be friends with a boy as long as you’re not attracted to him.”
“But you just said he’s cute.”
“No, you said he’s cute.”
“But you agreed.”
Rhiannon just stands there scratching her arm. Then she says how Keith just
asked her out and I’m like, “You waited this whole time to tell me?” And she’s all, “Yeah because it’s not like I’m ever going out with him.” And I’m like, “Are you crazy?” Because just look at this place. I have two wo rds for you: rooftop pool. In downtown Manhattan. Some seriously sick stuff. Not that stuff is what’s important in life. But I definitely wouldn’t mind ki ckin’ it with this caliber of stuff for a while, if you know what I mean. Sheila comes over and goes, “I’m going up to see the pool. Want to come wi th?” And I’m about to say let’s go but then I see Danny coming over. It wo uld be mega rude to walk away when he’s
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obviously coming over to talk to me and I’ve already seen him.
So Ree leaves with Sheila, and Danny comes over and he’s trying to play the
part of See Look How Fabulously We Can Just Be Friends, but it comes off m ore like I Really Really Miss You. And I’m trying to make him feel better b y asking him how things are going and about the election and he’s trying to
act all casual and relaxed, but it’s just not working and I should have go ne up to the roof. So I say I’m going up and does he want to come? But he d oesn’t, so I go up alone.
The roo! f is amaz! ing. You can see for miles up here, all the way to the end
of Manhattan and across the water, and uptown to the Empire State Buildin g, and it’s beyond overwhelming.
I go over to where Ree and Sheila are sitting on lounge chairs at the other s ide of the pool. And Sheila’s like, “Did you guys hear about Eliezer?” We didn’t. So she fills us in on the latest gossip, which is that Eliezer bl ew up a condom and put it under Jackson’s chair in Web Design. Eliezer does things like this because he thinks they’re hilarious. When in fact it’s so s ixth grade I can’t even. So then Ms. Zigman pitched a fit and totally called
Eliezer out on how when he took a practice SAT he thought chicken coop was some type of co-op housing deal for upscale chickens. Which is a really sad commentary on how the SAT is totally unfair and favors suburban kids, but wh atever. Ms. Zigman will do something extreme like that if you act like a chi ld in her class, especially if you try to embarrass someone else.
So after a while Ree decides she’s leaving, which is totally disappointing but
at least we got her out of the house for one night. So I hug her good-bye and
tell her to call me if she needs anything.
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It’s just so nice, sitting up here on the roof all peaceful. But then Brad s hows up and Sheila leaves with him and I notice that he’s kind of demanding about it. But of course I don’t say anything because it’s none of my busines s. So I go back downstairs and notice Danny talking to James and Carl and Ev an. There’s something about the way they’re talking, all conspiratorially an d laughing. I don’t even know why or what it is about the way Danny’s talkin g and laughing with them, but it’s kind of obvious they’re all discussing so me girl, and I want to know who she is and what he’s saying.
I kind of sneak up behind Danny so he doesn’t even know I’m ! there, an! d I pos ition myself so it’s like I’m standing there listening to this other group i nstead of totally spying on Danny. If I could get away with recording the de ets in my spy notebook, I definitely would. But when I hear her name, I wish
I had never come over.
They’re not just talking about a girl. They’re talking about the girl. Marion
Cross. The school uberbabe. I’ll bet there’s not one boy in our school who d oesn’t use her for nightly masturbation material. Naturally, she only dates c ollege guys.
Anyway, I’m expecting to hear Danny laughing along with the others, like may be one of them tried to ask Marion out or something equally ridiculous. But that’s not what’s going on. It sounds like they’re encouraging Danny to ask her out. But it’s hard to hear exactly.
Evan goes, “A score for you would be a score for the entire junior class.” And Carl’s like, “Hell yeah!”
Danny’s all, “Never say never, that’s my motto.”
It’s like I can believe it but I can’t believe it. Why is he even interested in he r? I mean, okay, duh, I get it, but already? It’s like
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he couldn’t wait to get away from me so he could hit on her. And Ree keeps ins isting how it’s so obvious that he still wants to be with me, but I guess it’s
not so obvious after all.
I’m insanely jealous. Which is completely absurd since I’m the one who broke u p with him. So I don’t exactly have a right to feel this way. But that’s the t hing about feelings. They’re totally illogical, especially when it’s not fun f or them to be.
So it’s totally illogical that I do this next thing, which is walk right into Dan ny’s group.
He looks completely guilty, like I just caught him talking about something he
didn’t want me to hear. He’s all like, “Hey, Nicole! I didn&! #8217;t s! ee you.” So I’m like, “What’s up?”
And Carl’s like, “Nothing yet.” Then he nudges Evan and they do that snorti ng/laughing thing you do when there’s an inside joke.
Evan goes, “Yeah. I’m not as lucky as some people,” and he looks right at D anny when he says this.
Danny laughs uncomfortably, and it’s so obvious he’s dying right now becaus e he’s afraid they’re going to say something about Marion in front of me an d blow up his spot, and I hate the way this is making me feel. I don’t want
to know but at the same time I want to know everything.
But then Danny says later to the guys and asks if the roof is cool and I say it is, and he asks if I want to check it out again. I just stare at the window wall .
And he’s like, “What’s wrong?”
So of course I say, “Nothing.” When really it’s everything.
He goes, “Sure you don’t want to go up?”
I say I’m sure. So he leaves and I immediately start having those 71
thoughts. They’re the same thoughts I’ve been having for months anytime I’ m alone and unoccupied. Or even when I’m occupied, like with doing homewor k or shaving my legs or trying to decide if I want cereal or waffles for b reakfast.
But the thoughts are interrupted by Joni barging over and going, “It’s so ter rible about Rhiannon and Steve. I heard her talking about it with Sheila befo re? Yeah. I thought they were a serious item, but I guess I was wrong. Is she
still devastated?”
She can’t seriously be asking this question. Is she really that dense? But apparently she is, because she’s still waiting for a response. So I say, “Yea h, she’s still… devastated.”
And then she starts in on this whole thing about how there’s this trend at o ur school of boys dumping their girlfriends out of nowhe! re and ge! tting away with it like it’s not even wrong and did I hear about Brad and Sheila? I didn’t.
So then I have to stand there for like twenty minutes while Joni tells me ev ery last detail of Brad and Sheila’s lives and how tragic it was that he thr eatened to break up just because she had to take care of her little brother after school and didn’t have time to see him as much. And how it traumatized
her so bad that she failed a French test and it wasn’t even that hard. But they ended up staying together because Sheila told her mother that she can’t
babysit every day because it was affecting her grades. And how can any remo tely involved parent argue when you play the grade card?
And then Joni goes, “I just can’t get over it about Steve, though. And to go o ut with Gloria? I really thought he was above all that.”
I’m like, “What?”
So Joni explains how Gloria’s been after Steve since he was still
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with Rhiannon. Ever since Joni’s party where she totally watched Steve stri ng Gloria along like he might actually break up with Rhiannon (not that Jon i could believe it, but she does have eyes and they don’t lie). And how Ste ve is out with Gloria right now, which is why they didn’t come to the party
because Steve didn’t want to cause a scene because he knew Rhiannon was go ing to be here and he’s trying to keep it on the DL. Of course Gloria wante d to come and rub it in Rhiannon’s face, but Steve said no.
I’m like, “How do you know all this?”
So Joni gives me this complicated story about someone who heard from someon e who heard from someone else, and it all sounds like a big fat rumor, obvi ously, but I just tell her that I have to go. Because there’s no way that l oad of bull is even remotely true. Which is why I’m not even going to digni fy this freak show of a rumor by bothering Ree with it. She’s depress! ed eno ug! h already.
All I want to do is be in my room listening to music and clearing everything out of my head until it’s all about him. He’s the only thing I want to think about. And he doesn’t even know it. But it’s hopeless, because Mom is in one of her chatty moods and I can’t get rid of her.
When she gets all let’s sit around and share about our lives because we have
such a good relationship about it, the whole thing comes off as kind of des perate. We’re supposed to talk for fifteen minutes every day as part of our family-therapy homework, and if we don’t our shrink can totally tell. There’ s no way to avoid it. I guess it’s good for when I’m actually in the mood to
talk about my problems, but that’s hardly ever. Especially now. 73
So it’s partly what we have to do for therapy. But it’s also partly Mom bein g suspicious about where I just was and who was there and what I did. Not th at she would actually come out and ask all this. She’s just checking in her own sneaky way that I’m not drunk or doing drugs or pregnant and it’s totall y annoying that she doesn’t trust me, and I don’t want her in my room. I’ve told her a thousand times that I’m not going to mess up my life, but she doe sn’t believe me. So every time I come home from a party, she attacks me to m ake sure I haven’t suddenly decided to throw my life away. It’s infuriating. She’s like, “How was the party?”
And I’m all, “Fine.”
And she goes, “Who was there?”
So annoying.
I’m like, “Mom. You know who was there. I told you who was going before I
left.”
Then she just stands in my doorway leaning against the wall while I try to f ind my iPod. This could take a while. It’s not that I’m morally opposed to c leaning my room or anything. I just don’t see the point. Like, you c! lean it b! ut then it gets messed up again, so why bother with something that’s just g oing to disintegrate anyway?
Mom offers up the brilliant idea to check the closet. So then I have to expla in to her that my iPod wouldn’t be in the closet because I would never put it
there.
And she’s like, “How do you know?”
Here’s the thing. Questions like that? Irritate me. Because she’s basically s aying that I have no clue about where I put things. So I ignore her and keep searching around, and why does she have to keep standing there if she’s not e ven talking?
According to my shrink, my need for lots of alone time has to
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do with being an only child. It’s supposed to be normal, but sometimes I fee l like a freak when I’d rather be alone than hang out with my friends. I don ‘t know how people deal with brothers and sisters. It must be so weird to li ve with another person your age like that, someone sharing the bathroom and listening to their music all loud so you can’t hear yours and all of the dra ma that comes with having another kid in the house. I just can’t imagine hav ing someone in your face all the time like that. I can never relax completel y when I’m with someone else, even if it’s just one person hanging out in th e same room. It’s like I can’t be myself unless I’m by myself. I know. I hav e issues.
CHAPTER 6
IT TOTALLY ROCKS when you wake up from a really intense dream and you sti ll have that really intense dream feeling going on. Love that. And I’m wa y into the whole dream-interpretation thing. I used to have this dream no tebook where I’d write down all the details of my dreams. I kept it right
by my bed, and the first thing I’d do when I woke up was write down ever ything I could remember from my dreams that night.
But then it was like the more I got into it, the more dreams I’d have. Which
made everything really ! complicat! ed, because then I’d have to record what ha ppened for like three different parts of just one dream. Or I’d be writing f or over an hour and show up late for first period and dreams were kind of ta king over my life. I also noticed that once I started recording all my dream
details, I started having dreams with way more details, and every night was
like this crazy complex movie screening. So I had to stop it with the noteb ook.
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But whenever this happens with the really intense dream feeling, I try to rem ember everything about the dream for the whole rest of the day so it can be l ike it’s all still happening. And like it happened with him for real. Instead
of only in my dreams.
So I’m digging through my tees and figuring out what to wear today, and I ca n’t decide if I feel more like vintage rainbow or edgy statement. Which are on two extreme ends of the spectrum, so it should be easy to pick, but I’m a ll kerfuffled. That’s what really intense dreams do to you.
I decide on edgy statement. So I’m going through the pile, and I pick out one that’s folded up all the way at the bottom. And it turns out to be the black o ne that has bad kitty in sparkly silver with the spastic cat that looks like h e’s being electrocuted. It’s the shirt I was wearing when Danny started talkin g to me.
He’d never said anything before that day. But it was like all of a sudden, s omething triggered him and I noticed him notice my shirt from the next table
over in the caf. And when it was time to go, he came up to me and he was li ke, “Nice kitty.” And I was so caught off guard all I could say was, “Thanks .” Because the truth is, I had been crushing him for months. But that’s the thing about me. Everyone thinks I’m super confident and like I could go up t o anyone and say anything I want, but actually no.
So the next day I dressed even more extreme. I had my choker wit! h the spi! ke s and my skirt with the severe slit up the side with my ripped spiderweb fi shnets and stiletto boots. And at lunch I had zero appetite–which is like a serious event in my world–and I could feel Danny watching me the whole t ime. And when it was time to go,
Danny came up to me again the same way he did the day before and he said,
“Nice boots.”
I was stoked. But then later I got called into the assistant principal’s off ice and he chewed me out for violating the dress code. And I was like, “What
dress code?” Because as if it’s even enforced. As if Leanne doesn’t come in
every day with her shirt cut so low you can see every freaking thing and no body says anything to her. But now all of a sudden I’m a problem? I mean, ye ah okay, today I’m on the subversive side, but most days I tone it down for school so I can get away with floating just under the radar.
It’s such a joke because when the AP tries to talk to some girl about the dr ess code, you can tell there’s this whole huge struggle going on for him ove r trying not to look at her breasts. I guess that’s why he avoids Leanne. So
all that happens is you go in, he yells about how what you’re wearing is in appropriate and threatens to take away your activities or whatever, and then
two days later he forgets all about it because he’s completely scattered an d overworked so you can go back to wearing whatever.
Like this one time? He conferenced or whatnot with Joni, and then she shows u p two days later with her jeans cut so low that she had major butt cleavage h anging out all tacky. It was so extreme that boys kept getting up to sharpen their pencils just to get a look at it. And she totally got away with it. So when I’m expecting the meathead AP to just yell at me for a while and mak e some of his infamous empty threats but instead he makes a big deal out of it and writes me up, I can’t believe itR! 17;s actu! ally happening. He never does this. Maybe he got in trouble for not doing his job.
Anyway, the next day I toned down my outfit just to be safe. Danny didn’t e ven wait until the end of lunch to come up to me this
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time. He just came over and pulled up a chair, and the girls I sit with at lu nch immediately stopped talking and snuck looks at him.
Danny was either oblivious to all the swooning or was excellent at acting ob livious. He was like, “How’s it going?”
And I was like, “Oh. It’s definitely going.”
Then Danny went, “I heard you got reamed yesterday.”
“Where’d you hear that?”
“From Heather.”
“How did she know?”
And he said how she answers the phones when the AP’s secretary goes to lun ch so she knew. And then she was talking about it eighth period. So I told him what happened and, being Danny, he got all agitated and lectu ring how that’s selective discrimination and everyone knows the dress code is a joke.
He was all, “Dude. They never even enforce the dress code!”
“I know!” I yelled.
“Do you even know what it says?”
“No!”
“Me neither! So how are we supposed to follow something that wasn’t even given to us?”
“I think they assume we all have the same concept about what’s appropriate . Which obviously doesn’t work for me.”
But then Danny was like, “It works for me.” And he leaned in a little. And t he tone of everything changed.
And the whole time we were talking, my friends kept sneaking looks. Danny ha s that effect on girls. He mesmerizes them with his opinions and theories an d ideas. But it’s not just about how smart he is or how hot he looks when he ‘s all wound up about some issue. It’s like he’s a natural leader. He’s got this irresistible quality.
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The ! next day,! Danny whisked right into the AP’s office and defended me. I d idn’t even know what he was doing until he told me at lunch. He did all thi s research and found out that our school doesn’t even have a clearly define d dress code. There’s all this nebulous language in the Department of Ed gu idebook, like how attire should be “appropriate for a classroom setting.” B ut it’s up to each individual school to create a specific dress code, like how skirts can’t be more than two inches above the knee or whatever, and ou r school never did. Or there was some committee a few years ago that was su pposed to do it, but then there was this whole scandal and nothing was ever
resolved. So the meathead AP was forced to remove the report he wrote from
my file and that was it.
Danny called me that night and asked me out.
“Next guest step down!”
It was a total miracle that I snagged a table at this Starbucks on a Sunday a fternoon. But instead of getting homework done, I’m listening to the fight th e couple at the next table is having and writing in my spy notebook and getti ng distracted by what everyone’s ordering. I have this theory that the drinks
people order say a lot about their personality.
Like this Mr. So Busy and Important Guy who’s ordering his freaky drink al l, “Venti macchiato no whip half caf French Blend caramel swirl.” And the Starbucks dude goes, “Did you want foam or–?” but Mr. I Can’t Just
Order a Coffee Because It’s Not Original Enough interrupts with, “I said, no whip.”
I finish my apple fritter and pack up my stuff. Trying to
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concentrate here is useless. And on my way out, I hear Mr. Annoying Compli cated Drink Guy bitching about how this wasn’t what he ordered. I’m not en tirely convinced that he even knows what he ordered. Or that he’s ever goi ng to get what he wants, with such complicated d! emands. H! e’s in some serio us need of yoga. Or at least a hot-stone massage.
Walking is the only thing that helps my brain calm down. And this is an awes ome walking neighborhood. It’s so weird how in different parts of the city, some places have this incredible energy, like even the sunlight looks cleane r there. And it’s all about light and space and streets that seems to extend
forever. And then you go to other places and it’s like some random sketchy neighborhood where no one wants to live.
This lady with big sunglasses and even bigger hair bumps into me as she pas ses by and doesn’t even say she’s sorry. That’s the thing about saying “sor ry” or “excuse me” in this city. No one ever does. Or when we do apologize,
we don’t actually say it clearly. We just whisper the outline of excuse me
or form the word sorry with our mouth, as if we expect people to lip-read.
It’s one of my frequent observations that I’ve listed under Quirky New Yor ker Behavior in my spy notebook.
Not that I’m dissing on my people. New Yorkers are the most fabulous people anywhere. Especially if someone needs directions. I actually watched two peo ple argue on a street corner for like five minutes over the best way to dire ct this tourist to Little Italy.
These three college girls are walking ahead of me. Probably going back to their NYCJ dorm. I can’t wait until I live in the dorms, with my own life and own rules and own way of living, without anyone constantly bothering m e to clean my room.
The girls are so into their conversation that they don’t even
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realize I’m totally spying on them, walking way too close on the sidewalk. They’re like:
“So then what’d you say?”
“I was just like, ‘Why are you being like this?’”
“What’d he say?”
“He said he didn’t know.”
“And! then wha! t’d you say?”
I don’t want to stay too close to them, but I have to be close enough to liste n. It’s walking a fine line, the whole invading-personal-space thing. “You can tell a lot from a person’s body language,” one of the girls is expla ining. “Did he have his arms crossed?”
“I don’t think so.”
“Then how was he standing?”
“Can we go back to the last thing about him saying he’s not emotionally ava ilable?”
They’re obviously trying to decode some boy behavior, like what he meant by what he said and whether he’s ever going to like her as much as she likes hi m. That’s what it’s like when you’re in it. When you’re in it so deep you ca n’t see anything else and all you want to do is analyze everything he said a nd did until you’re exhausted. I’d be doing the same thing now with Ree, if I could. But there’s no way I can tell her about this.
Mom busts into my room like she was invited or something and goes, “I tho ught you were going to clean your room.”
And I’m like, “That was just my closet. Remember?” And I’m 82
digging through piles of dirty laundry because I can’t find my iPod recharge r cord, and Mom is inspecting the laundry piles with this disapproving look.

She’s like, “How hard is it to put your clothes in the hamper?”
I can’t believe she’s in here again. I really can’t even. Was she not just in he re last night, ragging on me for being a slob?
But apparently that wasn’t a rhetorical question. So I’m like, “Cm, well, let ‘s see. I have to pick them up, walk down the hall to the bathroom, lift up t he lid to–” but she interrupts and goes, “These piles can’t continue.” As if

they’re some mysterious random problem that keeps mutating and no one can co ntrol them. As if they’re bad behavior.
So I inform her that piles are a method of categorizing. And she’s like, “C ategorizing what? A tremendous mess?”
Then I explain that just because my room doesn’t look like hers doesn’t mean

I’m any less organized than she is, and didn’t she just lose her keys last week? But of course there’s nothing she can say to that because it’s true. S he doesn’t even have anything on her walls except for this one artsy-looking

black-and-white print of some courtyard in Paris. My walls are so covered w ith posters and photos and pictures I ripped out of magazines that you can b arely see the dark red walls. And there’s like a million different flowers, because flowers are my thing. Flowers are everywhere: prints, pictures, my o wn artwork, postcards, even ones pressed in clear contact paper. And I have these sweet gel flowers on my window, and when sunshine filters through them

it makes bright flower patterns on the walls. I can’t imagine having walls with nothing on them.
I’m tossing aside stuffed animals and sneakers and CDs and I go, “There’s a

method to my madness. Just because you don’t see what I’m doing here doesn ‘t mean it’s not organized.”
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And she’s all, “Oh, really?”
And I can tell by her tone she’s just playing, but I’m not in the mood for g ames. So I’m like, “Yeah. Everything’s–I can find anything. I know where ev erything is.” Okay, maybe except my iPod recharger cord, but that’s just one

thing. That happens to everybody.
I guess Mom decides that we’ve connected enough for today, because she drif ts off down the hall. My stress level begins its descent to normal. But it’s not like I want to be organized like Rhiannon or anything. Because this one time when she was packing for sleepaway camp? She made a list of ev erything she needed to bring and stuff she still had to get. But it wasn’t j ust your average list. That list was on the way other end of the spectrum. S he developed this whole color-coded system with all these complex classifica tions and footnotes, and even when Rhiannon makes a simple list it turns int o a PhD thesis. And then she actually said how there was a reference guide f or the color-coding, and even though it might have been a joke I was still s cared.
My cell makes cricket-chirp sounds, and I go to my bag to take it out but it’ s not there. But it sounds like it’s definitely in the area. So I start teari ng through another laundry pile and papers and books, and I find it buried in

my bag under my makeup case and this cardigan I have to keep in my bag becau se the computer lab at school is always freezing while the rest of the rooms are like a sauna. There’s a text message from Joni. It says:
Does she know?
Which confirms that the sad rumor about Steve and Gloria is a
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lie. It’s so obvious that Joni’s trying to instigate this whole big thing whe re I tell Ree what I heard, so that Ree ends up mad at me for not telling her

when I first heard or for being the one to tell her or whatever other twiste d plan Joni is cooking up. There’s some reason Joni wants me to be the one to
tell Ree, and I’m not falling for it. If it’s true, and Joni wants Ree to kn ow so badly, why hasn’t she told her by now? And why would she care if Ree kn ows or not?
Or it’s probably that Gloria’s doing this to get back at Ree and Joni is one o f the few girls who are actually friends with Gloria (out of fear, I’m sure) s o if I tell Ree, it’ll be exactly what Gloria wants me to do all according to her evil plan. And I’m nobody’s puppet.
I’m not going to let her get to me. And I’m not texting her back. I have bet ter things to do with my time, thank you very much.
I grab my laptop and take it over to my bed. There’s something I want to chec k. Because I still feel jealous about last night and Danny strategizing to as k Marion out. So I get into Gmail and click on my Danny archive and look thro ugh all the subjects until I find it.
I love you
Danny Trager to me
Beautiful Nicole.
I was going to write you an e-mail explaining all the reasons why I love you , but that would take
forever. So I just want you to know that I will never
stop loving you.
–Your D
I remember when he sent me this back in January and how it was the best email ever. Because around everyone else, he’s always all fired up about so mething and joking around and no one
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ever gets to see the sensitive side of Danny. Not the way I did.
But if what he wrote is true, which I totally think it is, then that means he s till loves me. And if he still loves me . . . then how can he want someone else ?
I’m in the backyard on this really hot August night, watching the fireflies. I t’s so hot that my tank top is sticking to me, and the back of my neck is all sweaty. I listen to the stream, water moving around stone! s.
He comes outside, letting the porch screen door slap shut behind him. Mayb e he’s just checking that I’m out here. Or maybe he came out to smoke. But
then I hear him walking toward me, across the dark grass.
He sits down next to me. “Hot, huh?” he says.
I agree that it is hot.
For a while we sit like that, watching the fireflies.
But then he touches my leg, slides his finger under the fringe of my cutoffs . And I know it’s only the beginning, right when I am so desperately wishing
for the end.
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CHAPTER 7
Monday
THERE’S SOME CHALK dust on his left sock and I can’t stop staring at it. Th at chalk dust is so cute. All I want to do is go over and wipe that chalk d ust off and be like, “You had some chalk dust on your sock.”
But of course I can’t do that. Then everyone would know.
Mr. Farrell is asking if anyone wants to put number thirty-two on the board.
I look down at my homework to avoid eye contact so he won’t call on me, but
I know he’s going to call on me. I can feel it.
And then he goes, “Nicole? Thanks.” As if I had volunteered or something. So I take my homework pages up to the board and when I pass by Mr. Farrell s itting on top of his desk (which I think is so cute, by the way) my heart fl utters around and it gets hard to breathe. Which is the same reaction I have
every single time I get within ten feet of him.
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I pick up the chalk and write “32.)” on the board and look at what I did fo r it on my homework and I have no idea how to do this problem. Over on the other side of the board, Jackson already has half his problem done. I wonde r why his brain works differently from mine. Like, what is it about his bra in that lets him get math?
I scratch the chalk over the board to create what I really hope even remotely
resembles what this is supposed to look like.
He’s staring at me. I c! an feel i! t. But if I turn around to check, then he’ll k now that I know. So I do a few more lines of the problem. But there’s no way I
can fake my way through it, so I give up the charade that I’ll ever get this and put the chalk down.
And Mr. Farrell’s like, “Not so fast, Nicole.” And I love it when he says my
name, because every time I hear it my heart does this little flip-flopping thing. I wish I were mad smart and he’d be all impressed and I could get the
highest grade in the class and he’d fall in love with me and have to marry me, but I’m not that girl. You’re either smart or average or some early chil dhood trauma prevented you from developing necessary brain cells and I think
we all know who we are by now. Not like I don’t have other talents he can e asily discover.
So I tell him that I didn’t get this one and there’s no way I can finish it, and
he says I need to at least try. Which I think is really interesting, because is n’t that what I’ve been doing this whole time? So I say that I did try and that’ s why half the problem is on the board.
But he’s like, “You need to try harder.” Which is pretty much the biggest insult ever, because if he only knew how late I stay up doing his stupid h omework every night and how many weekend hours I dedicate to these problem s in some coffeehouse instead
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of doing something fun like spying on people’s conversations.
But apparently there’s something even more humiliating than that. Because rig ht when the room’s all quiet and everyone is staring at me, waiting to see wh at I’ll do, Gloria goes, “Like she’s ever gonna get it.”
I cannot describe the degree of embarrassment I’m feeling at this second in t ime. It’s like every cell in my body is completely mortified.
There’s no way she just said that. Because if she just said that, th! en everyo! n e heard it. Including Mr. Farrell. And now he’s giving her this harsh look and
I can’t turn around and face everybody and I can’t do the problem but I can’t
sit down. All I want to do is run out of the room. But I can’t do that either .
So I pick up the chalk again and stare at the board, and I wish we were in the country somewhere sitting on a back porch drinking lemonade and watchin g clouds wisp across the sky instead of being here in complete and total ag ony. Just the two of us, where we could finally be together for real. Mr. Farrell comes over to see how it’s going, which is of course nowhere. I’m all nervous and sweaty with him standing so close. I get the same way when he leans over my desk to look at something on my paper and I feel his
breath on my cheek.
Jackson is all impatient and wants to explain his problem even though everyb ody knows you can’t explain yours until everyone else at the board is done. Mr. Farrell tells him to chill.
So I’m standing here like a big fat dork while everyone watches me being hu miliated and there’s no way I can even come close to finishing this problem
and I want to cry. And I guess Mr. Farrell finally gets a clue, because su ddenly he says he’ll help me with the problem.
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He’ll help me with the problem? He never helps anyone with their problems.

I swear, he’s so obvious.
So I’m floating to my locker and playing my favorite fantasy through my hea d again for the millionth time. In this one, Mr. Farrell and I live togethe r and everyone knows it and all the girls are jealous because everyone says

how he looks so much like Jude Law except younger. So we walk into school together in the morning and I don’t have to use my locker because I get to keep all my stuff in his room behind his desk next to his bag and jacket, a nd we’re walking down the hall holding hands and I’m laughing at something he told me and everyone’s looking at us and-
I stop thinking. I stop walking. There’s no way what I’m seeing is real. Down the hall, right in front of Steve’s locker for the whole world to see, St eve and Gloria are kissing.
Right in front of his locker.
Next to Rhiannon’s locker.
Where she’s going to be any second.
I jump the stairs two at a time and bolt to her eighth-period class. I look i n but she already left and I hope she’s not there yet please god. I run down the hall to the stairs Ree always takes but she’s not there either. And there ‘s only one other way she could have gone, and she has to be there she has to

be there please let her be there, because she so cannot see this. So I run l ike a maniac the other way and cut down the side stairs and fly around a corn er and I smack right into Rhiannon.
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She’s like, “What’s wrong?”
And I didn’t really have time to think about what to say during all the runni ng, so I blurt out the first lie I can think of, which is that I have a surpr ise for her. And Ree smiles because she loves surprises. So of course she wan ts to know what the surprise is and I really wish I knew. Then there’s this w hole complicated thing about books and lockers and finally I get her out of t here.
So I zip down the hall and try to give off a convincing vibe as I run-walk t o our lockers. But now I have to actually go to our lockers which means I ha ve to go to her locker which means there’s no way I can avoid Steve. Kissing

Gloria.
I slow down and approach the lockers and they’re still there, majorly sucking f ace. In fact they’re so into it, there’s a possibility that they won’t even not ice me. So I sneak up to Ree’s locker and turn the dial on her lock. Please don’t look over at me please don’t look don’t look.
So of course Steve looks and I have to look back and now Steve knows that I know. But the whole rest of the school will know by first period tomorrow, s o I guess he doesn’t consider this to be a problem. Especially because all h e does is look away like I’m not even here. Like it doesn’t even matter to h im that I’m going to tell Rhiannon.
There’s no way I can tell Rhiannon.
I mean, yeah, okay. I know I have to tell her. Even though there’s a chance sh e’ll hate me for being the one to tell her. But she’s my best friend and I hav e to take that chance and hope that if she does end up being mad at me, she’ll

eventually get over it. Plus if I was
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her and she saw what I saw, I’d definitely want to know. I’d probably be mad at her for not telling me. So I risk her being mad either way.
But I’m too nervous and dreading it so I go, “So what’s up with the roses?” And Ree lifts them out of her bag and sniffs them and she’s like, “They’re f rom Steve.”
And I swear I almost spit lemonade all over the table.
I’m all, “Wait. They’re from Steve?”
“Yeah.”
“He gave them to you?”
“Yeah.”
“What did you say?”
“No, he left them in my locker. I didn’t get a chance to talk to him yet.” Okay, this is like … I can’t with this. Why would he give her flowers and t hen be all hooking up with another girl? Who does that?
When our food comes, I try to force myself to tell her. Especially since Ree’s

talking about getting Steve back. But here’s the thing. She actually looks ha ppy for the first time since forever and she’s laughing at some of my jokes, a nd there’s no way I can tell her but I have to tell her.
I’m like, “Hey, Ree?”
And poor Ree who has no idea what’s coming, who never did anything to hu rt anybody, goes, “Yeah?”
“dm.” I pick up a fry and then put it back down, because if I eat anything no w I’m going to hurl. “I have to tell you something.”
And Ree’s just like, “What?”
I’m mentally fast-forwarding to visions of what this conversation will look like five minutes from now, with Ree’s face all smeared
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from crying and her nose running in front of the whole diner and people sneak ing looks over at her and wondering what’s wrong. It’s just not right. It’s n ot the kind of thing you do in public.
But Ree’s waiting for me to tell her, so I go, “It’s just… I really think you sh ould know that…”
She sniffs her roses again.
“… they have cupcake cake.”
I try not to have a complete and total meltdown on the subway ride home. Bec ause not only do I have to deal with when and how to tell Rhiannon, but the Mr. Farrell situation is seriously out of control. I wanted so badly to go u p to him after class, but when class ended he was surrounded by a crowd of g irls and I can’t stand that so I left.
The subway stops at Times Square, and I have to restrain myself from bursti ng through the doors and running to the downtown train and going back to sc hool and finding him in his room because I know he’s staying late today and

saying, “You have chalk on your sock,” and finally rubbing it off for him.

But of course I can’t do any of that.
So I get out at my stop and this impulse to walk really far takes over my en tire body. There’s all this energy clanging through me, and I know it’ll be impossible to concentrate on anything else if I go home. Whenever I get all worked up about him, walking is the only thing that saves me. So I walk and walk until I hit water. If the Hudson River wasn’t right here, I swear I’d k eep walking straight into New Jersey.
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I take this film elective, and every Monday afternoon there’s a seminar that

goes with it at NYO. But instead of having the last class today, we’re havi ng a party tonight. Which is sweet, since our professor got us pizza from my
fave place and we can just chill and talk with people we didn’t really get to know during the semester. And there are some really interesting people in
here.
Like this one guy? Is so super quiet I’m dying to know what his story is. Like , is he just shy? Is it an antisocial thing and he’s always been like this? Or
does he just think we’re all pretentious posers so he doesn’t have time for u s? For some reason, I really want to know.
So when everybody’s eating their pizza and sitting in pairs or threes except for him, I go over and put my plate down on the desk next to him and say, “Is
this seat taken?”
He gives me this exasperated look like, Clearly it’s not, hence the empty are a hovering above the chair.
He goes, “No.”
I’m like, “Mind if I sit?” He doesn’t know this yet, but I’m sitting here no m atter what he says. I’m not fooled by the prickly-exterior thing. I know all a bout that stuff from personal experience.
He goes, “No.”
So I sit. I can see this is going to be a challenge, but I knew that before I ca me over here so it’s all good.
I decide to start with, “I’m Nicole.”
He’s like, “I know. We introduced ourselves the first day.”
“Yeah, um, I remember that? But see, lots of people forget names and then the y’re too afraid to ask. And then like all of a
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sudden it’s the last class and people still don’t know everyone’s name and t hey’re still too afraid to ask. And by that time it’s way embarrassing, beca use then you’re admitting you didn’t know their name this whole time, you kn ow?”
Quiet Guy just chews his crust.
“Yeah, so . .! . hi, and I’m Nicole, and I’m not embarrassed to admit that I don’t remember your name.”
“Max.”
“Hey, Max.”
And then he chews more crust.
I’m all, “I can’t believe this class is over already. It’s so weird. It went really fast, right?”
But Max just grunts noncommittally. I have no idea why I feel the need to ta lk to him. I just have this really intuitive feeling that something’s there.
So I keep trying. I ramble about what my favorite parts of the class were a nd stuff about the screenplay I’m writing, and then my favorite directors co me up. So then I ramble about movies I love, and that actually gets Max talk ing. It turns out we have the same taste in film. So I tell him how I passed
Todd Solondz on the street a few months ago.
Max goes, “You saw Todd Solondz?” All fixated.
And I’m like, “Yeah. He walked right by me.” All nonchalant.
Max says, “Dude. He’s one of my favorite directors.”
So I’m like, “I know! And I touched his sweater.”
Max goes, “What?”
“Yeah. He was wearing this ratty old sweater with a hole in the shoulder? An d so I asked him if I could touch his hole.”
“Are you making this up?”
“No!”
“So he just… let you touch it?”
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“Yeah. He was like, ‘If it pleases you.’ So I put my finger through it.” “Whoa.”
“Totally.”
“Where?”
“I told you. On his shoulder.”
“No, where was this?”
“Oh. Near my school, up on West Tenth.”
“You go to Eames Academy?”
“Yeah. You know it?”
“My brother goes there.”
“Who’s your brother?”
“Brad Tropper.”
“No way!” That’s so weird! ! This wh! ole time I’ve been in class with this guy
and I didn’t even know he was Brad’s brother.
“You know him?”
“Totally! I mean, I’m not exactly friends with him, but I’m good friends with
Sheila.”
And right after I say that, Max shuts down with the barricaded attitude again.
It’s like he’s all storm clouds and despair.
He’s like, “You should tell her not to go home with Brad anymore.” So I ask why, but Max doesn’t say anything. He just starts crumpling up our paper plates and cups.
I touch his arm and he stops crumpling and gives me this strong look. And I go, “Please tell me why you said that.”
And Max says, “I think you know.”
Obviously, he knows that I know what’s happening to Sheila because anyone c an see it. But he means something else. Because that look on his face looks
like fear.
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Max leans closer to me and says, “Look. There’s more to this than you probab ly know. Just . . . warn Sheila, okay? She could get hurt worse if she keeps
going over there. But don’t tell her you talked to me.”
And then he gets up to go, so I grab him and I’m like, “Wait!” But he walks right out the door. I could run after him and find out what he means, but if
he wanted to tell me more he would have.
Anyway, there’s something about that scared look he had that’s familiar. It’s
probably the same look I get when people try and force me to talk about thin gs I wish I could just forget.
I get my iPod and turn the light off. This is my favorite part of the day, ei ther just before I fall asleep or just lying here like this, listening to son gs that remind me the most of him and replaying my favorite fantasies a zilli on times. Like the one where we’re at school together and everyone knows and it’s okay. Instead of it being against the rules that! someone ! who had obvious ly never been in love made up.
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CHAPTER 8
Tuesday
HIS APARTMENT IS dark except for a lamp in the corner.
I tug nervously on my skirt.
I say, “I’m not that young.”
He looks up from the papers he’s grading at his desk. He drops his pen. He s tands up. He stands there for a while, considering.
But then he walks over. Slowly. Making me wait.
My breath is raspy. I’m breathing like I’m running, instead of just hanging here in his living room. Could this mean he wants me, too?
And then he’s right in front of me. I want this so badly I’m shaking. He reaches out and puts his hand on the back of my head. He slides his fing ers through my hair. He couldn’t be any closer to me.
I see what’s going to happen before it happens. His eyes give everything awa y.
I stare at his lips. And then he’s kissing me.
And that’s when my alarm clock goes off, shattering the dream.
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Half an hour later, I’m out of the shower and exhausted but also wired like I ‘ve been chugging the Jolt. I’m excited and nervous and I don’t want to lose that intense dream feeling. But I don’t really have much of a choice, because
it’s called Welcome to Reality.
I picked up the phone like ten times last night to call Ree, but I couldn’t do it. It’s just not the kind of thing you do over the phone. Or in public or… y eah, I know, I’m making excuses, but I so don’t want to do this.
But I have to do it. So if Ree gets to school before first period, I’ll take
her into the bathroom or somewhere away from everyone, and I’ll tell her. O nly, she usually sleeps late, so that’s probably not happening. But sometime s she’s online in the morning, so I could try IMing her and tell her to meet
me before first. So I turn on my laptop and get into my e-mail, and there’s
a! new mess! age from Ree. who i am rhiannon ferrara to me
hey, nic. the good news is, we know he’s waiting for me to do something the b ad news is, i have no idea what to do and no, i don’t just want to talk to hi m. that’s exactly the type of boring thing someone who’s totally not exciting or spontaneous would do. so i’m trying to figure out the most ama zing way to prove who i am.
xo-
ree
p.s. the roses are gorgeous.
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Okay. Don’t panic. She doesn’t even know what she wants to do yet. And if she
comes up with something and it sucks and you know it won’t work, just tell h er that it’s not a good idea and then tell about Gloria so she doesn’t do it anyway. But if it sounds like it might work . . . then don’t tell her about G loria–and hope she doesn’t find out by the time she does whatever it is–and
let her try it? Because if it’s good, it might work?
I forget what I decided before. Everything’s all confused. The last thing I wa nt to be is the person who stands in the way of them getting back together, if
that’s even possible. But I also don’t want to be the best friend who knew th is whole time and didn’t tell her.
Anyway, she’s not online, so I’m about to shut down my computer when a new e-mail from Danny pops up.
cruller and thinking
Danny Trager to me
Nicole-
I’m leaving for school in a minute. Will pass by
Krispy Kreme and grab a cruller, your favorite.
I’ll be eating my cruller and thinking of you.
–Danny
When I see Sheila come in gangsta late to math, I know she’s on the road of no return.
Here’s the thing. Sheila was my good friend up until a couple months ago. Not
that she’s not my friend anymore, but now it’s all about Brad. So our friend ship isn’t what it used to be.
I get that he’s hot and all, but what I don’! t get is ! why she’s doing 100
this to herself. Like, how can they have anything in common? I mean, I know
love makes you do crazy things, but this is ridiculous. Sheila is the one person who’s totally put-together every day and super cheerful even early i n the morning and always has her projects done like two days before they’re
due, and now she just walked in looking like a truck ran her over. Mr. Farrell is going in for the kill. He’s all types of heated when you’re late like that. It’s pretty much the only thing I don’t like about him.
He’s all, “Ah, if it isn’t Mr. and Mrs. Punctuality.”
Sheila totally looks like she’s about to burst into tears, and I know it’s beca use she’s never been late in her life and she’s mortified and she knows that Mr . Farrell isn’t going to leave it alone until he’s sure they’re both embarrasse d to the max.
Sometimes I don’t get him. It’s like he’s two different people. Like right n ow he’s talking about Sheila as if she’s not even here, saying things about her to Brad like how she’s his questionable companion of impeccable taste, w hich is just a nasty way of completely dissing both of them simultaneously. And the whole time Sheila is just sitting there, dying. But what else can sh e do?
So after class I grab Sheila and drag her into the bathroom and I’m like, “W hat’s going on with you?”
And she just starts crying and saying how she never thought it would get thi s bad and she had no idea and how did her life get this messed up? And even though mascara’s running down her face and she’s obviously been sleeping ove r at Brad’s because she’s wearing one of his ratty old Cult T-shirts that’s all wrinkled, she still looks pretty.
So I say, “Why are you letting him ruin your life like this?”
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And she says, “HeR! 17;s not.! ”
And I’m like, “Um, not to be rude? But I think he sort of is.”
So Sheila goes, “No, I mean … it’s all my fault.”
I go, “Are you serious?” Because Brad is a pothead and a burnout and he’s tot ally failing everything and he’ll probably be a super senior, one of those lo wlife kids who never gets it and is still sitting in a desk that’s way too sm all for him when he’s like twenty-five, and why is she wasting her time with such a loser?
Sheila looks at herself in the mirror and rinses her face off and there aren’t
any paper towels. So she stands there with her face dripping all over the rat ty Cult T-shirt and tells me how Brad is totally not her type but she loves hi m anyway.
She says, “But a few weeks ago he started smoking more pot. I don’t even kn ow why. It’s like … I knew he smoked, but before it was just to spark up at a party or whatever, nothing heavy. And now he’s wasted all the time. Li ke he can’t even get through a day without smoking.” She wipes her cheek. ” And plus he’s drinking hard-core and … his temper keeps getting worse. On e minute he’s fine, and the next he’s furious over the most minor thing. I don’t even know who he is anymore.”
So I’m about to ask if there’s anything I can do, but Sheila keeps talking an d she says how her mother doesn’t approve of Brad and how she’s neglecting he r family and that they never see her anymore. And they got into a horrible fi ght two days ago and Sheila just packed her stuff and left, and she’s been st aying with Brad ever since. Which is a disaster, because he never lets her ha ve time to do homework, and she’s so depressed it’s like she doesn’t even car e anymore. She’s too tired to fight it. And he stays up way late, so just get ting to first period is like this major challenge.
1! 02
&! #8220;And then there’s this thing with my pills,” she says.
So now I’m thinking she’s about to tell me that she’s on Zoloft or somethin g, but she goes, “I’m on the pill now.” Which is news to me. I wonder how e lse she’s changed since we were close.
Sheila’s like, “I forgot to pack them when I left home, and I just remembere d about them today. So I snuck home to get them, but by the time I took one I’d already missed taking the one for yesterday. And even with the one today
… it wasn’t at seven o’clock when I usually take them.”
I go, “I’m sure you’re fine,” even though I really have no idea about being on the pill. She’s just so upset.
Sheila goes, “But when I started taking them, the doctor at Planned Parenth ood told me I have to take them at the same time every day or they won’t wo rk. And there’s no way you can skip any or they definitely won’t work.” So now on top of everything else, she has to worry about being pregnant. And I’m watching Sheila tell me all of this, and I can barely remember the girl who used to have it all together. Not that it was that long ago. And I
remember what Max said about warning Sheila to not go home with Brad anymo re or she could get hurt. But I’m also not supposed to tell her I talked to
him, so I say, “Maybe you shouldn’t go over to Brad’s anymore.”
And Sheila’s like, “I know. I know I have to stop. But that fight with my m om was so bad, Nicole. And I can sleep over at Brad’s anytime.”
I’m like, “Doesn’t his dad care?”
She goes, “Not really. It’s not like his dad’s even there at night anyway. He’ s a security guard for Con Edison, and he works the night shift.”
I have to think of another way to convince her. So I go, “I know
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! you love! him, but why are you still with him if things are like this?” And she’s like, “It’s not that simple. Everything’s different now. At first it
was just about acting out this bad-boy fantasy thing, you know?” I nod because I can totally relate. How cool would that be? Like the fantas y where you’re swept away by this hot road-trip-motorcycle guy who’s all ru gged and living on the edge. But something like that would only be fun for a little while. Then I’d want to go home and sleep in my own bed. Sheila explains how at first everything was exciting and adventurous and sh e’s always wanted to experience something like that for real, and now it wa s finally happening to her and she fell for him so hard. And then she wipes
her hands on her jeans and goes, “But now it’s too much. I know I need to go back home, but I can’t face my mom. But I can’t keep doing this either. I’m–” And she starts crying again.
So I’m like, “Is there anything I can do?” And I’m wondering if my mom woul d let her stay at our place.
And Sheila says, “Thanks, but I’ll be okay.”
But I wonder if that can ever be true when you’re in love with a boy who hat es himself so much. Because anyone who treats their body like it’s garbage t he way he does isn’t exactly in the best place to love someone else. Danny’s doing another one of his Random Hallway Polls. He’s taken over the
area next to the water fountain and the bathrooms, and he has poster boar ds on the wall and a whole bunch of pencils I know for a fact he “borrowed ” from the main office because they’re all
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labeled PROPERTY OF DEPT. OF ED . But that’s Danny. He did service credit in
the main office in ninth grade and so he knows all the secretaries and scho ol aides, and of course they all love him because he’s smart and charming an d i! t doesn&#! 8217;t matter that they’re old. Or maybe it works on them especially b ecause they’re old. So the secretaries totally trust him, and if he wanted t o he could manipulate files or print things out or find teachers’ private in fo or whatever.
Kids crowd around Danny, reading the posters and filling out ballots. I wa tch Danny laugh and joke with everyone. Which is so easy for him since he’ s one of those people who can get along with anyone. I’ve always admired t hat about him.
The poll has to do with the lacking administration in this school. There’s
been a whole bunch of issues lately that everyone’s unhappy about, from m inor to major. Like how we don’t have enough books, so Ms. Portman has to copy book pages and no one wants the copied versions because the copy mach ine is always broken and the papers come out all smudged. Or how one kid t hreatened a teacher and he wasn’t even suspended. And Tatyana told me how she was supposed to meet with the principal about this peer-mediation thin g she wanted to set up, and when she got to the office for the meeting his
secretary said he had to reschedule because he was meeting with parents a t the moment. But Mr. Pearlman didn’t close the blinds all the way on his office window, and Tatyana could see in and he was sitting at his desk rea ding the paper.
Because of incompetent people who are supposedly in charge around here, th ings aren’t the way they’re supposed to be. We’re pissed because we deserv e a better school.
So on the top poster it says: is THIS SCHOOL’S ADMINISTRATION EARNING its salary ? And below that are the average salaries for principal,
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assistant principal, and teacher in the New York City public school system. It’s absolutely appalling that to get paid as much as a new principal, a tea cher would have to work for like fifteen years. When everyone knows it’s the
teachers who do all the work.
I wa! tch Danny! some more. It’s addictive, in a way. My mom says he has cha risma and that’s why everyone wants to be around him.
Okay, the truth? Is that Danny has these soulful eyes and he gives me these
soulful looks across the hall or street or wherever and they get me every time. Every time. So when he catches me staring at him now, and his eyes lo ck into mine with one of those looks, I can’t break away from him. And I re member what it felt like to be with him. And the reason we’re not together isn’t clear anymore.
When I see Steve at the vending machine, it doesn’t matter about Ree wanti ng him back. All that matters is how he treated her and how wrong it was. I go right up to him and say, “How can you do this to Ree?”
And Steve’s like, “I’m not trying to hurt her.”
So I’m like, “But you are hurting her.”
And he’s all, “That’s not my fault.”
And I’m like, “Well then whose fault is it?”
Then he says how it’s no one’s fault, it just happened, and I swear that it-j ust-happened line is the flimsiest line in the Book of Excuses for Lame Boys. “Nothing,” I tell him, “just happens. You either make it happen or you don’t. There’s a reason it happens in the first place.”
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He’s like, “Look. It’s not like I hurt her intentionally or anything. Things w eren’t really working out with us anyway.”
And I go, “Since when?”
He’s all, “We’re just… different people.”
I’m like, “What are you even talking about? You’re not even giving a real r eason.” Because this is news to me. I know for a fact they had a lot in com mon. And right now? It sounds like he’s just throwing out any excuse for br eaking up with Ree and he doesn’t even know why.
I can’t believe this is the sa! me boy. I’m like, “And what about the roses?”
He goes, “Huh?”
Oh. So now he’s going to act like he didn’t give Ree those roses yesterday? H e’ll probably deny smiling at her in lunch, too.
That’s it. I just can’t with him.
I’m the only person in the whole school who actually looks forward to tutori ng.
But unfortunately I’m running late because I just spent fifteen minutes in t he bathroom dealing with my hair. It’s funny how my hair always looks great when it’s totally unnecessary or like when I’m hanging out at home all Satur day afternoon and no one’s going to see me anyway, but when it actually matt ers, I can’t do even the simplest thing with it.
When I get to Mr. Farrell’s hall, Rhiannon’s walking away from his room. S o I’m like, “Where are you going?”
And she says, “I’m leaving. No one showed up.”
“dm, excuse me, but who am I?”
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“I’m going to the library to–oh! I need your help tonight.”
“What for?”
She glances around to see if anyone’s listening and whispers, “Operation Ste ve.”
I go, “Oh, um. What’s that?” And I’m thinking that maybe I should just tell he r now and get it over with. But then she says she can’t talk about it anywhere
in school because the walls have ears and she’ll call me later. And then she’ s running down the hall, and for some reason, I don’t run after her. I still t hink it’s better not to tell her here.
I get to his room and stand in the doorway and look in with my heart beatin g so hard I can hear it in my ears. Mr. Farrell is bending over a stack of papers on his desk and doesn’t even see me. But then I guess he feels my ey es on him, because he suddenly looks up and says, “Come on in.” So I go in and put my bag do! wn on a d! esk and I’m like, “Hey,” and I try to act all casual and he’s like, “Hey,” and I’m pretending that it’s just another typi cal Tuesday, when in reality this is the first day all year that I’ve been alon e in here with him. Like this.
So he says how my tutor left and no one else showed up, but I’m welcome to s tay and go over some Regents problems, and I can’t believe he’s going to tut or me individually! He always has kids tutor other kids because he thinks th at’s the best way for everyone to learn, and that since he already explained
everything in class, it’s better to have other people explain to get a diff erent perspective going on. So of course I feel totally special and I’m so j acked up on nerves and adrenaline that I’m shaking and I have no idea how I’ m going to make my hand write with my pencil in any way that results in even
remotely legible numbers.
I’ve only wanted to be alone with him like this all year. There
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were tons of times when I walked by his room after school and I wanted to go
in, but then I was like, what if he’s solving some really important equatio n or something and I’m all walking in with a personal matter? How unprofessi onal is that? But finally it’s just the two of us. And this time, I’m not dr eaming.
He’s like, “Hot?”
And I’m like, “Huh?” And I’m all freaked out because two seconds ago I was thinking how I’m totally sweating and I must look disgusting and I can feel
the sweat pooling on my upper lip and how attractive is that? Not very. An d I was thinking how I should go to the bathroom and make sure I look okay,
but I so don’t want to leave this room, and then all of a sudden he asked if I was hot like he could totally read my mind. Which just proves how conn ected we are.
So he says, “Are you hot?” And I’! m startin! g to suspect that maybe he doesn’t
just think about math all day.
I go, “I guess I am. A little.”
And he goes to turn on the fan and I laugh at the absurdity of it all, and he’s
like, “What’s so funny?”
And I’m like, “Nothing.”
But he’s all, “Oh, come on. I could use a good laugh. Do you know how bori ng derivatives are?”
So of course I have to say, “Well, actually, yes. I do.” And I pick up my pen cil and say how it’s really nice of him to tutor me, because no one else is h ere so he could have canceled altogether, and I really appreciate the extra h elp, and I’m just babbling like one of those crackheads talking to themselves
on the subway.
And he’s like how I can come in anytime, and it doesn’t have to be only on T uesdays since he stays late most days anyway. So I tell
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him how I was going to come in the other day but I was afraid that he might be busy so I didn’t but I wanted to.
He goes, “What did you want to talk about?”
I’m like, “Om … I don’t remember.” Because of course all of this is just an
excuse to be in the same room with him as often as possible.
He’s like, “Well, you know where to find me.”
And then he winks at me!
He goes on about how hard it was for him junior and senior years, all stresse d about college, even after he got in.
I’m like, “Where’d you go?”
He says, “NYU.”
And I’m like, “Oh my god! That’s where I want to go! I mean, I’d rather go t o Columbia, but I don’t exactly have a four-point-oh.”
Then he laughs and says, “Yeah, that was my case, too. But only the cool pe ople go to NYCJ, so …”
I go, “Totally. We’re way too cool for Columbia.” And I swear it feels like I’m
talk! ing to a ! friend instead of a teacher. He’s just so easy to talk to and sup er nice and he’s young . . . like probably twenty-four or twenty-five. And if h e’s twenty-five, then by the time I’m his age he’ll be thirty-three, which is t otally not scandalous at all. I really want to ask him how old he is, but you d on’t do that.
And then he’s like, “You’ve never thought about going out of state?” And I’m like, “I just love it here so much. It’s like … the energy is so amaz ing, you know?”
Then he nods and I say, “Well, I can’t wait to move out, of course,” and he laughs, and I’m just having the best time. I can’t remember ever having this
much fun with Danny, just sitting around
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talking and laughing like there’s no one else you’d rather be with. With Da nny it was always about having fun for a while, but then it usually turned into him ranting about how so many people in the States can’t afford health
insurance or how all these people are starving around the world while we h ave hot-dog-eating contests on Coney Island.
Mr. Farrell says how he loves the energy here in the Village. So I’m like, “Y eah, same here. Rhiannon lives down the street, so I hang out here a lot.” And he’s like, “I’m surprised I’ve never seen you around, then. I’m here a lot, too. New York is like the smallest town on the planet with”–and I hav e to interrupt him and go–”running into people! I know!” Because it’s tota lly freaky how like eight million people live here, but you could be walkin g down some random street at a time when you’re never out and you turn a co rner and all of a sudden you run into some kid you went to elementary schoo l with a lifetime ago. It’s so weird how that happens. I used to think it o nly happened to me, like I have some kind of special power ! to make t! hose ki nds of things work. But maybe it happens to a lot of people. Or maybe it’s just us and we both have the special power.
I look down at my textbook and wonder if we’re ever getting back to tutoring.
Not that I want to, but it’s interesting how Mr. Farrell is just talking lik e this as if we’re sitting in some cafe or something. Like he wants to know m e just as much as I want to know him. But then I get scared that he’s noticin g me looking at the book, and I don’t want him to think that I want to get ba ck to doing problems or anything.
So then we compare places we like to hang out and it feels totally comforta ble and like we could be really good friends in another life. And I ask whe re he lives and he says Upper West Side
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so I say, “Me, too! I’m on West Seventy-third Street, near the park.” And I say how I love to hang out in the park when it’s all nice out like thi s. Then he says how he chills in the park a lot. So I tell him about going t o Strawberry Fields to work on my screenplay sometimes or to listen to the g uys with guitars play old Beatles songs. Or to Cafe Lalo for Heath Bar Chees ecake, and just to Barnes & Noble and coffeehouses and stuff. And he gets all excited again and says how he loves Cafe Lalo and have I ev er been to Crumbs and I’m like, “I live at Crumbs!” So we debate about whic h cupcakes are the best there and he says how he has a major sweet tooth an d I’m like, “No one has a bigger sweet tooth than me!” And we argue about w ho has a bigger sweet tooth for a while, but he keeps insisting that he doe s. I can’t believe we have so much in common, but of course we do. This wou ld kind of feel like we were on our first date if it wasn’t in school. But then I get paranoid, like what if he thinks I’m only talking to him for some grade enhancement? And the custodian comes in to empty the garbage can,
and I look up at the clo! ck and it! ’s 4:45. Which is so weird, because I came
in here right after school at 3:10 and it feels like we’ve only been talkin g for five minutes.
Mr. Farrell’s like, “Wow. Time flies when you’re having fun.”
And I’m thinking, You’re having fun? Sweet! And then I swallow way too lo udly.
Out in the hall I hear someone say hi to James and then James walks in an d wants to know where Rhiannon is. And I can’t even answer him because I’ m wondering how long he’s been standing there. But then I’m like, Why am I being so paranoid? He obviously stopped by just now to pick her up. So Mr. Farrell tells him that tutoring was canceled and
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Rhiannon went to the library, and James gives me this look like, If tutori ng was canceled, what are you doing here? But you know. Maybe I’m just ima gining things.
He puts his hand on my thigh and squeezes. I feel his other hand brushing m y hair off my back. He blows against the back of my neck, not really coolin g it off.
His lips brush my cheek. I grit my teeth. I hate when he gets like this. And he always gets like this when he drinks too much.
When he pushes me down, the grass feels wet against my back. Grass pokes in to my arms. I feel his fingers sliding under my shirt, rubbing over my stom ach. His breath smells like beer.
I want to scream. But that only makes it worse.
The only thing I was allowed to know about what we’re doing tonight is that I was supposed to bring a flashlight. But now Rhiannon’s explaining about Op eration Steve and it’s obvious that I have to tell her now, and I’m kicking myself for not telling her sooner.
She goes, “It’s not like I’m signing it or anything, so I should be okay, righ t? And Steve’s really the only one who’s going to know what it means, because who else is into chem like that?” And she’s all using big Italian hand gesture s the way she ! gets when! she’s excited, and I can’t believe how daring it sound s. I love Ree forever, but this is the last thing I’d expect her to think up. I’m like, “Ree.”
She quits with the gesturing.
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I go, “There’s something I have to tell you. And I’m really sorry I didn’t tell
you before.”
So she’s like, “What’s going on?”
And then I tell her everything. About hearing the rumor from Joni but think ing it was bogus. About seeing them kissing in the hall. About going up to Steve and what an ass he was.
Ree stands there, staring at the sidewalk. She doesn’t say anything for a few
minutes.
Then she goes, “I guess we should just go home then.”
I don’t know what to tell her. I mean, I obviously don’t want her to do somet hing that will probably be totally humiliating tomorrow, but I don’t think it ‘s that simple. True, Steve was a total jerk when I talked to him, but there’ s obviously more to it than what we know for him to give Ree those roses. And
then deny it like that. I just get the feeling there’s more going on, especi ally since he was acting all weird with me.
But it’s totally up to her. So I say, “If you want.”
Ree’s like, “What’s the point of doing this? He’s with Gloria now.” But she’s not walking away or anything, so I just wait with her. I can tell she’s
still thinking about it.
She goes, “Or maybe not.”
I’m like, “True.”
And Ree’s all, “Maybe he denied about the roses because he was mad at me f or not saying thanks. Or maybe he thought I got you to go up to him becaus e I was avoiding him. Like I didn’t want to talk to him or something.” I go, “Yeah maybe,” because I’m liking this exciting new Ree. I’m really pas sionate about expressing yourself,! and Ree ! was majorly psyched about doing t his. And I just think that if you believe in
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something and you want it so much and you’re not hurting anyone else, you h ave to go for it. Which sometimes means taking a risk, even if it’s scary. But the thing you want most to happen doesn’t stand a chance unless you giv e it one.
She says, “So then he probably thought I didn’t want him back, so he denied about the roses to save face.”
I’m like, “And one kiss in the hall doesn’t mean anything. Especially with a skank like Gloria who, P.S., is probably just trying to get you back and does n’t even like Steve. She just took advantage of the situation to make it look
like Steve broke up with you for her.”
“Isn’t that what he did?”
“No. We have no idea what Steve’s problem is right now. When I talked to hi m before? It was like … he was a different person. I swear you would not have recognized him.”
“At first I wanted to do this so I could prove to Steve that I could be more ex citing. But now it’s like … I just want to do it for me. To prove it to mysel f, you know?”
“Totally.”
“And if whatever it is with Gloria is nothing now but it might turn into som ething, then this could be my only chance to get him back.”
I don’t want to see her get hurt even more, but if she doesn’t do this, she’ll
always regret it and wonder What If. And the What Ifs are the worst. Ree takes out two packs of sidewalk chalk from her bag. She’s like, “Remem ber that episode of Sex and the City when Carrie says how anything is poss ible in New York? This is what she’s talking about! Right now!” I go, “Rock on! So … we’re doing this?”
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Ree rips open the sidewalk chalk. She looks around the courtyard. Then she goes, “Yeah. We are.”
I’m ! stoked. I! f she didn’t do this now, she’d regret it forever. And if Steve do esn’t come back to her, then she’ll get the closure she needs to move on. She’s
not going to move on just because James and I are telling her to. She’s not go ing to let go until she sees for herself that there’s nothing left to hold on t o.
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JAMES
CHAPTER 9
Saturday
IT’S ABSURD TO walk by a thirteen-million-dollar brownstone with some ho meless guy sleeping on the sidewalk right outside. Something like that r eally makes you think about how the world works.
I live in this really upscale neighborhood. Which is a joke, because if you saw my crappy rent-stabilized apartment, you would never assume this. Especi ally with the roaches in the kitchen we can never seem to get rid of and the
noise that never ends.
Incessant noise.
Like right now. I’m trying to get this Industrial Design report done, but the
beeping is driving me crazy. And it’s not going to stop until I make it stop . Our insane neighbor who blasts the TV at three in the morning doesn’t help things, either.
It’s not like our apartment has other features to make up for the constant n oise. Highlights of our “living room,” which is technically a converted spac e where Ma strategically placed screens
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to create a separate living room and dining room, include a pool of candle
wax on the ancient radiator, a lamp from 1964 with a broken shade, and a dusty philodendron hanging in the window. The window, of course, overlooks
an alley, in which the classier guys pee when they get too drunk at the b ar next door. And that would be why we keep the window closed. Whenever the smoke detector goes off like this, it’s the same story. Ma wild ly smacks at it and swings a towel around in a frenzied fit, knowing the who le time that both methods are entirely ineffective. The smoke detector goes off when it’s having a ! bad day a! nd/or the oven’s been on for at least twenty
minutes. And since Ma is currently baking bread, the alarm naturally decide s to go off.
I pull on some jeans and yank a T-shirt over my head, pulling it down as I wa lk to the kitchen. The alarm sounds like an air-raid alert.
“Sheesh!” Ma’s towel frantically jabs at the air. “James! Can you–?” “I’m on it.” I drag a chair across the floor so it’s under the smoke detector.
Then I stand on it and snag the detector’s cover so hard I crack the plastic.
I guess you could say I have some repressed anger. Or maybe not so repressed.
I grab the batteries and throw them on the floor.
Silence. Finally.
“Thanks, hon,” Ma says.
“Anytime.”
Except, really, it’s more like all the time. I don’t know how much longer I can take it. Sharing a room with my little brother. Never more than three co nsecutive seconds of quiet. The neighbors with the music playing all night. The other neighbors with the loud sex.
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In fact, the only redeeming neighbor around here is Mrs. Schaffer. My parents mean well. Ma nags because she cares about me. I get it. But that doesn’t make it any easier to live here. It’s just too suffocating when all I
want is some time to myself, to do what I want without everyone on top of me
all the time.
I’m sick of never being able to do homework without being interrupted. Or work on my computer projects. Or even think clearly.
This is why I’m going to be a software designer. So I can do something I lo ve, and make tons of money at the same time. So I can get the fuck out of h ere. Buy a huge house with so much space I can’t even use it all. And then I can send money home. My parents have had a hard life. It’s not easy when you do what you love but it doesn’t pay. And you have four kids. My two old er sisters moved out, but it’s no! t like my! parents can afford to help them much with college. So I’ll send my parents money, and maybe they can get a bigger place, too. They can relax when they’re older, the way they deserve to. Without having to worry about how they’re going to survive. But for now, I’m the one who has to survive. Which sounds a lot easier than i t actually is.
I have to walk way over to the East Side to get the 6 train. And then I have t o go uptown to the Citicorp Building. It’s my favorite skyscraper, with that c ool slanted top. It’s Rhiannon’s favorite, too, but we like it for different r easons. She just has a thing for buildings with slanted tops.
I like what it symbolizes. You can smell the money all the way
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down the street. And I know how obnoxious that sounds, but to me it means
freedom.
When I was thirteen, I wanted to be a finance guy like Rhian-non’s dad. I us ed to ask him tons of questions about his job. And I found out that going in to finance is a guaranteed way to get rich. The only problem is that I’m not
a shark. You have to be ruthless to be an extremely successful stockbroker.
I’m too much of a nice guy to make that possible.
I also got the impression that having a lot of money can turn a decent person
into an asshole. So when I’m successful, I’ll have to make sure that doesn’t
happen to me.
Schlepping it to the East Side isn’t exactly my idea of fun times. But I have
to do it. Rhiannon is bumming hard-core. We have this thing where we help ea ch other out. I already have a girlfriend– it’s not like that, we just go wa y back is all. We’re solid.
When I get to her place, Brooke answers the door.
“Hey!” She immediately zeroes in on the Cinnabon box. “Aww! For me? You
shouldn’t have.”
“Yeah, I guess that’s why I didn’t.” The biting sarcasm is our thing. It’s th! i s game ! we play where we pretend to hate each other. It never gets old. “Oh, well. There are worse things.”
“Speaking of…”
“She’s not up yet. I’m afraid she’s never getting out of bed again. But!” Bro oke snatches the box from me. “This will most definitely help.”
“So … can you just… ?”
“No prob. Isn’t there that party tonight?”
“Yeah.”
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“Because I don’t think she’s going.”
“Don’t worry,” I say. “She’s going.”
Although the prospect of returning to my decrepit apartment is highly appea ling, I decide to go over to Thompson Street for a game of chess with the N YU geeks. I’m not doing Mrs. Schaffer’s thing until four, anyway. Max is already sitting in the window seat. He’s working out strategies. He’s
waiting for a decent opponent. And then I walk in.
He’s like, “Dude. You’re late.”
“Sorry,” I go. “Emergency intervention.”
“Shit happens.”
“Big-time.”
Max and I have been playing chess all year. He was asking about his brother
Brad last week. Which was weird because we don’t hang out or anything, we just go to school together. So there wasn’t much to tell.
Twenty minutes later, he’s got me.
“Checkmate.”
“Fuck.” I study the board. I go over my last five moves. “How did that happ en?”
“Urn … maybe because I’m a genius and you suck?”
“Maybe not.” I’m off my game. All unfocused. Story of my life. I’m too stressed all the time. Not sleeping enough. There’s always too much
work that never seems to get done. And when it does, there’s tons more. I’ m pressurized, ready to explode any second.
Something has to chan! ge. I don! ’t know what. But something.
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It’s righteous that I convinced Rhiannon to go to the party. But now I have to call the one person I’m dreading the most. Because I already know how she ‘s going to react.
“Hello?”
“Hey. It’s–”
“Hi, James! I know your voice by now.”
“Oh. Well… how’s it going?”
“Great! What about you?”
“Great. Except… there’s something I have to ask you.”
Nothing from Jessica’s end.
“You still there?” I say.
“Yeah. But I’m not sure I want to hear this.”
“I know we’re supposed to go to the party as a date, but–”
“What are you telling me?”
She does this every time. I don’t get why she goes ballistic if I even mentio n Rhiannon’s name. It’s like I’m not allowed to have friends who are girls or
something. Which is absurd, considering all the straight guy friends Jessica
has.
“Just that… would you mind if Rhiannon came with us?”
“Would I mind?”
“Yeah.”
“What do you think?”
“That you might.”
“Ya think?”
See? I knew this would happen. This is exactly what I wanted to avoid. Why ca n’t there be an easy way to do this? It’s not like I’m saying i don’t want to
go with her at all.
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“You know what I think?” Jessica has this bitchy, sarcastic tone. Which I’ve
never heard from her before.
“Urn … not really.”
“I think you’d rather be with her.”
“With who? Rhiannon?”
“Duh.”
“Come on, Jess, that’s crazy.”
“Oh, really?”
“You know it is.”
“No, what I know is how it makes me feel when y! ou never ! talk to me about your problems but you always talk to her!”
“When did I do that?”
“Oh my god! Like, I don’t know, all the time?”
“I talk to you.”
“Not like you talk to her.”
“How would you know?”
“Let’s just say I’ve overheard some of your conversations.”
“Like what?”
“Please. The point. Is that I always ask you what’s wrong and if everything ‘s okay, and you never tell me anything. And I want you to come to me, but no. You always have to go running to her.”
“I don’t–”
“And those walks you guys take? What’s that about?”
“They’re just walks.”
“Well, did it ever occur to you that I might want to go?”
“We’ve walked before.”
“Oh, yeah, like what, twice? And we never go to the pier. Like that’s your s ecret place or something. Did you ever think that maybe I’d want to go, too? “
This blows. Big-time. I was only calling to see if Rhiannon could 123
come with us, and now I have to deal with this crap. Jessica seriously needs to get her jealousy issues under control.
“Look, Jess. I’m sorry I asked about the party. Just forget it, okay?” “No! I can’t forget it! You obviously want to go with her instead, so why don ‘t you just admit it?”
“Because it’s not true.”
“Whatever.”
“It’s not!”
“Do you even realize how much time you spend with her compared to me?” “Why are you acting like she’s my girlfriend? We never even went out!” “Why would I be acting like that? I’m your girlfriend, remember?” I don’t know how to get out of this. It’s like no matter what I say, she’s det ermined to think what she wants.
“I gu! ess not,&! #8221; Jessica decides.
“Yeah, I remember, but…”
“But what?”
“Why are you getting so crazy about this?”
“Oh, so now I’m crazy?”
“Come on, Jess. You know what I mean.”
“You know what? It’s funny. Because I thought you were different.” I have no idea what to say to that. Different from what?
“But,” she says, “I guess I was wrong.”
I check the time. “Look, let me just call her and–”
“Go be with her then! She’s the one you want!”
“I was–”
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“Forget it. I really don’t care anymore.”
And then she hangs up.
I’m pretty sure I’ve just been dumped.
I should feel all tragic right now. But I don’t. I feel… empty.
And I don’t even know why.
“Is that you, James?”
“It’s me, Mrs. Schaffer.”
Three locks click open. The chain lock rattles. Mrs. Schaffer peeks out. She
examines the bags of groceries I’m holding.
“An angel, this one.” She opens the door all the way. “Come in, come in.” I go over to her kitchen counter and put the bags down. Then I start unpacki ng.
Mrs. Schaffer shuffles over in her slippers. “Now, you leave those, James.” “That’s okay.” I pull out a gallon of water. “I don’t mind.”
It’s this thing we do. I start unpacking. She protests. I keep unpacking. Sh e orders me to sit down at the kitchen table, where she has a plate of cooki es out for me. They’re really good cookies. She always has these green and p ink ones shaped like leaves with chocolate in the middle.
And then later, after we’ve talked for a while and I’ve eaten all the cooki es, I unpack the rest while she’s dusting in the living room. She pretends she doesn’t know wh! at’! s going down, and I pretend the same thing doesn’t go
down every week. This way I can help her out and she doesn’t have to be em barrassed. Which
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she would be if she ever admitted that her arthritis makes it really hard for her to unpack the heavy stuff.
“I’m an old lady. Haven’t you ever heard of respecting your elders? Get over t o that table and sit.”
“Yes, ma’am.”
“I put your cookies out nice, the way you like.”
“Thank you.”
We sit. I eat.
She watches me eat.
“So and?”
“Yes?”
“What’s happening with the girl?”
“Nothing so far.”
“How can this be?” Mrs. Schaffer gets up to pour me a glass of milk. “How can
it still be like this?”
“I told you. She has a boyfriend. Well, had.”
“Oh? So, a new development?”
This would be referring to the potential development Mrs. Schaffer keeps ho ping for. She met Rhiannon once outside my apartment and hasn’t stopped tal king about her. Old people tend to get treated like crud in this city by te ens, like almost getting knocked down by kids running past them on the side walk and stuff. So she couldn’t get over how sweet Rhiannon was to her. And
now she thinks we should be together. At first I tried to explain that we’ re just friends, but Mrs. Schaffer wasn’t hearing that. She only wants to h ear that we’re together. So now I go along with her. To keep her happy and all. “Sort of. I mean, yeah. Her boyfriend just broke up with her.”
“And why was this?”
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“We don’t know.”
“What?”
“He didn’t really explain it.”
“What? Who does such things?”
“That’s what I’m saying.”
“These kids nowadays. Such frivolity.”
I! eat anot! her cookie.
“Well? This is good news for you, yes?”
“Uh … maybe …”
“Why the uncertainty?”
I smile at her. I don’t want her thinking I’m a total loser. “I’ll let you know if anything changes.”
“Good, good.” She gets up. “Now, what am I doing up?” She presses her han d against her forehead.
“Mrs. Schaffer?”
“What did I get up for?” She stands there, holding on to the back of the chair .
“Are you okay?”
“Fine, fine. Just some old mishegoss running around in my head.” I eat another cookie.
Mrs. Schaffer looks at me adoringly. “You and those cookies.”
“I love these cookies.”
“I don’t know this?”
“Where do you get them from?”
“From the nice Jewish bakery around the corner. You know the one.” “They all come from there?” Sometimes she’ll mix it up. Like sometimes ther e’s these rainbow sponge cake ones with chocolate on the outside. Or these flaky thin ones that are round with
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chocolate along the rim. Somehow, chocolate is always involved with these cookies. Rhiannon would think that’s cool.
“All of them from there. Nice man, that baker.”
I’ve been shopping for Mrs. Schaffer since fifth grade. I wasn’t so into it a t first, but Ma made me do it. Now I do her grocery shopping every week and I
like it.
We have this thing. She gives me money and a grocery list and coupons every week. Then I bring over her groceries and we check in with each other. Not t hat there’s a lot to check in with on her end. I feel bad for her. Mr. Schaf fer died of cancer six years ago. She has like no other family, because she never had any kids. A couple of Bingo friends stop by now and then, but for the most part it’s just Mrs. Schaffer, here in her apartme! nt all al! one. I’m probably the only teenager who’s worried about dying the scary New York City death. The one where you die old and alone with no one to even notice t hat you’re gone. Until someone smells your dead rotting body three days late r from all the way out in the hall. Or just this fear of being eighty and al one, crying at the bottom of the stairs because no one’s there to help you u p.
“Is that you, James?”
“Yeah, Ma.”
I try to escape to my room without her coming out of the kitchen. I need a s hower and a nap. And maybe I can finally get that report done.
She comes out of the kitchen.
“James, do you think you can give me a hand?” She’s got the tall broom. T hat means she wants me to sweep the muck out from
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behind the refrigerator and in between the stove and the counter because she can’t reach.
“Where’s Dad?”
“Out interviewing someone important.”
Dad’s a journalist for The New York Star, which is like a bootleg version of The New York Times. But it’s supposedly gaining more of an audience. “Who?”
“Don’t know. It’s top secret.”
I take my glasses off and rub my eyes. It feels like I haven’t slept in about a year. “All right.” I reach for the broom.
“Were you next door?”
“Yeah.”
“How is she?”
I shrug.
“What’s that mean?”
I’m all bent over, trying to stretch the broom handle to the corner where the nastiest gunk is. For added fun, it feels like I’m in the process of pulling a
key muscle. Or an entire muscle group.
“James?”
“What?”
“What’s with the tone?”
“I just. . . Look, can you give me a minute here, Ma? I’m trying to get this.” “So what, you can’t do that and answer a question at th! e same ti! me?” It’s like this constantly. Constantly.
She comes over and stares at my face.
“What?”
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“Are you eating?”
“Yes, Ma, I’m eating.”
“Enough?”
It never ends. She’s always bugging me to eat more. As if I can help being s kinny. It’s like, dude. If eating more actually worked, I wouldn’t be such a
joke. I’m like one of those walking stick insects all the time. Highly appe aling. But at least they don’t call me Noodle Arms anymore when we play bask etball.
Finally in my room, I take inventory of my clothes situation. Not to be a girl
about it, but I have nothing to wear. And it would be nice to appear at least
remotely attractive. Now that I’m officially single again.
“Can we read now?” Brian says from his area.
One of the myriad amenities of these refined living conditions is the need t o share a room with my little brother. I call it his area, but really it’s t wo inches away from my area. Ma’s brilliant solution was to put up a screen between our beds. Which is supposed to look like a wall and provide the illu sion that we have some privacy. Which of course we don’t.
“Not now,” I tell him.
“Why?”
“Because I have to do something.”
“What?”
“Just something.”
“Can I help?”
“No.”
“Why?”
“Because you just can’t.”
“Why?”
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I sigh this really big sigh. The sigh is like, / have to pick out a shirt tha t’s not entirely repulsive and then endure dinner with its endless questions and nagging and try to get some work done on this new computer program and it
never ever ends.
Even if everyone just left me alone, it’s too loud to work anyway. Trying to
block out the noise with my iPod only works if I blast it, wh! ich total! ly pr events me from concentrating.
What I would give for an hour of peace and quiet. Or even five minutes. It was even worse when my sisters lived here. When it was us and my parents,
with my sisters sharing the room Brian and I share now, and me scrunched in to a waik-in closet that posed as a room, it was bad. My sisters would fight
constantly. I tried to keep out of it by being quiet, but that only works f or so long.
It’s amazing how you can be surrounded by so many people every day who car e about you and still feel alone.
Keith did not just ask Rhiannon out.
I don’t like the way he’s looking at her. And I definitely don’t like the way he
said, “If you ever feel like hanging out…”
Whatever. It’s her life. She can do what she wants. But Keith? He bothers m e, man. He shouldn’t be anywhere near her. I don’t know why, but it’s like I go into this hyper-protective-bodyguard mode whenever some dude tries to hit on Rhiannon. Especially when I think he’s not worth her time. “Oh,” Keith goes. “Are you two … ?”
“No!” Rhiannon yells. “We’re just friends.”
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Dude. Why’d she have to yell like that? Is the thought of us together so horre ndous? I mean, it’s not like I want to be with her, but jeez.
Keith’s clearly not leaving until Rhiannon agrees to have his children. “Can I get back to you?” she asks him.
“Sure,” Keith says. “Take your time.” Then he looks me over. “I don’t doubt
your answer will be yes.” He laughs.
“Egomaniac,” I mumble.
“What?” Rhiannon says.
“Nothing.” I hope she’s not seriously interested in that moron. “I’m getting a Coke.”
Danny’s over by the window. Well, over by the entire wall that’s one huge wi ndow looking out over the ! city woul! d be more accurate. There’s a telescope o ver there. So of course a pack of guys are shoving each other, trying to be next. Seeing if there’s anyone having sex in the other buildings. Danny’s ma neuvering the lens, trying to find some action. Apparently, he’s been hoggin g the telescope. He’s getting called out for it.
“Dog! You’ve been on that for, like, ever.”
“Type rude to bogart the view, yo!”
“Get off the fucking scope, Trager!”
Danny reluctantly pries himself away. He sees me and comes over. “That thing is sick! There’s some chick taking a bath in the next building.” One of the most excellent things about Manhattan is that no one has curtain s. Or they do, but hardly anyone uses them.
“Nice,” I say.
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“So,” he goes. “What’s good?”
“Same old.”
Evan and Carl come over. They’re mainly Danny’s friends. Radical leftist ty pes. Carl’s dad owns a printing shop and gave Danny a discount on his elect ion posters. I roll with them sometimes.
We pound fists.
Evan goes, “You guys hear about Marion?” Which immediately gets Danny’s att ention. He’s been sweating her since the thing with Nicole ended. I’ll admi t that Marion Cross is gorgeous and easily the best-looking girl in our cla ss, probably in the whole school, but she’s not my type. Too shallow. “What?” Danny says.
“Son.” Evan pauses for dramatic effect. “Word on the street is that Marion mig ht actually like … Carl.”
Carl looks like he just won the lottery. And not the cheap discount game wh ere you have to split it with a thousand other people. We’re talking Mega M illions. Exclusively.
“Word?” Danny goes.
“Word up, yo.”
“How do we know this?”
Evan clarifies. “Well… allegedly.&! #8221; I’m like, “Allegedly?”
“Yeah,” Carl says. “Supposedly.”
“And where did this information come from?” Danny presses.
“Jared says she was asking him about me,” Carl insists.
“She never does that,” Evan adds.
“This is true,” I confirm. I heard that Marion only dates college guys. I’v e never heard that she was asking about one of us. The news would have been
legendary.
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Danny goes, “Sweet!”
“Oh, man,” Carl says. “If she wants me . . . fuck. The things I’d do to her.” “He’s only been choreographing them for two years,” Evan informs us. “Way before that, dude. Maybe I didn’t know she existed, but she was still t he ultimate babe.”
“A score for you would be a score for the entire junior class.”
“Hell, yeah!”
“Never say never,” Danny says. “That’s my motto.”
And then Nicole walks over. Danny’s smile immediately dissolves. He’s like, “Hey, Nicole! I didn’t see you.” Using his Girlfriend Voice. I recognize the voice. It’s the same strained voice I use when a girl I like
catches me saying something stupid. Danny has to do some serious damage con trol right now, so he says later to us and breaks out with Nicole.
I look around for Rhiannon. I don’t see her anywhere, so I hang with Carl and Evan some more. And then someone touches my arm, and I’m expecting it to be Rhiannon. But it’s Nicole.
“Hey,” she says. “Ree wanted me to tell you that she left.”
“What? Why?”
“She was tired and just . . . she just wanted to leave. But she knew if she t old you, you’d go with her, and she wanted you to stay and have a good time.”

“She should have told me.”
“But then you would have left.”
“Yeah, but…”
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“So, yeah.”
I smile at her. “Thanks for telling me.”
I watch this kid Tony do his professional Mr. Pearlman imitation. It distra cts me from thinking about why Keith is getting on my nerves. 135
CHAPTER 10
Sunday
“I THOUGHT SHE felt it, too. You know?”
“Yeah.”
“Aren’t girls supposed to be way more sensitive about stuff like that?” “That’s what they say.”
We’re waiting for Thank You for Smoking to start. Danny’s all into politica l issues. His goal is to become some upper-level politico type without gett ing corrupted by the system. He’s always fired up about how people in charg e make stupid things happen, like pointless wars and trashing the environme nt. He pretty much worships Jon Stewart in a godlike way. He has to watch T he Daily Show every night it’s on and check in with like two dozen differen t Web sites.
What blows my mind about Danny is that he’s got this huge speech coming up Friday and it doesn’t make him nervous. He
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hasn’t even mentioned it yet. He’s been obsessing about Nicole. “Freaks me out,” Danny admits. “It wasn’t like it was just her first time.” “That’s messed up.”
“How’s she gonna act all weird the next day? Like she didn’t even know me

or something?”
I just shake my head. I didn’t get it then, and I don’t get it now. The day af ter Nicole and Danny slept together, she totally iced him. Which is not like h er at all. And then she breaks up with him for no reason. Usually I can’t figu re girls out to save my life, but this? This was out there. And Danny’s still not over her.
He’s completely uninterested in any other girls. Except Marion. But that’s jus t his testosterone talking. I keep telling him that once he wins the election,

he can have any girl he wants.

The guy in back of us keeps pushing. I give him a warning look. He pretends not to notice. The Magnolia line on weekends is usually halfway down the b
lock, but that’s no excuse for rudeness. This would be the perfect opportun
ity for a Mr. Inappropriate Alert Guy intervention.
Mr. Inappropriate Alert Guy is this character Danny and I made up freshman year. It’s a concept that never gets old because it’s so perfect. Here’s
how he operates. If anyone does something rude, harsh, or obnoxious, he ta
ps them on the shoulder. And then they turn around and he says, “Excuse me
. But do you know how inappropriate you’re being right now?” And then he g
oes on to explain how what the person did is wrong and what they should be doing instead.
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And the thing is, he’s not some huge bouncer-type guy. He doesn’t come off al
l scary and threatening. He’s just an average height. But he wears a tux. He
seems more legit that way. So it’s not that he’s physically intimidating. He’
s smarter than the person being offensive, so he’s intellectually intimidatin
g. Wins every time.
Rhiannon stands on tiptoes to try and get a look in the window. She wants pi nk icing. She wants particular sprinkles.
“So,” I say.
“Yeah?”
“Keith was so random last night.” Not to stress about this. But that guy’s a dumbass. She deserves someone better.
Rhiannon tries to look in the window again. “He called me before.”
“He did?”
“Yeah.”
“What did you say?”
“I told him no.”
“Why?”
“Please.”
All this tension drains away. That’s one less thing I have to worry about.
“As if I’d ever go out with him,” she says.
If the guy wasn’t such an egomaniac, I’d almost feel sorry for ! him. “What’s
so bad about Keith?”
“Like he’s anywhere near my type.”
“And what’s your type?”
Rhiannon’s bouncing up and down. Now she can see in the window. And my q
uestion splats on the sidewalk like a water balloon.
I could ask it again. But whatever.
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One of the many reasons Rhiannon is a cool girl is because she understands t
hat I don’t want to talk all the time. Other girls expect you to act like th
em with the nonstop talking. But she gives me room to be myself.
So we’re sitting on the pier and I’m thinking about Jessica. Not because I m
iss her or I regret what happened. Which is what you’d expect me to be think
ing. But because it’s not the first time I’ve been dumped with Rhiannon indi
rectly involved.
I’ve only had two girlfriends. Three if you count the thing with Jessica. I b
roke up with my last girlfriend because I felt like it was getting too seriou
s. She was always talking about stuff she wanted us to do like three months d
own the line, and when did I want to come over for dinner, and I just wasn’t
feeling it. Don’t get me wrong. She was great and all. Curvy, killer smile, l
aughed at all my jokes. Maybe it could have worked out. It’s just that she ru
shed things before they had a chance to go anywhere on their own.
So that was all me. But the one before her blew me off after I called her
“Rhiannon” by mistake. Which totally didn’t mean anything. That’s the kind of thing that happens when you spend a lot of time with someone. It happe
ns to everyone. And it wasn’t even at some crucial time, like when we were making out. Obviously, there was more to the story than she was telling m
e. We’d have these weird conversations. Ones that made me think there was some cryptic subtext I wasn’t getting.
! A typica! l conversation would go like this:
Me: So when do you want to hang out next?
Her: Hang out?
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Me: Yeah.
Her: Um … I’m not sure.
Me: How about Saturday?
Her: Saturday night or afternoon?
Me: What difference does it make?
Her: [looking at me like I'm the biggest bonehead ever] There’s a difference.

Me: Oh. Well… what about Saturday afternoon? We could go to the planeta rium for that new show.
Her: I might be busy.
After conversations like these, I always felt like I was missing something.

Like I did something wrong. Even though I had no idea what it was. Or this other thing she’d do was ask me questions like, “Do you like Rhiannon more than me?”

Dude. How was I even supposed to respond to that? They’re two completely different concepts.
When a girl asks you a question like that, there’s no way you can be honest.

They say they want you to be honest, but then they get all upset when you a re. You can’t win. There’s no way to win. There are questions you just can’t
answer without manipulating the truth. Like, “Does this make me look fat?” Or, “Do you think she’s prettier than me?” Or, “Do you ever think about othe r girls?” Because the truth, in any of these cases, could potentially crush a girl.
For some reason, I haven’t had a serious girlfriend yet. No big. Maybe it’s the
kind of thing you don’t find until you’re looking for it.
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Brian is sitting with Rhiannon on the couch, all curled up in her lap. She’s
reading to him. And I’m just standing in the kitchen doorway, watching them . All mellowed out for once.
But then after we finish Parcheesi and move on to Chinese checkers, I’m all
wound up again. I’m only half-thinking about my moves. The other half is t hinking about this huge Science League tournament coming up that I haven’t even started getting ready for and my Industrial Design report that’s still
not done and this new computer program I need to finish so I can enter thi s competition and-
“Why’d you move there?” she says.
“Why not?”
“You missed this whole jump.” Rhiannon points to the space I should have moved to. Then I could have jumped three of her guys in a row. “Oh,” I say. “I didn’t even see that.”
“Are you okay?”
“Yeah.”
No. I’m totally out of it. All this stress has put me off my Chinese checkers game. I never miss a jump like that. Ever.
So after Rhiannon leaves and Brian is asleep, I’m relieved that I can still
work on my software design. This thing will be bigger than anything Apple has invented. My ideas will make iTunes look old-school. I’ll revolutionize
the computer! world, as Danny would say. He’s always talking about starting
a revolution.
The neighbors are fighting again. Which is only slightly more desirable tha n listening to them having sex. Sometimes the fighting turns into sex, thou gh, so I’m hoping they stay mad at each other. And the other neighbors are blasting that techno-house crap again, so everything in here’s shaking like
boom boom boom.
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I bang on the wall along with the beat like boom boom boom. As if they can
even hear me.
Of course I can’t concentrate. One minute I’m writing code, and the next I’m l ost in a haze of my future life.
House: Some three-million-dollar job near the river. Badass amount of space .
Car: Mazda Ryuga. Black.
Job: Software designer for Apple. Sick bankroll.
Girl: Victoria’s Secret model. Also smart and into gaming.
“James!” Ma yells.
“What?!”
“Did you do your homework?”
“I’m doing it, Ma!”
I always do my homework. I’ve never not done my homework. Shouldn’t sh e know this by now?
When she comes in ten minutes later to see that I’m doing it, I almost blow a
gasket.
“Why are you checking up on me?”
“For your information, I was coming in to see if you wanted your blue shirt ironed.”
“No, that’s okay.”
She lingers in the doorway.
“Anything else?”
Ma comes in and sits down on my bed. “You seem kind of edgy lately.” “That would be because I’m edgy.”
“And you’re taking it out on me because … ?”
I stop typing. I turn around to look at her. “I’m sorry, okay? I just have a lo t on my mind.”
“Anything I can help you with?”
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“No. It’s just… life.”
“Are you sleeping better?”
“Not so much.! ” “Do you–”
“I’m going for a walk.”
“I thought you had homework.”
“I always have homework. I need a break.”
Ma looks worried.
“Don’t worry,” I tell her. “I’ll be okay.”
Walks are never as good during the day. At night, when everyone’s apartments
are lit up and you can see inside, that’s where the action is.
Everything about this fascinates me. Windows, lampposts, building facades. Lo oking into other people’s lives. The way it all comes together, this entity g reater than the sum of its parts. I feel inspired. I’m excited about my futur e life.
Then I pass a twenty-four-hour deli and there are all these flowers outside.
For some reason, I notice them. And that’s when I see those flowers Rhianno n likes.
I don’t think about what it means when I get them. I just know that I want to
give them to her.
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CHAPTER 11
Monday
IF MY NEIGHBORS weren’t having the loudest sex ever last night, then maybe
I would have gotten more than three minutes of sleep. But the sad reality
is that they were. And that’s why I’m dragging my tired ass into physics like it’s a remake of Night of the Living Dead and I’m the most exhausted zombie ever.
I need coffee. Big-time.
I collapse into my chair and lean back. I take my glasses off and rub my han ds over my face. I have no idea how I’m going to make it through the day. Bu t whatever. It’s not like I haven’t been up all night because of them before . It’s especially embarrassing when I see them the next day. Because then I have to pretend like I’ve never heard them having sex. Like this one time af ter a night of particularly loud screaming from her, I saw the guy in the ba sement dumping his recycling. I tried to ignore him completely, but I couldn ‘t help staring. And he’s not! even all! that. He’s like some
144
schlub you see eating alone at Noodle Bar, all slurping down his soup and re ading the paper.
The bell rings. Everyone’s opening notebooks and yelling conversations acr oss the room and turning off their Sidekicks and copying homework problems
from other people. I’m lusting a double espresso. It’s a problem. The ora nge Mudtruck where I always get my coffee wasn’t in its usual spot. Their coffee rocks something extreme. And Joe isn’t on my way to school, so I de cided to have no coffee instead of some weak deli schlock.
Danny slides into his desk, next to mine. Danny’s a vegetarian, with his wei rd tofu bacon and egg substitute sandwiches he gets for breakfast at this sp ecial vegan deli. He wolfs down the last part of his sandwich.
“Can you do it by Friday?” he wants to know.
“Definitely.”
He’s strategizing for his big speech Friday. Danny has mad public-speaking skills. Some people are just naturally talented in that area. I, however, a m not some people. I practically pass out when I have to talk in front of p eople. But Danny is the only one who can keep us awake when we have to do o ral reports. He can make even the most boring things seem interesting. Like
politics.
“I can’t believe turning out the lights is considered a fire hazard,” I compla in. “What about for movies and stuff?”
“That would be why we never see movies in there.”
“But isn’t an auditorium supposed to be for everything?”
“Ideally. And then there’s realistically.”
Danny has this righteous idea for his speech. But to make it work, the lights need to be off for a minute. The principal wouldn’t even let him do that. It’s
so bogus. They’re always telling us to be
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creative and think outside the box, but every time we do, we get shot down.
So I’m hel! ping him ! out.
“I’ll take the heat if you get caught,” Danny says.
“Don’t sweat it,” I tell him. I mean, really. If I get caught, what’s the worst they can do?
I raise my hand in calculus and ask to go to the bathroom. But that’s not whe re I’m going.
When I open my locker, I’m psyched to see that the flowers still look decen t. And there’s a history with them. One time I was walking with Rhiannon do wn Charles Street, and someone had these flowers planted in their front yar d. She said how they were so pretty. She stood there for a long time, stari ng at them.
Yeah, so I got her flowers. Maybe they’ll make her feel better. It’s the kind
of thing we do for each other. Except I’ve never given her flowers before. B ut it was just one of those impulsive-type things.
I take the flowers out of my locker and make sure the little water container s on the bottoms of the stems are still on. Then I turn her lock combination , which I know because we tell each other our new ones every year. I’m leavi ng the flowers in there without a card. Since girls remember everything, she
has to know they’re from me.
Girls are always complaining about how much stuff guys forget. I can’t wait
to see how impressed she is that I remembered.
The decent thing about lunch is that Rhiannon’s been sitting with 146
me since the thing with Steve ended. The crappy thing about lunch is that eve n though she’s sitting with me, she’s staring at him.
It’s annoying. He rips her heart out and stomps all over it, and she’s still hopi ng he’ll look at her.
She sat with me a couple times when they were in a fight. And it was great a nd everything, but in a way it felt like I was just good old James, always t here, like some comfortable sofa. Which gets irritating.
“So I’m doing this computer program for Danny’s speech,” I r! amble. &#! 8220;It’s what ‘s up. Really cool lighting effects and original fonts and . ..”
When did I start babbling? As soon as she sat down? And since when do I say
things like It’s what’s up?
Rhiannon hasn’t said anything about the flowers yet. She probably didn’t go t o her locker.
I should just get to the point here. Something I was thinking about last peri od. Just this idea that showed up out of nowhere. No big or anything. “And then the dance is that night.”
Rhiannon goes, “Um-hmm.” Still staring at Steve.
“So, like … are you going?”
She finally looks at me. “Where?”
“To the dance.”
“Oh. Um … yeah. I think so.”
“So, like … with Nicole or… ?”
“Well… maybe with Steve.”
The Hot Pocket sticks in my throat. Obviously, my hearing’s on the fritz. ” Huh?”
Rhiannon blushes. “No, I mean … I don’t know for sure, but…” “Yeah … didn’t he break up with you, though?”
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She gives me a harsh look. “Technically maybe. But things change.” I’m shocked. Why would she still want to be with that dumbass after everyt hing he put her through?
Rhiannon looks at Steve again. And this time, he looks back at her. And he smiles.
And she practically melts all over the table.
Screw this. I get up to leave.
“Where are you going?” Rhiannon says.
“I’m done.”
“But… don’t you want to sit with me?”
I’m tired of being taken for granted. Does she even appreciate me at all? I don’t want to fight with her. I really don’t. But if I stay here and watch this , I’m going to blow.
“I gotta go,” I say.
And I’m out.
I can see Mrs. Schaffer on our stoop from half a block away. She! 217;s jus! t standi ng there, holding on to the railing. I run up to our building.
“Hey, Mrs. Schaffer!” I climb the stairs up to her.
“Oh good. Would you … ?”
“Of course.”
I help Mrs. Schaffer inside and up the rest of the stairs. It’s so weird how a lot of older people live in walk-up buildings without an elevator. How do t hey get around when they live alone and there’s no one to help them? Living i n a third-floor walk-up is
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nothing for me, but it’s a serious deal for her. It takes her like ten minutes j ust to get up to her place. And lately it seems like she’s struggling more. We stop on the second-floor landing for a breather. The hallway smells like mothballs. Mothballs and cabbage. I hate it when people cook stuff that take s over the entire building.
“And so?” Mrs. Schaffer prods. “What’s new with the girl?”
Man. This is the last thing I want to talk about. I just want to go to my room, get my homework done, and work on programming for Danny’s speech. Ke ep busy until it’s time for 24. Then go to bed. And forget how warped Rhia nnon’s being.
“Nothing to report yet.”
“Oh? And why is this?”
What am I supposed to say here? I hate stringing her along like this, but she
always gets so excited about the prospect of me having a serious girlfriend.
Someone I can take over to her place for visits. And so she can feed us cook ies. I just can’t let her down. Especially since she has such high expectatio ns of me.
“I’m waiting for the right opportunity to arise,” I explain.
“In my day, a boy liked a girl, she was the first to know. None of this schem ing.”
Mrs. Schaffer is like a grandma to me. My grandparents on Ma’s side live i n Germany, where she’s from. But I haven’t seen them since I was small. I hardly remember them. Just fragments. Piece! s of anot! her life.. And on Dad’s
side, my grampa died and my grandma lives in a nursing home. So I’m really protective of Mrs. Schaffer. Over the years, I’ve felt like it’s
my responsibility to take care of her more and more. She’s family now. 149
When I get to Danny’s, I can’t believe how tricked-out his roof is. There’s a huge cooler with subs and a bucket packed with ice and soda. Four chairs a re set up around a TV. Which is plugged into what has to be the longest exte nsion cord in the world.
“James, my man!” he yells. “Come on up!”
Tonight’s the season finale of 24, so Danny’s having a farewell screening on
his roof. Evan and Carl are also coming. We’re all hard-core 24 fanatics. D anny and I have been watching since it came on when we were in seventh grade . I remember being scared because it premiered right after September 11 and it’s all about terrorism, but I was riveted at the same time. I haven’t miss ed an episode yet. It’s the one show I have viewing rights for at home, but I usually try to watch it at Rhiannon’s. It’s so much cooler on the big scre en.
We eat and drink and bullshit about nothing in particular. I watch the sun s et over the Manhattan skyline. Which is so cool since these two final episod es tonight take place between five and seven in the morning, so we’ll be wat ching the sun rise right after the sun sets. Metaphysical, yo.
And then suddenly there’s yelling from the stairs. We turn to watch. “Secure the perimeter!”
“Copy that!”
“Send the coordinates to my PDA!”
“Call for backup! We need a chopper!”
Carl kicks open the door. Evan runs onto the roof, pointing his imaginary g un toward us.
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“CTU! Do not move!”
Carl comes running over. He’s all, “Drop your weapons!”
“I already used them on y! our mom,&#! 8221; Danny says. He takes another swig of s oda.
“Yeah,” I go. “But just the handcuffs.”
Evan goes, “Tick boom! Tick boom!”
By the third commercial break, we’re all running around acting like Jack Ba uer and reenacting the scenes with cell phones pressed to our ears. And the
endless Iit-up windows and the street noise and planes flying overhead all
blend into the background.
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CHAPTER 12
Tuesday
SHEILA AND BRAD are fighting again. Mr. Inappropriate Alert Guy should really let them know how tacky public fighting is.
And they don’t even care that people can hear. They’re right in the middle of the hall, yelling at each other.
Not that I’m watching or anything. I’m digging a book out of the back of my locker.
Here’s the fight:
Sheila: Just forget it.
Brad: Why are you freaking out about this?
Sheila: I’m not!
Brad: Then why aren’t you coming later?
Sheila: I have to go home.
Brad: But you left!
Sheila: Yeah, but now I’m going back!
Brad: Why?
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Sheila: Because I have to!
Brad: What for?
But Sheila doesn’t answer. So Brad grabs her arm and pulls her over to the lo ckers. Sheila yelps like she just got burned.
Brad says, “Let me see?” Now he’s all quiet.
Sheila pulls up her sleeve. She’s facing away from me, so I can’t see anythin g.
“I said I was sorry.”
“That’s not good enough, Brad.”
“I told you I didn’t mean to.”
“Too late.”
Brad looks around. I already found my book. But I pretend that I’m still diggi ng for it.
“Did you tell Nicole?” Brad asks.
“No.”
“But you told her something.”
“We were just talking.”
“About what?”
“None of your business!”
“Why! won̵! 7;t you tell me?”
“Can you just leave me alone?” Sheila says. She walks away from him. “Sheila!” Brad yells after her.
But she doesn’t come back.
I couldn’t do the whole sitting with Rhiannon while she drools over the dumb ass during lunch thing again. So I camped out in the computer lab instead. I
wanted to get this English paper out of the
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way so I could focus on the program for Danny tonight.
But I didn’t really make much progress, due to a persistent combination of e xhaustion and distraction. Which is why I’m back here in the lab after schoo l.
Mr. Clements wants us to learn how to do Internet research without plagiar izing everything we find. Which is what everyone always does. Because ever yone knows there’s no way teachers read everything we hand in. Especially long reports. Carl once wrote “I sucked your mom’s ass last night” in the middle of his Kierkegaard report just to prove that the teacher never read s anything. He got an A.
So for Mr. Clements’s philosophy class, we’re supposed to Google a few pract ice concepts and record any sites that look suspicious. This is to prove tha t not all information on the Web is valid. Just in case we didn’t already kn ow this.
I Google the first entry. It’s Alain de Botton. He’s this contemporary philo sopher dude who talks about how relationships are never what we think they a re.
Everything looks legit. Even this site called Bookslut belongs to a book revi ewer who’s legit.
What’s up with all these sites? Okay, I’m a computer geek. It’s not exactly a
secret. But there’s no way I’d spend all my free time creating these unneces sary sites. I’d rather put my energy into something that can change the world .
Suddenly this surge of exhaustion hits me. Almost knocks me off my chair. I
stayed up way too late again.
It’s hard! to focus! on this..
A couple teachers are in the corner of the lab, using the faculty computers. O f course I figured out the faculty password, but I haven’t had the need to use
it yet. There’s a bulletin board
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on the wall above them with all the teachers’ names and their classroom numb ers. Teachers’ first names are always so weird. It’s like, someone calls Mr.
Clements “Richard” in real life? Far out.
I type Richard Clements in the Google box. I find out that he’s a master glas sblower, an oncologist, an Australian journalist, and likes to fly planes wit h wild paint jobs. And the list goes on. It’s draining to even think about se arching ahead enough to find the one who teaches here.
After I’m done, I’m passing by Mr. Farrell’s room when I hear someone talki ng. For some reason, I stop. And listen.
“… especially around here.”
Today’s Rhiannon’s tutoring day. Is he talking to her?
“Yeah, same here. Rhiannon lives down the street, so I hang out here a lot.” That’s Nicole. Except it doesn’t sound like her exactly. Something about her
voice sounds different.
“I’m surprised I’ve never seen you around, then. I’m here a lot, too. New York
is, like, the smallest town on the planet with–”
“–running into people! I know!”
Now I’ve got it. What’s wrong with her voice. It’s got that high-pitched, bor dering on hysterical tone girls get when they’re in hyper mode.
Because they like some guy.
This can’t be real. She can’t seriously like Mr. Farrell.
I lean against the wall, stuck. Do I listen more? Or do I go in and get her o ut of there? And where’s everyone else? I don’t hear anyone else talking. May be the rest of them left early. But then why would Nicole … right. Nicole goes, “Where do you h! ang out ar! ound here?” And he actually tells he r.
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This can’t be real. Teachers don’t have these kinds of conversations with th eir students, about their personal lives and where they hang out. Right? Tha t’s just way too much information.
Now he’s actually telling her that he lives in her neighborhood. Which I’m su re breaks one of the top ten rules listed under What Not to Do If You’re a Te acher. And she’s talking to him like . .. like they’re going out or something .
I’m so skeeved with the whole thing that I don’t notice Evan walking toward m e until he’s halfway down the hall. I put my hand up like, Don’t say anything ! but it’s too late.
He goes, ‘”Sup, James.”
I nod to him. He walks by the room. So now I have to go in.
I stick my head in the doorway. “Hey.” I make up a quick excuse to be ther e. “Did Rhiannon leave?”
And Mr. Farrell’s like, “Oh. Tutoring was canceled.” Like I need math tutori ng.
Slick. The guy is slick. He’s playing it off like he wasn’t just flirting wit h some underage girl with a crush so huge you can hear it from the hall. And it’s obvious when you see her. Nicole’s all flushed. Her eyes are big and gla ssy. I’ve never seen her look like this. Even with Danny.
“So, uh …” I look at Nicole. “You ready?”
“Huh? Oh! No, yeah, I’m . . . yeah.” Her math book falls on the floor with a loud splat.
“Here.” I walk over and pick it up.
“Thanks,” Nicole says. She takes her book back. She avoids eye contact. I stand there. Waiting. Trying not to look at Mr. Farrell.
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I rub my left temple. I tap my pen against my notebook. It’s infuriating. Th ere’s this whole jumbled mess of stuff I’m feeling, and I don’t know why. “Whatcha doing?” Brian wan! ts to kno! w.
“Working on a computer program for someone.”
“For who?”
I tap my pen.
Brian hangs over my shoulder. “For who?”
“Danny.”
“Is Rhiannon coming over?” Brian loves it when she comes over. Especially
when she sits with him on the beanbag chair and reads to him.
“No.”
“Why not?”
“She’s busy.”
“With what?”
“Okay, Brian? I’m busy right now. I can’t really talk.”
“Everybody’s busy! No one wants to talk to me!”
One of his temper tantrums is definitely brewing. If I don’t intercept this now,
it’s going to get ugly. Fast.
“Weren’t you guys reading Lafcodio last time?”
His lips are all pouty. “Yeah.”
“Do you want to finish it?”
“I thought you were busy.”
I put my pen down. “Not anymore, little man. Let’s move.”
We squish together in the beanbag chair in the corner. I’m too tall for this, but I kind of dig it when Brian presses his cheek against my shoulder, looking
at the pictures while I read.
Right when Lafcadio is getting a marshmallow coat, Ma yells, “James! Phon e!”
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It’s Danny. He wants to meet at Cozy Soup ‘n’ Burger, and he’s buying. When I have so much money I don’t even know what to do with myself, I’m ge tting a personal chef. And every day she’s going to cook these exotic, ela borate dinners, exactly how I describe them. And I’ll invite over whoever I want. Friends who won’t ask annoying questions. Or a girlfriend who just
wants to relax and watch a movie while we eat.
Or maybe I’ll just order in every night. And eat alone.
“So, how’s the speech?”
Danny takes a swig of his egg cream. “Almost done.”
“Nice.! ” “How’s the program coming?”
“Almost done,” I tell him. Even though I have a ton more work to do on it. Bu t it shouldn’t take that long.
“Thanks again, man.”
“No sweat.”
“Yeah, so.” Danny picks up his veggie burger. “I’m thinking of asking Nicol e to the dance.”
I never know what to say when he brings up Nicole. Neutral is the best appr oach.
“Yeah?” I go.
He nods and chews. “What do you think?”
“Well, yeah. I mean … if you think she’ll go.”
“Why wouldn’t she?”
Now’s probably not the best time to remind Danny that she was the one wh o dumped him. Since he’s apparently developed a
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severe case of selective amnesia. And me trying to cure him will only piss h im off.
“No … you should. Go for it.”
“You gotta put it out there to get it back. It’s all about the karma.” “Exactly.”
“So. What about you?”
“Meaning?”
“Who are you asking?”
“Oh.” The thing is, I don’t really want to ask Rhiannon anymore. “I don’t kn ow.”
“Now that Jessica’s out of the picture, you’re free, bro.”
“And?”
“And . . . what are you waiting for?” Danny’s looking at something behind me.
It’s the third time he’s looked.
“What’s up?”
He leans over the table. “Those girls over there? Have been checking us out since they got here.”
“Word?”
“Dead ass.”
I turn halfway around. He’s right. They do that thing where they snap their heads back so fast you know they were just looking at you.
“Nice,” I say. I take an onion ring from the pile between us.
“That’s it?” “! ;What?”
“That’s all you’re gonna say?”
“About what?”
“Man.” Danny chews his veggie burger. “You’re hopeless.”
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“If you’re talking about those girls, they’re not my type.”
“Not your type?”
“No.”
“What’s that supposed to mean?”
“What does it sound like it means?”
“It sounds like an excuse to be miserable. What happened with Jessica any way?”
“I told you.”
“Well, I wasn’t convinced.”
“She was…” I pick up another onion ring. “She was jealous of Rhiannon.” Danny watches me.
I give him an exasperated look. “She didn’t get how we’re just friends.” “So why didn’t you explain it?”
“I tried.”
“Right.”
“Whatever. I wasn’t that into her anyway.”
Danny glances over at the girls. There’s a burst of giggling from their booth . “Let’s see. Jessica is gorgeous. And smart. And funny. And interesting.” “And your point is?”
“She’s all those things, but you weren’t that into her.”
“Exactly.”
“Unbelievable, man.”
Danny is the smartest person I know. So I really don’t get why he consistentl y evades grasping this simple concept. Just because some girl is girlfriend m aterial to him shouldn’t imply that I have to agree. I mean, the guy derives equations to predict future climate
160
change due to global warming for fun, and he can’t get this?
“I’m setting you up with someone for the dance,” Danny mentions. “Who?”
“Just someone from Millennium.”
I really don’t want to start something up with another girl right now. And I’m sure this fix-up! will be ! a disaster.
The girls from the other table get up to leave. They stare at us as they walk by our table. Slowly. Staring.
Danny and I attack the pile of onion rings.
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PART TWO
May 24-26
Have the courage to follow
your heart and intuition.
They somehow already know
what you truly want to become.
–Steve Jobs
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[Page Blank]
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RHIANNON
CHAPTER 13
Wednesday
THE WHOLE THING looks awesome the next morning. Huge and exciting and
scary. Like something that would only happen in a movie.
Kids crowd around it, trying to figure out what it means.
Someone says it’s a bomb threat.
Someone says school was canceled.
Someone else says the police were already here and it’s not.
This other girl says how it’s the terrorists.
So now I’m nervous about getting in some serious trouble. I’ve never been in
any kind of trouble, so possibly getting suspended is really scaring me. Bu t I don’t think I’ll get caught. There’s another Steve in this school who’s a sophomore, so there’s the possibility that people will think it’s for him instead. And as far as the school is concerned, Steve and I are ancient hist ory that people can hardly remember. So much drama has happened with other p eople since we broke up that our relationship is like
164
something from way back in the Cretaceous Period. Plus, it’s not like I signe d it or anything.
I walk right over the message and push open the door like it doesn’t even in terest me. Like I didn’t even notice it. I’m too nervous to stop by Steve’s locker. I keep walking to Earth Science. Did he see it by now? He must have seen it by now. Unless he’s late. I wish I knew what he was thinking right t his second.
By second period, a lot of people are talking about it. I’m pretending to str etch in my squad on the gym floor, but I’m l! istening ! to Joni and Maria talkin g behind me.
“It’s pathetic,” Maria seethes.
“How desperate can a girl be?” Joni adds.
“Which Steve do you think it is?”
“The sophomore. Mamusu totally likes him.”
“Totally.”
“I bet she did it.”
“He’s not even that cute, though.”
“Well, it can’t be Steve Cannavale,” Joni says. “Unless . . .”
Silence.
I stretch my leg out to the side and grab my sneaker. I peek at them from between my leg and my arm.
It’s obvious that they’re not only talking about me but they’re talking about
me behind my back. Literally.
I twist around. “What?”
Maria is inspecting her nails. Joni gives me this look like she feels sorry for
me.
“What?”
“Don’t you know?” Joni says.
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“About what?”
“Did you write it?” Maria digs.
I lean over to stretch again. “I don’t even know what you’re talking about,” I insist.
I try to look unaffected, but my heart is pounding so hard. Don’t I know ab out what} It can’t be the whole Gloria thing, because there’s nothing to kn ow. It was just a kiss. Which means absolutely nothing. Steve and I have a history together and what do they have? Some sleazy groping in the hall? Bi g whoop.
But then why was Joni looking at me like that? I could ask her, but I’m too afraid of what she might tell me. Maybe it’s just that she doesn’t think the
message is going to work. But that’s only because she doesn’t know how it w as with us.
I stretch out my other leg. A group of three girls is whispering, all of the m looking over at me. I know the look they have. It’s the look where you kno w something about someone but you don’t want to be the one to tell them what
it is.
! So people! are assuming it’s me.
It’s official. I’m mortified.
I just hope I’m mortified with a really sweet payoff.
Question: Why can’t I just stay in bed, where it’s safe?
We’re supposed to be working with our neighbor on this math worksheet. But
I’m not paying attention to any of the problems.
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Because I’m trying to hear if anyone else is talking about what I wrote. “. . . You’re supposed to minus point A from point B.”
“Let me see your calculator?”
“You don’t need a calculator for twelve minus five.”
“What is it then? …”
“. . . Clements gave homework?”
“Not in my world.”
“Nice…”
“… Do it like how he did on the board.”
“That is how he did it.”
“Oh snap….”
It all sounds like normal conversation. But I keep listening just in case. Today Mr. Farrell is wearing his light blue shirt with the dark purple tie and navy pants. Someone needs to sit the man down and have a serious conver sation about color coordination.
I glance back at Nicole’s desk. I want to give her a look like, Get me out of here. Now. But she’s weaving through the desks up to the front. Then I hear he r tell Mr. Farrell that her pencil ran out.
“So you’d like to borrow another one?” he says.
Okay. This is weird. Nicole knows I always have a whole row of mechanical pencils, plus sharpened ones, all lined up in my bag. And a pencil sharpen er in my pencil case, which also has erasers and mini glitter pens. So why
is she even up there? She always asks me for a pencil or my sharpener or whatever else she needs. Since when does she go to someone else? Especiall y a teacher? Plus, a few minutes ago she was totally zoning out, which she
never does in math.
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I swear, between this and everything in! gym and ! Steve avoiding me all day, I ‘m seriously angsting. At least, I think he’s avoiding me. I didn’t see him at any of our usual places. Even though it’s only third period. But whatever . We have lunch next. There’s no way he won’t want to make up by then. And maybe I’m just being paranoid about the people-talking-about-me thing, because I still don’t hear anything. All I hear is a group arguing about th e answer to number four.
“OD! Why you beastin’, son?”
“That’s it. No more answers for Lemarr.”
“You’re fired!”
“Except you can’t be fired from school, genius.”
That would be so cool. If the same rules applied to school as they do to jobs . I could really use a personal day. You can take personal days at work. Whic h would only be fair, since we’re forced to do all this work and we don’t eve n get paid for it.
Thunder rumbles. Everyone looks out the window. The sky is all dark. Great.
I just had to wear my new sparkly flip-flops today. And I didn’t bring my umbrella. The sidewalk chalk is going to be washed away soon. I hope Steve saw it. But like duh. Of course he saw it. Everyone’s probably been interro gating him about it all day. And as much as I want to pretend the queer loo ks I’ve been getting from people are just a figment of my imagination, I sh ould probably admit that they’re real.
Nicole passes my desk on the way back to hers. She’s been talking to Mr. Fa rrell this whole time, but I couldn’t hear what they were saying because ev eryone else was talking too loud. She glances at me and then looks away qui ckly. I get that bad feeling again. Maybe she’s heard stuff about me. I look over at Mr. Farrell. He’s staring out the window.
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When I get to the cafeteria and see Steve, I don’t even look for James or put my stuff down. I just go over to his table.
But rig! ht before! I get there, Gloria slinks over. And all of a sudden I get i t. Everything that’s been happening comes rushing in at me. I know before I k now. I know she’s going to sit down next to him.
And I know it wasn’t just a kiss.
Oh my god. This is why.
Gloria sits down next to Steve. She pulls her chair all the way over so it’s t ouching his. She puts her hand on his shoulder. You can see her perfectly done
nails from all the way over here. She has this clingy black shirt with bold-c olored stripes, and jeans that fit all her curves perfectly. And her perfect h air has that glossy thing going on that boys love.
That’s the thing with Gloria. She’s beyond gorgeous. So it’s obviously a physi cal thing. I just can’t believe that Steve would be such a guy. But there it i s.
Gloria leans toward Steve and says something.
And that’s when he finally looks up and sees me staring at them. My stomach churns. I have no idea what to say. Her hand is still on his shou lder. He’s avoiding eye contact with me.
Maybe I’ll say something like, “So . . . did you get my message?” all faceti ously, the way we like to joke around. The way we used to.
Some boys at the table look up at me. Then they look over at Steve and crac k up. They make noises. They snort into their cheeseburgers.
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It’s official. I’m pathetic. I’m a pathetic, groveling, desperate ex-girlfriend. I wish I had never come over here. I wish I could erase everything that’s happ ened since last night. But it’s already out there.
So I say, “Hey, Steve.”
When he looks up at me, he’s not Steve anymore. He’s someone I don’t know . My Steve would never look at me like that. Like I don’t belong here. Li ke he doesn’t even know me.
Gloria examines me through perfectly mascaraed lashes. She goes, “Hey, R hiannon.”
Question: Why is she answer! ing for h! im?
“We’ve been going out for two weeks,” Gloria informs me. “Which is why he
dumped your ass. Or didn’t he tell you?”
I stare at her.
Gloria glares at Steve. “You didn’t tell her?”
“No–I . . .” Steve rips a piece of his napkin off.
“You did or you didn’t?” Gloria demands.
“Urn . . . I was . . .”
But Gloria looks back at me. “Haven’t you been scary stalker chick enough for one day? Or are you a masochist, too?”
The whole table cracks up.
Steve doesn’t defend me. He just keeps ripping his napkin apart. I turn around and look at the table I usually sit at with James. But he’s not t here. He’s not anywhere. I’m all alone.
I can’t escape fast enough.
That did not just happen. There is no way that just happened.
I keep walking down the hall. Blocking out the hall monitor who asks for m y pass. Blocking out the sound of everyone laughing
170
at me. Blocking out everything. I have four more classes today. I won’t be i n any of them.
The front doors double-dare me to push them open and ditch this disaster area.
It’s not just raining. This is technically a torrential downpour. Rivers of w ater flood down the street. I stand in the hall, looking out at the world. The
sky is so dark it’s like night out. Lightning flashes. Thunder booms so loudl y the floor vibrates.
Normally in a situation like this, I would wait it out. Well, no, normally I wouldn’t cut class in the first place, but drastic times call for drastic act ions. Or I would walk with James. I know he has an umbrella, because he liste ns to the weather forecast every morning. But James can’t save me this time. No one can save me except myself.
I push the door open. I step outside. I am immediately saturated. My messa ge is a smeary swirl of purple and pink and blue, written for s! omeone he! re
who was already gone.
I don’t make a run for it. I’m walking all the way home.
I walk slowly in the rain. It feels like buckets of water are being dumped over my head, one after the other. My jeans are soaked. My white T-shirt is
totally see-through now. Two crusty guys standing under a deli awning whis tle as I go by. My flip-flops are drenched, squishing over puddles. I need this rain to wash it all away.
It’s not until I get home and put my bag down that I realize my shirt is dest royed. My bag is from the Strand, this bookstore that sells dyed canvas bags. I guess I never thought about what would happen to a red bag against a white
shirt in a downpour. I peel my shirt off. It was my favorite white shirt. No w it’s all streaked with red blotches.
Everyone has a breaking point. I’ve just reached mine.
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The crying starts. And it doesn’t stop.
My phone’s ringing for like the tenth time. I let my machine pick up again. M y cell is off. I don’t even care who it is. Probably James or Nicole. But I d on’t feel like talking to anybody. I open my lists journal and make a new one .
Top Five Reasons to Avoid Killing Myself
5. Won’t ever get to meet Topher Grace.
4. Would miss out on the whole career/travel/
family thing.
3. Snickers would be lonely.
2. No more cupcakes at Magnolia.
1. Being dead probably sucks.
Snick-Snick purrs like a motor. He’s in this fluffy sleeping ball next to me o n my bed. I wish I could be like that. All oblivious to how disgusting life ca n be.
I’m listening to “My Immortal” on repeat. Because apparently I haven’t felt e nough pain for one day. Bring it. Maybe next I’ll even read over all of Steve ‘s old love letters.
The pain.
There’s a knock on my door. I look at the clock radio. 6:42. Mom’s home ear ly.
So real.
She opens my door. “I’ve b! een calli! ng you for dinner. I got Chinese.” 172
Too much.
“You okay?”
I turn over. Mom lingers in the doorway.
But then she sees how damaged I look, so she comes in. “I got your favorite. Pot stickers.”
Even that doesn’t make me smile.
“Do you want to talk about something?” she says.
Maybe. But talking to her feels like work. And I’m just too exhausted. “No.”
“Are you sure you’re okay?”
I crawl over Snick-Snick and slide out of bed. I feel like I’ve been run over
by a cement truck and then pounded by a wrecking ball. “Yeah,” I croak. I’m all groggy. “I’m going to the bathroom first.”
But I’m not okay. I can’t imagine ever feeling okay again.
Question: Is it possible to die of a broken heart?
When I check my messages I can’t believe it. James only left one message. Then there’s a bunch from Nicole.
Normally he’d leave more than that. Normally he’d be crazy worried about m e.
It’s like he doesn’t care as much as he used to.
I call his house. His mom answers.
“Hi, Mrs. Worther,” I go. “Is James there?”
“Hello, Rhiannon! He’s not here right now.”
I hear Brian in the background, asking if he can talk to me. But I don’t have
the energy right now.
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“Oh. Well… do you know where he is?”
“It’s laundry day.” Which means he’s at Wash World. “I’m sure he’s havin g a marvelous time over there. Maybe you could keep him company?” “I think I might. Thanks.”
The second I walk into Wash World, I feel a little better. It’s an automatic
response. I’ve sat here with James so many times while he did laundry. He h ates being here by himself. So we sit on the couch and talk, and whatever’s bothering! me usual! ly gets worked out by the time we leave. Kind of like an e ighties sitcom.
I find him sitting on the couch, reading a book.
I’m like, “Hey.”
James looks surprised to see me. He says, “Hey.”
The dryer dings. James gets up.
“I, um. Are you mad at me or something?”
“No.”
“Are you sure?”
“Yeah.”
I’m all shy for some reason. Which is really weird. Because James and Nicole
are the only people I feel totally myself around.
James takes a load of clothes out of the dryer and starts folding them. I just stand there. Watching him fold.
“Why would I be mad at you?” he finally says.
“I don’t know.” I can’t exactly tell him. Like, how would that go? Hey, yeah , so I noticed you only left me one message instead of five. What’s that abo ut?
“I got your message.”
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“I’m sorry about–”
“Yeah.” The whole thing is beyond words. That’s the cool thing about having a best friend. They know what your pain feels like already, so you don’t hav e to explain it.
I want to ask him why he wasn’t there. I want to tell him how hard it was fo r me. How alone I felt. But I have this feeling that I shouldn’t talk about Steve anymore. With Nicole, yeah. Just not with James.
He has to wait for another load of laundry to get done. So I wait with him. I
lean back against the couch, sitting really low the way I like. I scrunch ov er and put my head on his shoulder.
We sit like that for a long time. Watching other people’s laundry dry. 175
CHAPTER 14
Thursday
MIGUEL’S RIPPING APART his notebook, frantically searching for the extra-cr edit assignment. “I had it right here,” he gripes to no one in particular. “It was right here.”
The thing about extra credit for Earth Science is that Ms. Park! er hardly! ever gives any. And when she does, the only way to get it is if you’re the first on e to hand it in. Thus, Miguel’s present state of conniption.
I feel bad for him, all frantic and scrabbling through his harassed folder li ke he misplaced the cure for sleep or something. He’s super smart, but I’ve t old him a thousand times how his life would run a lot smoother if he’d just o rganize his binder.
Question: What’s so hard about understanding that?
Miguel wildly flips through more papers. “Where the–?” A wave of papers cr ashes to the floor.
He’s on the floor picking everything up when Eliezer creeps
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in, still half asleep as usual. He saunters by Ms. Parker’s desk with this bo red expression that makes you tired just looking at him. Then he takes a fold ed piece of paper out of his pocket and drops in on her desk and goes, “Here’ s the extra credit,” just as Miguel triumphantly whisks the paper he’s been l ooking for out of the mess on the floor and yells, “I found it!”
Life is so not fair. Kids like Miguel who work crazy hard and do all these a ctivities like being in charge of lighting for plays and community service i n the South Bronx are constantly disappointed. While burnouts like Eliezer t hink they can do one extra-credit assignment and it’ll make up for an entire
marking period of failing tests and not doing homework. It’s some kind of t wisted slacker logic.
We’re doing a rock-identification activity. Ms. Parker tells us to get into t hink tanks, which I hate. It’s her idea of working together and helping each other to make sure everyone understands everything. When really it’s just a s mart kid paired up with a slow kid, and the smart kid ends up doing all the w ork and the slow kid just copies because it’s easier than the smart kid tryin g to explain a bunch of stuff the slow kid will never get.
So I̵! 7;m paire! d up with this girl Heather who never talks. I guess Ms. Parker ran out of smart kids when she matched us up, because we’re both lost when i t comes to science. All I know about her is that she’s into designing water fountains.
We use the Reference Tables to figure out the name of a weird rock that looks
like sheets of paper all stuck together. Since we’ve been on this one for li ke five minutes and Heather’s not exactly an abundance of assistance, I liste n to another team to see if I can hear what they got for it.
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“You’re so retarded.”
“That’s not metamorphic.”
“It’s schist.”
“My stomach hurts.”
“Try eating sometime.”
“Is it shale?”
“Dog. I told you. It’s schist.”
“This isn’t rocket science, people.”
Alrighty then.
I was expecting to wake up today even more depressed than I was the day Stev e broke up with me. But it’s not like that. I’m wicked angry. Angry at Steve , angry at Gloria, angry that this is my new reality. Basically, I’m angry a t the whole world.
But I don’t want it to be like I’m angry and I just have to get over it. I wa nt to do something about it. Because how can Gloria do this to me again? And get away with it like it’s nothing?
I want karmic retribution.
Heather’s looking at me funny. I try to pay attention.
But it’s like, when will Gloria learn that you can’t go around hurting people
this way? That if you do, karma will never allow you to achieve true happine ss? And yeah, I’m seriously mad at Steve, but she obviously has him under som e spell. It’s her fault he’s treating me like this.
The anger bubbles up so harshly I feel sick. I shift in my chair. Heather’s co mpletely given up on trying to figure out any of this stuff. She’s doodling a water fountai! n in the ! margin of her paper.
Tony starts making his sound effects. He especially likes to imitate the wa y Marion laughs. Or this one kid with asthma who coughs like a truck horn. 178
Eliezer laughs his har-huh! laugh.
Tony imitates Eliezer, all like har-huh!
We all think Tony’s imitations are hilarious because he sounds just like whoe ver he’s imitating. Sometimes I’ll be on the subway or sitting in a different
class and I’ll think of him going har-huh! and I’ll crack up. But then I fee l bad that I’m laughing at him, because how he makes fun of everyone is just too wrong.
Ms. Parker is getting angry. Tony is always interrupting her with the sound effects, and it drives her crazy. Or he’ll ask some really hard question she
doesn’t know the answer to, but he only does it to bother her because she’s
not even a real Earth Science teacher. We just have her because there’s a s erious shortage of science teachers who actually know what they’re doing. As she’s ranting, I’m thinking that there has to be some way to expose Glori a. But in a fair way, or else I’d be just as bad as her. Some way where Glor ia would be forced to realize how wrong she is.
I want revenge, but I don’t want to screw up my karma. I have no idea how to
do this. I just know it’s something I have to do.
The election is tomorrow, so Danny’s in the hall doing an impromptu crowd razz. He’s running for next year’s senior-class president and has already done two crowd razzes this week. They’re kind of these random speeches in the hall that are always hysterical. He also does spontaneous TGIM rallies
on Mondays and Random Hallway Polls, where the results get printed in the 179
school paper. Which comes out like never because Ms. Portman resigned as f aculty advisor when she got mad about kids on her staff not doing anything . The Random Hallway Poll he did Tuesday was hi! larious. ! But apparently it was all controversial, and he got called to the principal’s office. Nothin g happened, though. Nothing ever happens when you push the rules. You have
to totally break them to get in any kind of serious trouble. Out of every one running for student council, Danny has the best posters. He took image s from the Jon Stewart America book and superimposed them over photos of h imself trying to look like he’s on The Daily Show. Not that anyone watches
that show besides Danny. But that’s what makes the posters weird enough t o work. And the tag lines are completely irreverent. They’re all
like,
DANNY TRACER. PRESIDENTIAL. A FAN OF NACHOS. Or, VOTE FOR DANNY. FRIEND OF TREES. Everyone thinks he’s totally going to win. I d efinitely think he should. Politics is his life. As long as I’ve known him , he’s talked about revolutionizing the world one day. His ultimate goal i s to make everyone realize that world peace is possible.
Danny’s standing on a plastic milk crate in the middle of the main hallway, waving around a head of lettuce.
“I summon the energy of the lettuce to stimulate world peace!” Danny yells.
“No more war! No more massacre!” He waves the lettuce over his head. “Prai se to the lettuce!” Kids stand around him in a circle and cheer. Brad stick s out his arms in front of him and makes worshiping motions at the lettuce.
Another kid yells, “It’s the apocalypse!”
Mr. Pearlman comes running down the hall. Kids are crowded three deep arou nd Danny, so he can’t get through. He gets shoved into someone so it looks
like he just pushed a kid.
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“You best step back, son!” this boy goes. Because he knows he can get away
with it now.
“Hey!” the kid yells. “Yo, lettuce god! Mr. Pearlman just pushed me! That’s
physical abuse!”
A surge of booing engulfs the hall. Some har! d-core st! oner guys yell at Mr. P earlman to lay off. In the rare event that a teacher breaks the rules, you c an shout them out as loud as you want and nothing can happen to you. They co uld totally lose their job for even touching you. And if an administrator do es it, it’s ten times worse.
Mr. Pearlman looks nervous. He looks like he’s scared we’re all about to s tomp over him in an angry stampede. He backs away and motors down the hall . He’s probably going to get the AP to break it up.
But in the meantime, Danny still has the floor. And everyone’s attention. “A vote for Danny! Is a vote to end the senseless physical violence perpe trated at Eames Academy! We’re taking back the academy, people! Let me he ar you say, Oh, yeah!”
And the crowd goes wild.
It’s only five minutes into the math test and Brad is already trying to cheat. I mean, it’s subtle. Brad’s an expert at subversive activities. But I can see it. I
can tell.
Brad sits next to Jackson, and I can see him sneaking looks at Jackson’s pape r while Mr. Farrell reads a book at his desk,
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oblivious. Brad’s technique is so good that Jackson doesn’t even know what’s going on. It’s so unfair. I hate when burnouts get away with doing nothing, p lus use people like me who actually do their work. It’s like, Yeah buddy. I’d
like to sit in front of the TV for six hours every day, too. There’s a reaso n I don’t.
Maybe there’s a way to let Jackson know what’s happening without Brad findi ng out. Ratting him out to Mr. Farrell isn’t an option. Unless I want to co incidentally find everything in my locker totally destroyed or someone lurk ing outside my house. There has to be another way.
Someone has a bad cough. I hate how that’s all embarrassing, when you’re ta king a test and you’re sick and you have that dry-throat thing and you’re c oughing but ! trying no! t to so you start making those retching noises and eve ryone gives you evil looks. Or when your stomach is growling all loud and y ou cough to cover up the noise.
Coughing. Hmm.
I try coughing all ragged to see if that will make Jackson look up. Four pe ople whip their heads around, but not Jackson. He’s completely into those i nverse functions. A nuclear bomb detonating in the hall wouldn’t stop him. The boy is a machine.
Direct contact is the only way to do this.
I put down my mechanical pencil and reach into my bag for an old-school on e. I do the legal looking reach where you unzip your bag all slowly to be quiet and watch the teacher while you’re feeling around inside for what yo u want so he doesn’t think you’re scamming on some cheat sheet. But Mr. Fa rrell doesn’t even look up from his book.
So then I get up to sharpen my pencil, but I time it so it’s in
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between Brad’s peeks. I already figured out he has this rhythmic pattern to his peeks going on. I sharpen my pencil and do a sideways glance at Brad. Th en I start walking back to my desk. I decide to walk by Brad’s desk, on the other side of Jackson.
The timing is perfect. Right when Brad is looking at Jackson’s paper, I cough
in this loud, spastic way. It works. Jackson snaps out of his test haze and glares at me. And he totally catches Brad looking right at his paper. But Jackson’s not stupid, either. He knows what will happen if he tells Mr. F arrell. So he slides his paper to the other side of his desk and tilts his de sk away so Brad has no chance of seeing.
I sit down and sneak a look over at Brad to see if he knew I had anything to d o with it. He’s clueless.
A few minutes later, I look over again. Jackson snaps his head around to se e if Brad is still trying to cheat off him. Then Brad mouths something to J ackson that makes my arms break out in goose bumps.
He goes, You’re dead.
We just had ! ten minut! es to discuss who we picked for our poetry projects. Which basically means Tatyana and I spent nine and a half minutes gossipin g about what happened with Mr. Pearl-man and the lettuce thing and thirty seconds on what we were supposed to be talking about.
When it was Tatyana’s turn to explain about her project, she pushed over a
poem by Allen Ginsberg, copied onto gorgeous
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stationery in her arty script. The poem was about a llama with a bamboo bac kscratcher.
Enough said.
Then she asked me about the sidewalk thing and I admitted it. Which I’m no t worried about. She knows how to keep a secret. Anyway, she was in the mi ddle of telling me something about it, but we had to break up.
Now we’re supposed to be writing a description of our project ideas. We hav e to justify why we picked who we picked. So far I have three sentences. Rhiannon ferrara English sit
Period S Ms. Portman
The most compelling characteristic of E. E. Cummings is that he refused to 6e confined by society’s expectations of what poetry should be. During the process of shaping artistic expression in a way that changed how the world perceives the realm of poetry, he dissolved predetermined creative restrict ions. Thus, he exemplified the importance of taking risks.
I tap my pen on my notebook. I lean over to Tatyana. “How long does this h ave to be?” I whisper. “One page,” she whispers back.
Hmm. Maybe I should put in part of my favorite poem. That’ll take up like f our more lines. And I don’t write huge or
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use ridiculous margins like some wingnuts around here.
I flip back in my English section for my favorite E. E. Cum-mings poem. I p ick out the best parts and write them down.
i fear
no fate (for you are my fate, my sweet) and it’s you are whatever a moon has
always meant and whatever a sun will always sing is you i carry your heart (i carry it in my heart)
I’m trying to! think of! what to write next when a note flies over my desk. T he note was apparently supposed to land on my desk, but Tatyana spazzed and
now it’s on Jackson’s desk.
Fabulous.
Tatyana is trying not to laugh, but it isn’t exactly working for her. She’s h ysterical, smooshing her hands over her face and hoping Ms. Portman won’t see . Meanwhile, I’m giving her a look like, How hard is it to aim a note at the right desk?
I glance over at Jackson, waiting for him to toss me back the note. But that ‘s not what happens. What happens is that Jackson unfolds the note. What a dick!
He sees Tatyana having a conniption. I can imagine what’s going through his head. He’s thinking she’s laughing at him and, therefore, the note is all ab out him. Jackson has been picked on for being a geek for as long as I can re member. He’s used to this kind of treatment by now. I don’t even know what t he note says. But I’m pretty sure it’s about the sidewalk-chalk thing, since
Tatyana got interrupted when she was trying to say
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something else about it. Which means that in about three seconds, Jackson wi ll know I did it.
Not that people didn’t figure it out. But as long as it’s just a rumor, I can’t g et in trouble for graffiti. If the note’s about that, it means there’s hard evide nce on paper that I did it and Jackson could get me in trouble.
“Here,” I whisper to him. I hold out my hand.
No chance. He’s reading it.
Tatyana notices what’s going on. That shuts her up. Her eyes get huge. Jackson shoves the note into his binder and goes back to work.
I hiss, “Give it back!”
But he totally ignores me.
I rip off a corner of the next page in my notebook and write:
what did you write?
I pass the note to Tatyana. Then I try to get Jackson’s attention. He ignores me.
Tatyana passes the note back. Now it! says: 1t was about the side sidewalk-chalk thing. Just that i’m really proud of y ou and I respecd how youdid that. You GO, sista gur!!l Woo!!! Oh, and how s teve is a butt munch.
I write:
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“This sucks! Now he can totally turn me in.
She writes:
why would he, though?
I write:
I don’t know but then why isn’t he giving it back???
My nerves are twanging to the extreme. I jump when the bell rings. “Hand in your papers on the way out!” Ms. Portman yells over the noise of ev eryone suddenly talking. Mine is, naturally, still incomplete.
“But why would Jackson do that?” Nicole says.
“I wish I knew.”
“God.” She slams her locker shut. “What is his damage}”
We just can’t figure out why Jackson kept that note. Why would he want to get
me in trouble? I try to think if I’ve ever been mean to him. I can’t think o f anything.
“Anyway,” Nicole says. “I’m sure he’s just being his usual weird self. No wor ries.”
“I hope so.” I really wish this were the only crisis I had to worry about. Be cause the humiliation from yesterday has seeped into my skin so deep I can ba rely feel anything else.
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Nicole knows. She’s like, “Forget Steve. He’s so beneath you I can’t even wit h it.”
“Yeah.”
“He’s going to be kicking himself that he let you go. Seriously. He’ll be wal king down the hall one day and see you go by, and he’ll have to take his big stupid head and bang it into the wall, he’ll be hating himself so much.” Everybody’s been telling me to forget Steve. How he’s totally lacking and a bonehead and not worth my time. And how it’s not me, it’s him. But, clea rly, it was me. Because he dumped me. And he picked her. The spontaneous a nd exciting girl. The gorgeous and perfect girl.
! I can! 217;t believe I was such an idiot. Here I was thinking it was all about St eve going away next year, when the whole time he just didn’t love me the way
I thought he did.
My brain won’t stop playing a continuous loop over and over of 1.) Steve a nd Gloria making out in his room with John Mayer playing and 2.) the whole
school laughing at me for writing that sidewalk-chalk message and 3.) eve ry single sweet thing Steve ever did for me, all condensed into one humung ous lie.
“Do you think my nose is too big?” I ask.
“What?”
“My nose? Would you get a nose job if you were me?”
“Where is this coming from?”
“Maybe I’m not pretty enough.”
“Oh, yeah! I’m sure he broke up with you because of your nose. Which, by th e way, is perfect.”
“Maybe if I–”
“Look,” Nicole interrupts. “You could be Marion and he wouldn’t care. No one is good enough for him right now.”
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“Except Gloria.”
“No, she’s just some skanky ho-bag who he’s gonna be over yesterday.” She s witches her bag from one shoulder to the other. “I am so over these boys. W ho do they think they are? It’s ridiculous what they get away with.” “Seriously.” I can’t wait to get home and take a nap. “Let’s
go.”
“We’re not leaving yet.”
“Why?”
“We have a surprise for you.”
“Really?”
“Um-hmm.”
“Hey,” James says, walking up to us. Danny’s with him.
It must be really hard for Nicole, knowing Danny still likes her. Or maybe he even still loves her. I could never be just friends with someone I loved . We’d be hanging out and I’d want to kiss him and then what? But I guess D anny thought having part of something was better than having not! hing at a! ll. “Hey, Nicole,” Danny says.
“Hey, Danny,” Nicole says.
Then there’s this look between them. Nicole smiles a little at Danny. He smi les back.
“You guys ready?” James asks us.
Danny’s cell rings. He flips it open and goes, “Talk to me.”
“Okay,” I say. “Can someone please tell me what’s going on?”
“Not here,” James says. “Let’s go to Westville.”
The four of us only go to Westville when something big is about to transpir e. This is because Westville has the best hot dogs and fries anywhere. Whic h is the all-time best combination
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of comfort food to reduce stress. They even have these awesome veggie dog s for Danny.
“Wait,” I say after they tell me about this note they found and their plan for
how to use it. “We’re supposed to meet back at school for this tonight?” “Yeah,” Nicole goes.
“How are we supposed to get in?”
“Aha!” Danny pulls his keys out and jangles them around. “Remember when the secretary gave me a key to come in on Saturdays? When I was doing th at yearbook stuff?”
“Yeah?”
“Guess who still has the key?”
“She never asked for it back?” Nicole says. “That’s so classic.”
It really is. All the secretaries love Danny. To the point of giving him a key
to the school and trusting him so much they forgot he even has it. “So we’re in,” Danny reports.
“I don’t know if this is such a good idea, you guys,” I say.
“What are you talking about?” Nicole says. “It’s totally brill.”
“No, it is. And I appreciate it and everything, but–”
“If you’re worried about getting caught, don’t,” James goes. “Because we won ‘t.”
̶! 0;How do ! you know?”
“We thought of everything. There’s a volleyball game tonight, but by seven e veryone will be out of there. If we show up at seven thirty, no one will be around.”
“Even the teachers with no lives who stay late,” Danny adds.
“It’s not just that,” I go. “Isn’t this unfair to Jackson?” The plan is all abo ut Gloria getting back the same kind of energy she’s been putting out, which is
cool. Especially since I couldn’t
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think of anything good and here it is, all planned out for me. But it also in volves Jackson. And not in a good way.
“He might see it differently,” Nicole says.
“Like how?”
“Well . . . it’s not like he was the one who wrote the note.”
“Yeah, but he doesn’t deserve this. And wouldn’t it just make him mad? Then he’ll totally want to get me in trouble.”
“But he wouldn’t know you had anything to do with this,” James explains. “If he’s going to turn you in, it’ll happen regardless.”
“He doesn’t have anything on you anyway,” Danny says. “It’s not like that n ote had your name on it. Anyone could have written it, right?”
I think.
“Right?”
“I don’t know. I didn’t see if it had my name. Or if it was signed.” “Even with names, anyone could have written it,” Nicole says. “Like a setup.
It doesn’t prove anything.”
This is definitely the type of thing that is huge enough to get Gloria’s atten tion. This would really make her think about the way she treats people. “Oh!” Danny yells. “And it’s so karma! How Jackson took your note and the n he dropped this one? Yes!”
I’m still not completely convinced, though. Wouldn’t I get blamed for it? H alf the school saw what ! happened ! with Gloria and Steve in the cafeteria. “O kay, but–”
“We’ve got it covered,” James says. “No worries.”
They all look so determined. I know they have their own reasons for doing th is, too.
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I guess that’s it, then. I wanted to find a way, and here it is. My best friends found it for me.
When I go back to school because I forgot my dirty gym clothes, I see them outside the locker room. Steve has Gloria pressed up against the wall. And they’re kissing. He’s kissing her the same way he used to kiss me. That’s it. Now I’m way beyond angry.
Because maybe the breakup was all about Steve instead of me being lacking
in some way. It’s like Brooke was saying about the whole manwhore phenom enon. Maybe there’s nothing wrong with me. I’m probably fine the way I am . In fact, I know I am. Wasn’t I a confident person before The Incident? How could I let him change me like that?
Brooke’s leaving for Europe tomorrow. You’d think Dad would take us all ou t for dinner tonight to say good-bye. But no. He’s still grumbling about h ow Brooke dissed the whole internship opportunity. So he’s at work, same w ith Mom, and Brooke and I are celebrating with Chinese food for the second
night in a row in front of the TV. Since Sex and the City is Brooke’s fav orite show, we’re watching a DVD from season four.
Brooke sticks her chopsticks into my box of chow fun. She goes, “So I final ly met a real man.”
I choke on a noodle. That’s, like, the last thing I ever thought I’d hear from h er.
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She holds up my glass. “Water?”
I grab my glass and glug the water. “You what}” I gasp.
“You heard me.”
“Is this for real?”
“It seems real.”
Um-hmm. I’ve been there.
“Proceed with caution,” I warn.
“Wi! ll you ju! st let me tell you?”
So of course it’s this eternal story about how she went out last night with a bunch of friends. They were in this random bar she didn’t even want to go to, and there he was. He came up to her and they talked for a really long ti me and when he asked for her number, she gave it to him. Which she never doe s. She always takes the guy’s number instead, for safety reasons.
But she was just so swept away that she gave it to him. And things were goi ng great and they walked outside to leave, and that’s when she freaked out.
Because what if he never called her? What if he was asking for her number just to get it?
So he was saying bye, and she was so freaked out that she started walking t he wrong way. To go home. And there was something about a bus almost runnin g her over, but I’m not really clear on that part. So now she’s all paranoi d that he’ll never call her because she acted like such a goober.
She’s like, “And naturally this has to happen right when I’m leaving for six weeks.”
“Don’t worry. If he likes you that much, he’ll call you when you get back.” “Yeah, right. Him and his new girlfriend. Arrggg!” Brooke slams her box of fried wontons down on the coffee table. “This is so frustrating!”
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“Relax. He’ll call.”
She calms down a little. She looks over at me. “You think?”
“Definitely. It sounds like he likes you for sure.”
“Really?”
“Totally.”
We start a new episode since we pretty much talked through the last one. “Oh, and thanks for the Cinnabon last weekend,” I say. “Sorry I was so out of it. . . . Did I even say thanks?”
“No. But you’re thanking the wrong person.”
“What?”
“It wasn’t me. I was just getting out of the shower, remember?” “The! n whoR! 11;?”
“James! James brought it.” Brooke gives me a look like, How dense can you
get? “I thought you knew.”
We start watching again. This is the one where Aidan moves in with Carrie a nd they keep fighting about stupid stuff. I mean, to them, in the moment, i t all seems important. But by the end of the episode they realize that thos e things don’t matter. What really matters isn’t where someone puts their s tuff or how much closet space someone is taking up. What really matters is who a person is. And how you feel when you’re with them.
Danny lets us in the back door.
“So what’s the game plan?” James says.
James and Danny went to Kinko’s after school and made one thousand copies of the note. They used five different paper
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colors. There’s enough for everyone to get a copy on their locker, plus we can
put them up around the entire school. We’re naturally at risk for getting in serious trouble, but it’s so worth it.
“Why don’t we split up by area,” I suggest. “Like, someone can put one on
each locker, someone can do the halls, someone can do the stairways, and
then someone can do the bathrooms and locker rooms.”
“That’s cool,” Nicole says.
“Did you get the ladder?” James asks Danny. He had this epiphany at Westvi lle that we should hang a bunch of copies really high up so teachers won’t
be able to rip them down. I said how no one would be able to read them th at high up, but Danny said it would make a statement. He’s all fired up ab out how this whole thing’s making a major statement. That and the karma th ing. Because Danny knows what Gloria said when Nicole was trying to do tha t problem in math. And how she humiliated me in front of everyone at lunch . So those fiascos plus skanking around with Steve equals Danny’s unwaveri ng determination to expose the ! truth. “No,” Danny tells him. “The janitors were already gone.”
“What about doing classrooms?” James says.
“Bad idea. The teachers will be pissed.”
“Like they’re not gonna be pissed anyway?”
“Yeah, but that’ll make it worse. I like Rhiannon’s idea.”
Nicole gives everyone two rolls of tape. Then we each take a pile of copies. “Wait!” Danny yells. “Group huddle!”
We scrunch together in a circle. Danny puts his hand out. We take turns sla pping our hands, one on top of the other. Then Danny goes, “One, two, three
–break!” And we’re off.
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I’m in charge of lockers. I tape one copy to every locker, mixing the colors ra ndomly. I was going to alternate the colors in order, but I’ve decided to live a little.
When I get back to my room, I take down every single picture of Steve from
around my mirror. I don’t cry. I don’t think about the good times we had when each picture was taken. I just take them down, rip them up, and throw
them away.
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CHAPTER 15
FURIOUS IS NOT the word to describe Gloria.
Rabid dog foaming at mouth seeking death as vengeance is a slightly more a ccurate description.
We all knew she would come after me. And probably turn me in. So when the m ain office secretary comes on the PA and announces that I have to report to
the principal’s office, I’m not exactly the most surprised person in the r oom.
“Sit down, Rhiannon,” Mr. Pearlman orders. He’s into the dictatorial approa ch to being a principal. Because, you know. Being friendly just wouldn’t be
more effective.
He indicates a chair.
I sit.
“Now, as you’re probably aware, we seem to have a problem today.” I wait.
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“It seems that someone hung copies of a note Gloria wrote …” He rustles t ! hrough so! me papers. “Two years ago? All around the building.”
He stares at me for a response. So I say, “I’ve noticed.”
“It also seems that this someone had access to the building after school was o fficially closed for the night.”
He stares again. What, does he expect me to crack just because he’s starin g? Is he trying to make me nervous with his beady eyes and spooky moustach e?
“It’s come to my attention,” he continues, “that you might have had a hand in this. Is that true?”
Okay. The plan was that if they came after me, I would deny everything. Ther e’s no way they can prove I did it. It could have been any one of Gloria’s e nemies. But what if he knows something else and he’s not telling? And if I s ay I didn’t do it and he busts out with evidence, I’ll be screwed worse than
if I admitted it right away. And if I lie and he finds out, he’ll be wicked
pissed and might suspend me. And if anything gets in the way of me eventual ly getting into Parsons School of Design, I won’t be a happy unit. “Is that true, Rhiannon?”
I open my mouth to say it. And that’s when James comes bursting through th e door.
And he says, “I did it.”
Normally the ivy outside my window is just a bunch of dead branches in a tw isty pattern. But now the leaves are thriving.
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It’s like the ivy has finally come back to life. Just like me.
Nicole flops onto my beanbag chair and says, “I love me some Friday.” “I feel you,” I say. This week could not have been longer. I’m looking forwa rd to the dance tonight. But I’m not looking forward to seeing Steve and Glo ria there. Just because I’m moving on doesn’t mean I don’t still feel hurt. “Wasn’t Danny awesome?” Danny’s speech is, like, the only thing Nicole’s b een talking about for the past h! our. And ! yeah, it was amazing. He’s totall y winning the election. But I’m getting over it already. Especially since James was even more awesome.
I swear, the National Honor Society kids get away with everything. Just becau se James is this physics/calculus/engineering genius and like second in our c lass and all the teachers love him, he got away with it. It’s amazing. If any one else even looked at the principal wrong, they’d get detention for a week (citation: inappropriate facial expression). But James barges right into the principal’s office and admits he did it, and they don’t do anything to him. I ncredible. But it was still amazing for him to do that. No one told me that w as how I wouldn’t get in trouble.
“Yes. Danny was awesome. Now can we change the subject?” I sit down at my de sk and open my lists journal. I read over the list I made last Saturday. The
one called “Top Five Things I Miss About Steve.” It feels like I wrote this
a million years ago. As I read it, I realize that all these things aren’t a bout who he is, they’re about what we did together. Things that I could do w ith someone else who will actually feel lucky to be with me.
Nicole’s like, “Can I just say how proud I am, and go you?”
“And add it to the five million times you already told me?” Nicole has not
stopped raving about how awesome the sidewalk
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chalk thing was. Even though it didn’t work out. That’s not what matters. Wha t matters is that I did it. And in its own way, it rocked. “Okay!”
“So was that the first thing you ever did that wasn’t scheduled in your day planner like a week in advance?”
“No!” I huff. But of course it was. I’m proud of me, too. Proud and mortified .
Snickers walks onto Nicole’s stomach and purrs like an airplane engine. He st arts digging his claws into her shirt.
R! 20;Ow ow ! ow!” Nicole tries to pry his claws out. “Get him off!”
“Snick!” I pick him up, his claws still sticking into her shirt. She yanks her shirt back down.
“Can you believe it about Gloria?”
“Only because you were there.” Nicole ran into Gloria in the bathroom and sh e was actually crying. Like a real person or something. “I almost feel bad f or her.”
“Please. That girl is getting everything she deserves.”
“I know but . . . maybe we shouldn’t have done it. It’s just, everything was h appening so fast yesterday. I didn’t have time to think.”
“Yeah, that’s the point. You were being impulsive! Isn’t that how you said you wanted to be?”
“Maybe but … if being impulsive means ruining other people’s lives, then m aybe I should just stay the same.”
“Or maybe you should be who you want to be and stop making excuses.” I don’t want to get in a fight. I know she’s right, anyway. Which is annoyin g. So I go over to my iBook and click on my day-planner widget. I have to ge t my life back on track. Order as an antidote to chaos. Calm after the storm .
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“Ree,” I hear from the beanbag.
“Yeah.”
“It’s Friday night. There’s a dance. Can you chill with the anal-retentive ten dencies for one night, please?”
Of course she’s right. I’ve been an organization freak my whole life, and wh ere did it get me? I thought I had control over something that went crazy. I
thought following a straight road would lead me right to my destination. Li ke the road would just take me there because I was following all the rules. And if the road curved, I couldn’t be sure about where I was going. But look
where it got me.
Maybe it’s time for a detour.
Everybody’s at the dance. Some dances turn out to be lame, but! half the! sch ool is here. They’re playing some dead house music, though, so not a lot of
people are dancing. But then the Gorillaz come on and “Dare” is playing an d everyone pours onto the dance floor. All the boys are grinding against al l the girls. The chaperones don’t even try to break it up, because how do y ou break up an entire gym of horny, grinding kids? So they look anywhere bu t at the dance floor, pretending it’s not happening.
And then Tony starts doing this crazy dance he invented in ninth grade that
he busts out at every dance and party. Random people are yelling at him. “Aw, hell no!”
“Tony! You’ve been with that dance for like three years!”
“He wildin’!”
“Dude! Get a new dance!”
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“Try some Chicken Noodle! It just came out in Harlem!”
I like watching everyone going crazy. All free and uninhibited and not carin g how they look. Just having fun.
And then I see Jackson over by the snack table. I didn’t get a chance to tell
him how sorry I am that he got caught up in the middle of all this. We had a
test in English and he bolted after. I feel so bad. Worse than bad. I should
go over to him and apologize for being such a loser.
But then he walks toward me and my stomach does this nervous, fluttery thi ng. Will he give me back my note, or tell me he turned me in? “If you do this, then we’ll call it even,” Jackson says.
“What is it?”
“Well, um …” He looks over toward the bleachers where some kids are sitt ing. “You know Heather, right?”
“Yeah. She’s my partner in Earth Science.”
“Yeah. I know.”
“Then why’d you ask?”
“No, I was . . . just checking.”
I wait for him to tell me. He looks miserable.
“Do you like her or something?”
He scuffs his shoe on th! e floor. ! It squeaks against the polish. He doesn’t an swer me.
“So . . . what do you want me to do?”
“Could you just. . . like … go over and say I want to talk to her?” “That’s it?”
“Yeah. And then tell me what she says.”
“And if I do it, you won’t tell on me.”
“Right.”
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“And I can have my note back?”
“Yeah.”
“Okay. Deal.”
Jackson puts his hand out and we shake on it.
“I didn’t mean to keep your note,” he says. “I just did it because I wasn’t s ure if you’d help me with Heather without a reason, you know?” “Oh. That’s okay.”
“Anyway …”
“So . . . I’ll go over now?”
“Okay. I’ll be over by the water fountain.”
“Okay. And hey . . . Jackson?”
“Yeah?”
“I’m really sorry about what happened. I never meant to… I didn’t mean for it to be anything bad against you.”
“I know.”
“You do?”
“Yeah. And, anyway, it got me noticed. Or I think it did.” He looks over at H eather again. I guess she talked to him today or something. Which just proves
that even in a bad situation, there’s always a positive side. Even if you ca n’t see it yet.
An hour later it’s still a blast, with the music blaring and Nicole and Dann y doing their corny John Travolta Saturday Night Fever moves, and even James
seems into it. But when Steve and Gloria get here, it hits me all over agai n. I’m just not ready to see them together yet.
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Nicole runs over to me. “Do you want something? There’s cookies.” I just stand there, staring at them.
“Or . . . juice?”
I so want to be over it already. Too bad that can’t happen overnight. Then s! omeone! 217;s arm is around my shoulders and I know it’s James. It’s ama zing how he has this way of knowing right when I need him, even before I do.
“Hey,” he says. “Wanna go?”
“Yesterday, if not sooner.” I glance at Nicole. “Coming?”
“No, you guys go ahead,” she says. “I’m staying with Danny.”
I smile at her. “Oh?”
“I’ll call you tomorrow.”
“Ready?” James goes.
“Yeah,” I tell him.
James keeps his arm around me as we walk out. But when we get outside, D anny comes running up to us. “Wait up!” He looks back and forth between me and James. He’s like, “Where are you guys going?”
James shrugs. “I don’t know. I guess . . .” He glances over at me. “The pier? “
“Yeah,” I say.
Danny looks disappointed.
James goes, “What?”
“You guys,” Danny starts, “are always doing the same things. You go to th e pier. You take walks. You play games. You get cupcakes.”
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I look at James to see his reaction to all of this. I had no idea he told Danny
everything we did.
“It’s time to break out of that tired routine!” Danny shouts. “Where’s the e xcitement? Where’s the spontaneity?”
I can’t answer him. I don’t know where those things are.
“That’s it,” Danny decides. “We’re going out.”
James is like, “We are?”
“Absolutely.”
“When?”
“What do you mean when? Now! Right now! Carpe diem, yo!”
“Where?” James says.
Danny flaps his hands around in front of his face. “Who cares? It doesn’t mat ter! What matters is that we take advantage of all of this and just go!” “I’m in,” I decide.
Jam! es is lik! e, “You’re in?”
“I’m in.”
“Sweet!” Danny says. “I’ll go get Nicole.”
By the time we’re at this rad bar that’s having an under-twenty-one thing, I ‘m having so much fun that I start to remember what it feels like to be happ y. We’re all chilling on this comfy furniture and listening to this awesome band and drinking root beers. Although Danny somehow managed to score a real
beer for himself. And I’m all squooshed up against James on this tiny love seat and for the first time ever, I notice he’s wearing cologne.
“Are you wearing cologne?” I yell.
“What?!” he yells back. Because you can barely hear a person talking to you r ight in front of your face, the music is so loud.
“Are you wearing cologne?!”
“Who’s Ramon?!”
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I shake my head to forget it. It’s obvious that he is, anyway. He’s probably j ust too embarrassed to admit it.
So of course we still walk to the pier after. Nicole and Danny went somewhe re else together. I’m all hyped up on the adrenaline rush from the bar and the music and just the whole night. Being wild and free. The city energy. The moon is so bright. And the sky is really clear, so I can see some constel lations. The stars make me feel better. They’re reassuring. I’m going to be o kay.
I love how everything feels so perfect here. The pier. The view. The gorgeo us night. The moon.
“Look.” I point at it. I jump up and down like I’m five, all excited. “I know.” James smiles.
“What?”
“Just . . . you and your moon.”
We’re standing at the edge of the water. Only a few other people are here. It ‘s so nice out. All the lights are reflected in the water and there’s a warm breeze. Plus, the moon is so bright. But it seems like there’s something wron g with! James. L! ike he’s nervous or something.
“What’s wrong?” I ask him.
“Nothing. Well … I guess there is something. Since you’re asking and all.” “What?”
“There’s no light show.”
“What?”
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He points to the building in Jersey City with the slanty top– my favorite buil ding across the water that has the light stripes. But tonight, there’s no light
show. The building is all dark.
“Oh. That sucks.”
“Big-time.”
“Maybe it’ll start later.”
“It better.”
He’s so cute when he does that. He acts all interested in the things I love li ke he loves them just as much. I always thought he was kidding. But now it kin d of feels like he’s serious.
I want to sit here and watch the moon and wait for the lights to start. “Do yo u want to sit?”
“Urn … I was thinking of . . . not sitting.”
“And doing what? You want to walk more?”
“Not exactly.” James takes his iPod out of his pocket.
“What are you doing?”
“You’ll see.”
He takes one earbud and puts it in my ear. I reach up to fit it into my ear bet ter. Then he puts the other one in his ear and rubs his finger against the iPod
dial.
My stomach feels gurgly all of a sudden. The vibe between us is instantly dif ferent.
James selects a song and puts his hand out for me to dance with him. We’ve never done anything even remotely like this.
“Look What You’ve Done” starts playing. I can’t believe he remembers this. I
always listen to this song whenever I feel bad. It’s like my theme song for
starting over again.
I move against him. It makes me feel safe. We dance. James puts his hand o n my waist. I lean my head against his shoulder. We turn slowly. 207
Usually, I cry when I hear! this son! g. It’s like a healing thing. But for the first time, I don’t cry. I feel strong. James makes me feel strong. He twirls
me halfway around and pulls me against him so my back is pressing up against
his chest.
I get that blurry sensation of slow motion like I had yesterday. But this ti me, in a good way. My arm falls backward around his neck.
And that’s when everything changes.
I sort of lean back into him. Like I’m melting into him. And in that instant,
I finally know what it feels like to be whole. I’ve been wishing for my life
to get better. Now I realize that James can take me to a place where everyth ing’s the way it should be. He can definitely take me there.
So when I turn around to face him, I don’t think about it at all. I just kiss h im. And he kisses me back.
And everything I knew about the world, everything that was so familiar to me , is suddenly different.
And the lights come on.
And the music plays.
And the night moves.
And then I hear wind chimes. Which is my text ringtone. Dang phone has to g o and ruin everything. Why didn’t I turn it off before?
“Let me turn this off,” I say, reaching into my bag.
“It’s a text?”
“Yeah. Sorry.” I flip my cell open. “It’s from Nicole. Why is she–?” I pres s view. “Oh my god.”
“What?”
My heart sinks. Something horrible just happened.
Because Nicole’s message says: help me.
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NICOLE
CHAPTER 16
Wednesday
CAN I JUST say that if I’m still going to have days like this when I grow up , I should kill myself now?
I look alarmingly fat in everything I’ve tried on, I’m majorly PMSing, and m y mood is type nasty. And all for no apparent reason, which is the funnest p art of all. But watch. Half an hour from now? I’ll probably be feeling excel lent. Which will at least make some! sense. B! ut not now. Now I feel crusty. It’s just a bad morning. A bad morning where nothing is going right which h ad to start off, naturally, with no hot water for optimum suckage. Which P. S.? Never happened when we lived upstate, but for some sketch reason happen s in the city a lot. I think it has to do with corroded boilers or some suc h. There was even a day last week when Jessica didn’t come to school becaus e she didn’t have hot water until like four o’clock and she couldn’t take a
shower.
And I’m noticing the worst of everything. Like waiting for the subway? Ho w no one looks like they want to go to work. Everyone
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seems less than thrilled to be breathing. And then there’s this guy who alway s has to spit on the tracks every morning. And it’s not just normal spitting.
Not that spitting in public is ever normal, but he does it so loud you can h ear it halfway down the platform. Just hacking up a major loogie like he’s al one in the privacy of his own bathroom or something. It’s like, Don’t mind us . We’re just here. And those American-flag decals they stuck on all the subwa y trains after September 11 are all dingy now with tunnel dirt and … just e verything. Sometimes it takes all the energy I have not to scream. It goes like this.
Before math I go out to the courtyard and the sidewalk message is all smudg ed and you can hardly even read it anymore and I knew we should have taken a picture of it last night. And there are some kids hanging out who I know are seniors, but I ask if they’re seniors anyway. And this one girl is like , yeah. So then I ask if they know what happened to the message. And she’s like, “That was you?” And she’s kind of looking at me like I’m M adonna or something.
So I say, “No, I was just wondering who smudged it.”
And she says that’s how it was when they came out But then someone else says the word on the s! treet is ! that Steve erased it. And it looks like it’s going to rain any second, and I feel so bad for Rhiannon.
“Okay, let’s take out the homework!”
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You can totally tell who did their homework and who’s trying to front like they did but actually has no idea what topic we’re even on. It’s all about the body language. The kids who did their homework are sitting all casually
and yawning and looking unconcerned, while the kids who didn’t are trying to look all competent and alert and like they actually know what they’re do ing so maybe Mr. Farrell won’t call on them. Too bad for them he has excell ent slacker radar.
He’s wearing my favorite shoes today. And I know from feeling how the expre ssion on my face probably looks that I’m drooling over him like he’s a glas s of water and I’ve been stranded in the Sahara all week. But I can’t help myself. I never can.
Mr. Farrell’s calling on people to answer specific questions about the homew ork problems while I’m spacing out. All these images are racing through my h ead, like a million a second, and I’m looking at the clock and seeing these images, and it’s like someone is editing a film in my brain and the reel is on fast-forward.
The clock goes tick. Tick I see us holding hands walking down the hall with
everyone noticing us tick eating lunch together in the teachers’ lounge ti ck us taking the subway home together every day tick me doing homework at h is place on the couch while he grades papers tick me talking to him on the phone in bed tick me going over to his place with some magic square cookies
I just made for him tick we’re in his bed going to sleep and he’s spooning
me tick we’re at the beach this summer in the water and he’s splashing me tick we’re kissing on the street as the whole world walks by tick. “Nicole?” he’s saying.
I look up in! a daze. ! He’s staring at me. Everyone else is staring at me. Like they all can tell what I was thinking. I’m gripping the
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sides of my desk like it’s a life preserver and I’m floating out to sea. It’s
obvious he asked me a question but I don’t know the answer, don’t even know what the question was, so I’m like, “Yeah?”
But instead of drilling me for not paying attention the way he would with a nyone else, he just goes, “Can you tell us how you got your answer for seve nty-three?”
My mouth is all dry and I let go of the sides of my desk and blood rushes ba ck into my fingers and I turn my paper over and I read it out.
And then after we go over the homework, we’re doing these problem sets in pai rs and there’s no way I can stay in this chair. I have to go up there. I have
to talk to him. And there’s a way to do it that might even pass as vaguely l egit.
It’s like ever since this obsession with Mr. Farrell started, I’ve been comp elled to do things that I know must look totally strange and hyper, but the inevitable embarrassment doesn’t stop me from doing them anyway. It’s like m y body just starts moving and I have to go along with it because I don’t hav e a choice, something else has control over me. Something’s pulling at me, l ike I’m a magnetic shard and he’s due north.
So I stand up even though I don’t really want to, with my legs feeling all w obbly, and I walk to the front of the room. Then I go up to his desk and sta nd there like a total and complete dweeb. That’s the heinous thing about hav ing no control. There’s no time to plan out what you’re going to do once you
get there.
He’s like, “Yes, Nicole?” and it’s so obvious after yesterday that he wants me. I mean, the things he said to me after school when he was supposed to be
tutoring me but we just sat aroun! d talking! for like two hours instead were not the types of things you say to someone you’re not interested in. 212
So yeah. I’m all stammering like, “It’s–my pencil ran out.”
And he’s like, “So you’d like to borrow another one?” As if he doesn’t know why I’m really here or what I really want.
And all I can think to say is, “Yes. Please.” And I must sound like the bigge st nimrod alive.
But he just says, “Here you go,” and holds out a new pencil and smiles at me
and everything is way obvious, but at the same time we have to pretend like
it’s not and the whole thing is so ridiculous and juvenile.
So I say thanks.
Then he’s like, “By the way, I’ve been meaning to ask you something.” And I’m all, “Oh?” But I’m thinking, Doesn’t he know that the kids in the fr ont row can totally hear? But he just wants to know if I ever figured out th is super hard problem he gave me yesterday. I tell him that I haven’t gotten
a chance to figure it out yet, and he says, “Be sure to let me know when yo u do.” And he smiles at me again. That’s two smiles in less than a minute. So I take a risk and smile back and hope that everyone can tell what’s going on, because I want the whole world to know that there’s something between us.
Not like I have to advertise. It being so obvious and all. So we’re just kin d of chilling there, smiling at each other, and then he says, “Is that all?” And I’m like, “Hmm? Oh! No, yeah it is. I’ll just be going back to my seat n ow.”
So I’m walking back and I pass Ree and she’s looking at me queerly and I mo uth, What? But whatever it is she’s thinking, she doesn’t say.
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I need some serious recovery time from math even though it was two periods a go. It’s like every time I’m e! ven in th! e same room with him, every part of m y body is wired. Plus I heard about what happened with Ree at lunch. And how
Gloria was such a mega bitch, all shouting her out like that. I tried to ca ll Ree’s cell, but she had it turned off. I don’t even know where she went f or the rest of lunch. And now she’s in English, so I can’t exactly barge in there and demand to talk to her.
When I push open the bathroom door, there’s Gloria. She’s at the mirror doi ng her makeup. Apparently, no one has ever told her that matching your eye shadow to your outfit every day is just plain wrong.
So I’m standing there staring at her like, Who the fuck does this skank thin k she is? And her eyes meet mine in the mirror and she’s like, “You got a pr oblem?”
And all I want to say is you’re my problem and everyone else’s problem and
how can you just steal someone’s boyfriend like it’s nothing? And humilia te me in front of everyone? In math?
But I don’t want to get into it with her like this, so what I actually say is, “No t really.”
And she’s like, “Then why you all up in my grill?”
It’s obvious she’s trying to provoke a fight and I’m not having that. So I jus t wash my hands and she’s all, “That’s what I thought.”
The thing about Gloria? Is that she comes off all polished and smooth on the outside, but she’s got this badass gangsta attitude like you can’t believe. I
mean, we all know it’s there because we have the pleasure of experiencing he r evil ways, but sometimes it still surprises you how intense she is. Like th e time she got in a fight during the racial-tolerance assembly last year. Sca ry, yo.
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She’s doing eyeliner and not even looking at me and she goes, “Loser.” Gloria is so wrong I just can’t with her. There has to be a way where she ca n finally get how! nasty sh! e’s being to everyone. But it has to be something intense or else she won’t care. Gloria only cares about Gloria. So it has to
be something that involves her in some way for her to even pay attention. I
just wish I knew what that something was.
And I don’t want to just walk out of here without doing anything. I want to te ll her to stop it with Steve. But it’s not like she’s forcing him or anything,
so what can I really do about it? I can’t make Gloria transform herself into a person with an understanding of ethics just like I can’t force Steve to feel
something he doesn’t feel anymore.
So I pull open the door and walk away. The same way I wish I could walk a way from all my other problems.
It’s raining so bad outside that it looks like we’re on a movie set and the pr op guys are OD’ing with the rain machine. So they better reshoot this scene or
else no audience will ever take it seriously.
I rummage in my bag for my umbrella and I actually find it. But it’s one of
those mini collapsible ones and this is basically a monsoon-type situation . So when I get the umbrella open and step outside, the wind immediately wh ips the umbrella around and the underside flips up and I try to grab the ed ge and pull it back down but it’s not working. And then Danny comes up next
to me with his huge umbrella that could fit like five people under it that ‘s hardly even flapping in the wind and goes, “Nice umbrella.”
215
So I’m like, “Thanks.”
And he’s all, “Can I walk you to the subway?” And I’m not exactly interested
in having my clothes totally soaked, so I say okay.
At first we’re walking with space between us, but my bag is getting wet and
Danny sees. So he puts his arm around my waist and it feels really nice, a ll pressed up against him. And I ask if he’s seen Rhiannon and he says no, ! but he he! ard that she left early. And I’m like, “Are you sure?” Because Rhi annon would never do that. And he’s like, “No, but that’s what I heard.” An d my sneakers are totally soaked and the puddles on the sidewalk are unreal
and if Danny hadn’t shown up when he did, I just don’t even know. But then I start to feel weird, like this is how we used to be when we were
going out and now we’re just friends so what does it mean? I’m like super aware of our hips touching and everything. And I guess Danny is noticing th at my vibe has changed or something because he’s like, “What’s up?” So I tell him about what Gloria said in the bathroom and what she did to me i n math and how she can’t keep treating people like this. He’s all, “I wish I’ d been there.”
I’m like, “What would you have done?”
He goes, “I would have defended you. It makes me so freaking pissed that she
said that stuff to you.”
And I can tell he really means it. Danny would have definitely protected me
from her evil ways.
He’s like, “And Gloria’s so fake. That whole Jackson thing? How’s she gonna front like she’s above it?”
I’m all, “Huh?”
He’s all, “You know. How she liked Jackson.”
And then I step right in this huge puddle. I’m like, “Jackson Smith?” Beca use there’s no way an image-obsessed prom queen
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like Gloria would ever be into anyone even remotely geeky. And especially not Jackson, mega-geek extraordinaire.
It’s really raining hard and plus it’s windy, so even with Danny’s huge umbrel la we’re still getting wet.
He goes, “Do you want to get a coffee?”
We’re passing Joe, which usually has zero free tables. But since it’s a wee kday afternoon and most people are at work, there&! #8217;s a! n empty one. And my wh ole sneaker is soaked and the subway is half a block from here and I want t o hear about Jackson. So I say, “Sure.”
After we get set up, Danny tells me this whole thing about how when he use d to hang with Jackson freshman year, Jackson and Gloria went out. On the DDL, of course. So Danny’s in Jackson’s room one day while this is going o n, and Jackson’s sworn to secrecy by Gloria not to tell anyone. But natura lly Jackson’s giving Danny the play-by-play because, hello, if you were Ja ckson and Gloria liked you, wouldn’t you be renting a billboard about it? And then Jackson told his parents about Gloria after she was over one time. T hey just assumed he was helping her with homework, and even after he told the m they didn’t really believe him. Supposedly, Jackson’s parents don’t care ab out anything if it doesn’t have to do with school. And there’s all this press ure for him to get into Harvard like his dad, and he never wanted to be such a nerd. He wants to be badass and edgy, because that’s how he really feels in side and that’s the part of him he wants everyone to see. Plus, it’s like the
only way his parents would pay attention to him as a real person is if he ac ted like a real kid.
Danny’s like, “Maybe if he got in trouble like normal kids, then his parents
would wake up. Realize how miserable he is, just studying all the time.” 217
I’m all, “That’s heavy.”
“Yeah. Um. So how did I get on this again?”
“You were talking about how his parents didn’t believe it about Gloria-” “Exactly! So a few weeks ago, we were sitting next to each other in the com puter lab.” And then he says how this note falls out of Jackson’s binder bu t he doesn’t even notice. So after Jackson leaves, Danny picks the note up off the floor, and it’s this total love letter from Gloria! ! It̵! 7;s from back when everything was going down between them. And it’s all mushy and like ho w Jackson is so special and she loves him so much and what they have is too
personal to share with the world and yadda yadda hoo-ha.
I’m like, “Whoa.”
And Danny’s like, “Seriously.”
“Do you still have it?”
“I’m not sure. Maybe.” He thinks about it, and then he goes, “Wait. Yeah, ma ybe I do. Because I remember using the back of it to take notes on this stuf f about Easter eggs.”
“Um. ..”
“No, DVD Easter eggs. They’re like these hidden clues where you can click o n different things when a DVD is playing to get special features.” “Really? Like what?”
“You can get Memento to play backward.”
“Word?”
“No lie.”
“Wow, so . . . you might still have it?”
“I have to check.”
“Can you bring it in tomorrow if you find it?”
“Yeah. Why?”
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“I think we could use it.”
“Oh!” Danny grabs his head like his brain’s about to explode. “Oh, that is so
righteous! You’re on fire!”
And then there’s this kind of awkward silence, because did he mean I’m on fir e like I’m just having really good ideas? Or I’m on fire like I’m hot? But I guess it’s the idea one because then he’s like, “You know what? I think I still have it! Because I think I found it the other day when I was going thr ough this pile of papers.”
So I go, “Yeah. I can definitely relate about piles.”
And he’s like, “I know.”
And then there’s another awkward silence while we just sit there, looking at each other for a while. Trying to figure out what the other person is thinkin g.
Then we finish our coffees and the rain is a ! little be! tter, so Danny walks m e the rest of the way to my subway stop. And I just feel like I miss him. I miss him not being a bigger part of my life, the way he used to be, when I c ould never imagine my life without him.
The first thing I do when I get home is flip open my laptop and look up his address. And of course he lives like seven blocks from me. And of course I h ave to go see his building and figure out what window apartment IB is and ho pe it’s facing the street.
So I put on my black hoodie and escape without Mom trapping me for a rou nd of Twenty Questions I Really Don’t Feel Like Answering Now But Thanks
Anyway. And on the walk over my heart is pounding really hard and my ha nds are getting sweaty and I’m so nervous that he’ll see me and I’m so n ervous that he won’t and if
219
he sees me I will die of embarrassment because when am I ever on his block ?
When I find his building, it has two apartments facing the street on the fir st floor. The window on the left side of the front door is lit, but the wind ow on the right is dark. Which obviously means that the dark window is his, and he’s not home because he’s out with his girlfriend at some upscale bar, and later they’ll come back to his place and do it all night. And then tomor row I’ll have to look at him knowing that he was up all night having sex wit h some lingerie model or one of those gorgeous businesswomen I see walking d own the street around five thirty in their expensive suits and shiny hair an d four-inch heels because they’re all 5’4″ and 100 pounds. And I’ll have to look at him all inferior and lacking and knowing I’m 5’7″ and probably 1,000
pounds, considering all the crap I was eating until recently.
Okay, but like maybe? That’s not his window. Or it is, but he’s just not ho me for some other reason. Like maybe he’s out with a friend or at a coffeeh ouse somewhere grading p! apers. An! d I’m trying to remember where there’s a c offeehouse around here, so maybe I can walk by the window really fast and c heck if he’s in there.
But maybe that’s not even his window. What if it’s the other one and he’s h ome and he’s been peeking at me in between the blind slats this whole time?
How long have I been standing here? He probably thinks I’m a freak! I go up the stairs and look at the names on the doorbell list. And there it is . My heart thumps fast. Farrell IB. In the middle of this city, in the serious
moonlight, right down the street from where I’ve lived all this time, he’s he re. He walks down this street and he climbs up these stairs every day and he l ives right here.
So I’m trying to figure out what to do (like obviously, I’m not
220
about to ring his bell or hang out across the street and see if he leaves or
comes home) and then suddenly someone is climbing the stairs and I have to make an executive decision. Do I follow her in as if I live here and I’m loo king for my key? I start moving things around in my bag in case I decide on that option. Or do I leave and hope she doesn’t see me, so if she sees me ag ain she won’t think I’m stalking? But she just says excuse me and I say sorr y and step to the side and I have to make a decision.
And she gets the door open and kind of glances back at me like she knows I d on’t live here and why am I loitering, so I decide to leave. Like, what am I
going to do inside anyway? But then the door swings closed and right at tha t instant I realize I should have gone in. Because then I could look for his
name on the door and see which apartment is his and why didn’t I think of t hat before? I can’t believe how stupid I’m being.
But whatever. I have a ton of homework I haven’t even started and it’s gett ing late and there’s this huge English paper that’s due! tomorrow! and of cou rse I haven’t even started it, because what have I been doing? Fantasizing and spending too much time on math homework trying to get everything perfec t to impress him and completely not focusing on anything that doesn’t have to do with Mr. Farrell for more than three consecutive seconds, and now I’m
screwed. At least I’m ready for the math test since I’ve been studying for
it all week. Except unfortunately there’s other stuff going on in the world. When I’m at home on my bed trying to read this seriously dull book for Engl ish, I’m wondering for the bazillionth time why they give us
221
such boring books to read. The only thing that’s kept me awake this long was
Danny calling to say he found the note. And then we planned tomorrow, which
is so perfect it’s insane. He called James after to tell him about it. The highlight of my night is when I go down to the deli and I’m bending down
for snack cakes, and all these thoughts come rushing in at me. Like being w ith Danny today and how good it felt. And the weird thing is? That I even ha ve room to think about him when all I’ve been obsessing about is Mr. Farrell . But also about Brad’s brother and what he said. And the Sheila situation. I tried IMing her, but she’s never online anymore. And she didn’t call me ba ck after I left three voice mails about how she should call me if she feels like talking.
It’s all too much right now. And then there’s the whole thing about seeing Dr . Ribisi tomorrow….
There’s this grungy deli cat that’s always half-covered in sawdust or someth ing. He creeps around the bottom shelves with his tail swiping up against al l the stuff there. Somehow, this seems immensely unhygienic. I try to walk a round him on my way to pay, but he suddenly takes a spaz and darts in front of me. Not that’s it’s a black cat, but it is the grungy deli cat, so IR! 17;m ho p! ing it’s not a bad omen and he’s trying to tell me something.
By the time it’s three in the morning, I’m only half done with the paper. Be cause I can’t stop thinking about tomorrow, which is already later today. An d how I’m finally going to know if he feels the way I hope he does. 222
CHAPTER 17
Thursday
SO OF COURSE there’s this humungous zit right on my chin. Since I’m planning
to stay after math and talk to Mr. Farrell and all. This zit could not be b igger. There’s no way I could hide it if I tried. I mean, okay, so I tried f or half an hour with my special concealer-and-Q-tip-combo technique, but it looks worse now than when I started.
I dash into the bathroom before math for a last-minute face check. The result s of which are heinous and I wish I never looked, because there’s no way I ca n go to class looking like this. So I go into a stall and sit on the toilet a nd put my feet up so no one can see that I’m late for class and possibly snit ch because I have to decide if I can let Mr. Farrell see me with this thing o n my face. Plus, now I also have to think up an excuse for being late, which I’m going to be in another minute.
The door bangs open and someone starts dialing their cell phone.
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She’s like, “Hey, it’s me,” and I immediately know it’s Sheila. “Sorry to keep
bothering you with all these calls. Everything’s been getting so much worse l ately.” I hear her walking toward the stalls. I can tell she’s looking under t he doors to see if anyone else is in here, so I hold my breath.
She goes, “I can’t do this anymore.” Then she starts telling the person on th e other end how she finally got a chance to catch up on homework last night b ecause she went to the library instead of to Brad’s after school.
“But when I called Brad after, he said he wasn’t studying for the math t! est.̶! 1; Pause..
“Like I was surprised? He never studies for anything anymore.”
Pause.
“Yeah, I tried that.”
Pause.
“What do you think?”
Pause.
“Exactly. And then I tried to convince him that he’s on this downward spiral and . . . like how he’s scaring me and everything, but he just blew me off. A nd then he said he’s going to cheat off this kid Jackson during the test.” Pause.
“Not really. If he doesn’t pass this test then there’s no way he can pass the cl ass.”
Pause.
“I know! I would tell Jackson, but there’s no way I can do it without Brad se eing.”
Pause.
“He’s in there already.”
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Pause.
“No, because he’s being all scary, and he sits right next to Jackson. So ther e’s not much I can do about it anyway.”
Pause.
“Yeah… I know. . . Okay, I better go. Thanks, Max.” And she snaps her pho ne shut.
I’m having this convulsion like, Max! As in Max from film elective! As in Brad’s brother who told me that Sheila should stay away from Brad! A tub of lip gloss falls out of my bag and rolls across the floor, under the s tall door toward the sinks. I hear Sheila pick it up. Then she knocks on my do or.
I’m like, “Uh .. . come in?”
She goes, “It’s locked.”
And I’m like, “Oh yeah. Right.” So I unlatch the door and swing it open, and S heila smiles a little when she sees it’s just me.
Then she holds out my lip gloss and goes, “I think this is yours.” So I go, “Thanks. I’m really sorry I’m sitting here like this. I totally didn’t mean to spy on you or anything, I just got caught in here and–” “It’s okay.”
“It is?”
“You know most of that stuff anyway.”
“Oh.” And! then no o! ne says anything for a minute. I notice that Sheila’s wea ring a long-sleeved shirt, so I’m like, “Aren’t you hot?” Because it’s suppo sed to be super warm today.
She’s like, “Not really.”
And I know I told Max I wouldn’t tell Sheila what he said, and if I tell ther e could be consequences I can’t even imagine, but I have
225
to at least reach out to her in some way. And I think I’m right about this, and if I’m not then it’s no big deal, but if I am it could make all the difference. So I say, “Sheila.”
And she looks at me.
And I say, “I know.”
At first I can’t tell what she’s going to do. Maybe she’ll try and act like s he doesn’t know what I’m talking about, or maybe she’ll just leave. But inste ad she does something I wasn’t expecting at all. She pulls up her sleeve, and
there are bruises on her arm. Like someone grabbed her and wouldn’t let go. I’m like, “Oh my god.”
And Sheila says, “I don’t know what to do.”
“Was it… Brad’s father?”
But she shakes her head. And she whispers, “It was Brad.”
So that’s why Max didn’t do anything. And he didn’t want Sheila to know we t alked. In some weird way, he was probably protecting his brother. Or maybe t here’s more to it. Not that it matters. The only thing that matters right no w is that I can help Sheila. Because this has to stop.
So I say, “I know someone who can help you.”
Somehow I managed to only be five minutes late to math, and Mr. Farrell di dn’t even notice because the whole room was in a pre-test frenzy of sharpe ning pencils and asking last-minute questions and cramming from the book a nd Mr. Farrell yelling at everyone to sit down so we can start.
After I gave Sheila the contact info for Dr. Ribisi, she went t! o the 226!
guidance office. All I wanted to do the whole period was kill Brad, but som ehow I managed not to. I’m sure I bombed the test.
So now class is over and everyone’s gone and Mr. Farrell doesn’t have anythi ng this period, so I go up to him and say, “Hey. I have a question.” And he looks up and smiles right at me (and it’s like he doesn’t even see the
zit the way he’s smiling) and he goes, “I have an answer,” which is so cute in a dorky, teachery kind of way.
I’m like, “Do you believe in karma?”
And he’s all, “Absolutely.”
So I say, “What if you had the chance to help someone receive the ultimate karmic retribution? Would you do it?”
He’s like, “No doubt.”
I go, “That’s what I thought.” Not that I need convincing that what we’re doin g tonight is the right thing. But in a way, I wanted his opinion. Even if I ca n’t tell him what it’s about.
He’s all, “What goes around comes around.”
I really hope that’s true. And then it’s like evidence right in front of my f ace when I see Jackson on the way to my last class. Not just because of tonig ht, but I know about how Jackson stole Ree’s note in English, because she sen t me a text during her lunch.
I catch up to him and go, “Can I talk to you for a sec?”
He’s like, “About what?” All in this tone where it’s obvious he doesn’t want to know. I can’t figure out why he doesn’t have more friends with such great conversational skills.
I go, “About that note you took from Ree in English.”
He goes, “What about it?”
I’m like, “Why don’t you give it back?”
“It landed on my desk. I can keep it if I want.”
“Urn … she really really needs that note back.”
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! “I ! can see why.”
“Are you going to get her in trouble?”
“No. I’ll give it back to her tomorrow.”
“Or you could give it to me to give to her.”
“No. Is she going to the dance?”
“Yeah.”
“So I’ll give it to her there.”
I have no idea what Jackson’s up to, but he doesn’t have a creepy dangerous vi be or anything, so I sort of believe him. He’s just a tad lacking in the socia l-skills department, is all.
I go, “Okay well… see ya.”
But he goes, “Can I ask you something?”
I’m like, “Yeah.”
And he says, “Uh . . . you know how you used to be . . . like . . . different?” Which is, like, the biggest understatement of the century. So I go, “Yeah.” “Yeah so … I was wondering how you did that. Exactly.”
“What do you mean?”
“I don’t know. Forget it.” So then I’m about to leave again, but he goes, “O kay, like . . . it’s obvious you’re dressing differently this year. But it’s
like you came back as a different person, you know?” Which is news to me be cause last I heard, my personality is exactly the same as it’s always been. And Jackson doesn’t even know me. Maybe through Six Degrees of Danny because
they used to be friends and then Danny and I went out, but that’s about it. I go, “dm … I just kind of got some new clothes at the end of last summer, so …” And now we’re both late for class, and why are we even having this co nversation? So I’m like, “I have to go.”
But then Gloria passes us and laughs when she sees me standing
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with Jackson. She’s all, “Give it up, Jackson. Nicole would never go out wi th a loser like you. She only likes boys who are fun to be with. Oh, wait. But then she dumps the! m because! she doesn’t know how to keep a boyfriend.” And she whisks away like it’s a totally normal thing to be a complete bitch
to people just for fun.
Jackson’s like, “She’s such a bitch.”
I’m like, “This just in.”
He goes, “We used to go out.”
So now I have to pretend like I didn’t know that, but I also don’t want it to
look like I’m too shocked because he might take it the wrong way. I go, “Rea lly?”
And then he just starts telling me all this stuff about how she used him an d made him do her homework and stuff, and he can’t believe how stupid he wa s to go along with it. And how if people knew Gloria liked him, they wouldn ‘t treat him like such a leper. Because even though she’s a bitch, she’s sm oking hot, and that has more status in the social hierarchy of things. But it’s not like he could tell anyone about it now, because who would believe him? I feel bad for him. He must be really lonely to tell me all this stuff. So I go, “I hear you.” .
He goes, “Thanks for listening to all that. I don’t know what’s wrong with m e.”
I so want to tell Ree what he just said. Because it kind of sounds like he w anted someone to find the note and that would make it way easier to convince
her if she doesn’t want to do this. None of us want to hurt Jackson. But ma ybe he’ll be relieved that someone put the proof out there that Gloria reall y did go out with him.
I’m like, “There’s nothing wrong with you. Everyone’s unhappy. Some people just hide it better.”
Jackson smiles and says, “You’re probably right.”
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I go, “Well, now I’m so late for class I’m sure it’s already over, so-” And he’s like, “Oh man! I’m sorry, I didn’t-”
“That’s okay.” If ther! e’s! some way to make sure that what we’re doing toni ght isn’t going to mortify Jackson, I should do it now while I have the ch ance, “dm … what if it came out somehow? About you and Gloria? Would you
be embarrassed?”
“Hell no!”
This kid cracks me up. “But don’t worry. I’m not going to repeat what you sa id.”
I know what it’s like to have secrets. Ones that are way traumatic. Ones that
are so awful you can’t tell anybody, even though you’re dying to. So I’m not
going to talk about this with anyone.
It’s the right thing to do. Karma and all.
The thing about Dr. Ribisi’s office? Is that I could totally live here. It’s n ot one of those intimidating shrink’s offices at all. She has all these pillow s and a sweet couch that’s crazy comfortable and a mini rock garden. Plus ther e’s like twenty plants in the windows and these really cool lamps and everythi ng is in these bold, beautiful colors. Just like Dr. Ribisi’s wardrobe. Today she’s wearing a violet shirt and I love it because it has all these flow ers. They’re green and yellow and red, and maybe I’ll even ask her where she g ot it. Only I guess it’s not my style. It’s too conservative, the way the butt ons are.
“So,” Dr. Ribisi begins. “How was your week?”
I’m like, “Okay.”
But Mom is all, “I don’t think that’s entirely true.”
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Dude. Family therapy sucks. Like, if it was just me? I’m sure I’d be talkin g a lot more. But when Dr. Ribisi suggested I come alone, plus once a week with Mom like we do now, I didn’t exactly jump at the opportunity. Counseli ng scares me. It’s not that I don’t have things I want to talk about and pr oblems to work through (and yeah, I’m aware I have issues) but individual c ounseling is too much.
So! Mom and ! I come in once a week. Even though Dr. Ribisi tries really hard to get me to open up, and we have to do these communication exercises, and sometimes she asks me direct questions and won’t move on until I’ve answere d them, I still feel like I hardly talk at all.
I wish my life were a movie and I could take it into the editing room and tot ally cut this part out. And some other parts. Some other parts definitely nee d to be cut.
Dr. Ribisi goes, “To what do you think your mom is referring, Nicole?” And I’m all, “I don’t know.”
So Mom’s like, “What about when I tried to talk to you after the party?” I go, “There was nothing to tell.”
Then Mom looks at Dr. Ribisi and says, “I try talking to Nicole, but it’s h ard when she won’t communicate.”
I’m like, “Nothing happened at the party!”
And Dr. Ribisi goes, “Why don’t we take a step back for a moment?” Which i s what she says when she senses an attack brewing and we have to calm that
down. She’s like, “I’m hearing that you felt your mom was asking about so mething specific, Nicole, but it sounds like she was asking in a more gene ral way.” And then she goes on to explain about how we need to not only li sten to what the other person is saying but try to hear the meaning behind
their
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words. But my thing is that if you want someone to understand what you’re
saying, you should say what you mean.
I don’t know. I guess it helps on some level. But we haven’t made much progr ess. Especially considering that the ultimate point of all this is to get me
to talk about what happened at our old house in Water Mill. Mom gave up try ing to talk about it and hopes this will be the magic formula to make me fin ally open up and expose my soul. Family therapy is just the latest in a seri es of attempts to get me to spill.
Mom ha! s tried l! ots of different techniques over the years. There was the s ocial worker who showed up at our apartment one day and tried to take me t o a mental hospital for “evaluation.” There was getting out of gym to sit with a guidance counselor, which didn’t do much except get me out of gym f or two days until the guidance counselor called my mom and told her I refu sed to talk and she couldn’t make me. Then there was scheduling more famil y time and the self-help books and Mom’s alternative-healing kick, when sh e kept announcing that my aura was dusty. Even the strategically placed ho tline numbers, when it finally became obvious that I was totally freaked o ut and wasn’t going to talk to anyone about this. But I never called any o f them and nothing made me talk.
So the family-therapy thing has been going on since the beginning of this y ear–when I started dressing all “out there,” as Mom calls it, buying new c lothes and accessories with the money I saved from my summer job. Mom think s this is my way of acting out, when really the only thing that happened wa s I got style.
Sometimes when Dr. Ribisi can tell there’s something under the surface that I’m
not admitting and she shouts me out, I feel hostile. It’s not her. She’s just doing her job and I get that. But it irritates me
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how she knows everything. Like now she’s looking at me in this way where I
can tell she knows something’s going on with me, and I feel angry but I d on’t know why.
Dr. Ribisi goes, “Tell me something about your week that was significant.” And I’m about to say that nothing happened, same old story blah-di-blah-blah , but then the image of those bruises on Sheila’s arm invade my safety barri er. And I know I have to say something. Because I felt helpless before, but Sheila’s not. And I can help her end this nightmare.
“Um . . . well, there was this one thing.”! ; But I&#! 8217;m uncomfortable with Mom here,
because if she hears this she’ll totally overreact and call the police or what ever and I just want to do what’s best for Sheila. So I’m like, “Could … can I tell you, like … alone?”
I guess I thought that Mom would put up a fight and insist on staying, but in stead she springs up from the couch and grabs her bag and says, “I’ll be righ t outside.”
So when we’re alone I’m like, “Something happened to one of my friends. S omething bad.”
Dr. Ribisi waits.
I go, “It’s her boyfriend.” And I tell about Brad and how much Sheila has cha nged and what Max said. And I tell about the bruises and then I say, “Brad is
. . . abusing her. Physically.”
And then oh my god I start crying. Like all of a sudden it just bursts out o f me and I’m crying so loud and my chest is heaving and my whole body is tre mbling like it will never stop. And Dr. Ribisi picks up the tissue box from the table and passes it over to me and I take tissues and press them over my
face and I’m so humiliated. I’ve never cried here before or said as much as
I just did. I don’t know where this is coming from. I mean, yeah, it’s 233
upsetting about Sheila, but I wasn’t crying about it before.
So we spend the rest of the time talking about it and… it’s like I can feel s omething shift inside of me. Like something’s changing, but I don’t know what i t is yet.
On my way out, I tell Dr. Ribisi that I gave Sheila her number. I’m like, “I hope that was okay.”
Dr. Ribisi goes, “It was more than okay. Don’t worry, Nicole. You did the ri ght thing.”
And for once, I think that’s true.
All I can say is, “Wow.”
We just spent two hours hanging all these copies. It’s really weird being at
school this late, and I! 217;m sta! nding in the hall taking everything in. Copies
of the note are everywhere. It’s like there’s nowhere you can look without seeing one. We completely plastered the entire school. We even managed to ke ep most of the “Danny for President” posters uncovered, but we had to cover some of them or it would have looked suspicious. Everyone else left already,
but I wanted to be here alone for a few more minutes, to take it all in. Si nce I’m the one who started this and everything.
I’m still thinking about it all waiting for the subway. And then this amazin g thing happens. This unbelievably astounding, amazing thing. Mr. Farrell co mes out of nowhere. I’m farther down on the platform and he just came throug h the turnstile, so I walk over to him. He looks as surprised as I feel. We both go, “Hey!” at the same time.
I’m like, “You’re taking the Two train, right?”
He goes, “Yeah. You?”
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I nod and try to act normal. But inside I’m freaking out because this is so random! Why is he even here? There’s no way he was at school this late. Actu ally, I know he definitely wasn’t, because I looked in his room.
And I guess the whole weirdness of it overwhelms me, and I laugh. So he’s lik e, “Yeah, weird, right? I was getting a drink with a friend nearby, so …” I’m like, “Oh.”
We so belong together it’s not even funny. Two people at the same subway st op taking the same train at a time when they’re never there?
Definitely.
The subway ride is so stressful that I have to seriously pee when we’re only
halfway home. First off, we’re sitting together with our knees almost touch ing so we can see each other while we talk. Or I can see Mr. Farrell while h e talks. He seems to have lots to say, while I can barely mumble responses t hat are even remotely coherent. I get like this when I’m nervous! . It̵! 7;s eithe r this thing where I suddenly forget how to use the English language, or I r amble incessantly until the other person completely tunes me out. Or sometimes when I’m rambling on the subway, I get all jittery and giggly a nd I start ripping on all of the annoying subway people. Like, what’s up wit h those guys who sit with their legs so far apart they’re taking up three se ats? Is it really that big? And the people with rudeness issues who read ove r your shoulder because they can’t be bothered to bring their own entertainm ent. And weirdo spaced-out people who sit across from you and stare at you t he whole way. I can’t with them. But I don’t point out any of these examples
now, because I don’t want to come off like a child.
Then my knee touches his knee and he doesn’t move his knee
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away. He just keeps it there, all pressed up against mine. And the automat ed subway dude voice comes on and he’s like, “If you see a suspicious pack age, tell a police officer or an MTA employee.” The scroll announcement sc reen says: suspicious package.
And this whole time Mr. Farrell is talking about random unrelated things–j ust one idea after another, which I think is called “stream of consciousnes s” or something–and I’m trying to listen, but I’m not hearing all the word s because I’m too busy planning what to do when we get off the subway. Do I
pretend I don’t know where he lives? Do I just start walking home and hope
he walks with me? Or do I ask him which way he’s going?
We get to our stop and I bump into him getting off and he smells so good I ca n’t even think straight. And we climb the stairs and he’s not talking anymore . And I’m definitely not talking. I still don’t know what I’m going to say, a nd I’m wishing so hard that he walks with me even if it’s just for a few bloc ks.
Out on the street M! r. Farrel! l says, “Are you hungry?”
And I’m like, “What?”
He goes, “Are you hungry?”
And … um … I’m sorry, is he asking me this just to know? Or is he about t o ask me if I want something to eat? Or maybe that’s what he just did. Did he
just ask me to get something to eat with him? Isn’t two people eating togeth er who like each other classified as a date?
I’m trying to follow this logical thought progression like we learned last m onth in philosophy, but this is beyond logic. My heart knows what it wants. He’s waiting for an answer. So I go, “Yeah, I am.”
And he’s all, “I’m getting a slice . . . would you like to join me? My treat. ” And the way he smiles at me makes me melt all over the
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sidewalk and I can’t believe this is finally happening and I’ve only been waiti ng forever for this instant to be real.
So I say, “Sure. Thanks.” I’m all proud of how calm and collected I sound. And we walk and he asks where I live and I tell him and he’s like, “We’re nei ghbors,” which is not exactly a news flash but it feels good to hear him say it.
Then we get to this pizza place that’s standard but good, and we get our slic es and sit at the counter. I arrange my stuff and give him some napkins, and he takes a big bite of pizza, and I’m so nervous I could hurl.
But I don’t hurl. Somehow I manage to swallow my pizza while Mr. Farrell talk s, and I even laugh at some of the corny jokes he tells. By the time we leave , I’m feeling great. Just like Tuesday after school when it totally felt like
we were chilling as friends, just hanging out and having a great time, but a lso with that exciting attraction thing going on. I feel like we’ve just had our second date. Everything about it feels that way.
So we walk up to West 73rd Street, and I’m like, “He! re’! s my street.” And he’s like, “Okay, well . . . see you tomorrow.” And it’s like time stops or something. We’re just standing there, looking at each other, waiting. Wait ing for the other one to do something. And I just. . . decide. Right here, ri ght now, I decide to make it happen. Because I’m tried of waiting for him to come to me.
I say, “You know what? I kind of feel like walking.”
He doesn’t even look surprised. He says, “Oh? Well … I’m up here on Eight ieth,” and so we walk. I don’t even know what I’m doing yet. I just know I have to do something.
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When we’re outside his building and he’s like, “Well . . . this is me,” I almo st say, “I know.” But instead I just look at him. And he just looks at me. And
we’re just looking at each other like we’re seeing each other in a different way. And he goes, “So …”
I take a step closer to him. And he’s not going anywhere, so I take another s tep. And now we’re standing so close, and the streetlight is reflecting off h is eyes and I can see these little flecks of gold in them. And I don’t want t o think anymore. I want this to happen, the same way it’s already happened so
many times in my dreams, and I don’t want to think about it. I just want to do what I’ve been waiting so long for.
But then he says, “Well… good night.”
And I’m like, “Oh… yeah… see you tomorrow…” but I’m still waiting in cas e he changes his mind. But he doesn’t and he walks up his stairs and goes in a nd the door swings shut, and just like last time, I’m all alone.
I see the light go on. I know which one is his.
He says, “Your skin is so smooth.”
His face is all close to mine and there’s beer on his breath. So I know it’s going to be a prob! lem. Beca! use the same thing always happens when he drinks a nd she’s at her friend’s house playing bridge. It’s the same thing that’s bee n happening for almost a year.
And he’s kissing me and touching me and I feel like I’m suffocating and he’ s all over me and I totally can’t breathe and I want to die. And his hand m oves up my thigh and under my shorts and my
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shirt is all pushed up and I can’t get away because he’s stronger than me. I wonder why I can’t tell my mother. And why she can’t figure it out for hers elf.
And why my father has been getting away with this for way too long. 239
CHAPTER 18
HERE’S WHAT IT is with Gloria’s note. If you ask me? We
definitely did the right thing. But Ree’s feeling guilty and like it was too much, and she’s worrying that instead of karma it was just mean. So I explain ed that all we did was take who Gloria really is and put it out there for the
world to see. Which was actually flattering in a way, if you think about it.
Because if Gloria wasn’t really using Jackson and she actually liked him, th en that means she has depth and a soul and she’s not just some bitchy superfi cial boyfriend swiper. And I explained how you get what you give, and Gloria’ s been giving out a lot of muck all this time.
But whatever.
I just heard Ree being called to the principal’s office, and it doesn’t exact ly take a rocket scientist to know what happened. Gloria totally turned her i n because Ree is the first chick in line seeking Gloria revenge. And now Ree would be about to take the entire blame for this, because there’s no way she’ s going to tell on
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us, which is so unfair since she wasn’t even the one who thought of it. Which is why we promised her that’s not going to happen.
See, we already predicted it would go like this. So now it’s time for Operati on Day Aft! er. Which! is what we all agreed on if Ree got in trouble. We also a greed not to tell her about it, because we knew she’d never let us go through
with it.
I’m lurking in the hall waiting for my signal when I see Jackson getting a drink. I whisper, “Jackson!” And he looks around and sees me, and I wave hi m over.
He goes, “Thanks for the note back.”
And I go, “Oh, that. Well. . . someone I know found it.” Danny told me how h e snuck the original note back in Jackson’s bag before first period. He looks around at all the copies plastered on the walls. He goes, “So. Some one really wanted to get back at Gloria, huh?”
I’m like, “I guess.” And the way he’s looking at me it’s so obvious he knows I was involved in this, but he probably thinks that I did it just because of what he told me yesterday. He has no idea this was planned before. I’m like, “Hey. You want to do something badass?”
And I swear I’ve never seen someone look more excited about the possibility of getting in trouble.
Danny is mad gassed. He stops me in the hall before lunch and he’s talking a
mile a minute about how all these people said they’re voting for him and he ‘s gotten really good feedback on his posters and he’s already making all th ese plans for next year when
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he’s president and his speech is in the bag and he’s stoked.
So I’m nodding and smiling and listening, but I’m also thinking about the piz za I’m missing. Because today is pizza day and if you don’t get there early y ou miss all the big pieces and the ones that are actually cooked right. But D anny’s so excited–and it’s not like we’re not friends or anything–so I’m li stening.
And he’s buzzing and smiling all big and rambling, and he goes, “Are you g oing to the dance with anyone?”
I’! ;m so sho! cked I’m not even sure I heard him right. Like, is he asking me t o the dance? After I dumped him?
So I go, “Not really. I mean, I’m going with Rhiannon . . . so …” He’s like, “Would you go with me?”
And looking at Danny with all his passion and excitement and cute new hairc ut, I can’t even remember why we broke up. What was I thinking? There must have been a good reason, which I just can’t think of right now. But I still
want to go with him, so I say, “Okay.”
He’s like, “Yeah?”
“Yeah.”
“Okay. We’re going. Cool.”
And all of a sudden I’m going to the dance with my ex-boyfriend, who I brok e up with for some reason I’m sure I’ll remember any second now. I mean, ye ah, he’s a good person and all, but it’s not like everything was perfect. It’s not like Danny is the most amazing thing ever.
Danny is the most amazing thing ever.
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We’re in the auditorium for the big student-council assembly, where all the c andidates for next year’s student council are giving their speeches. So far w e’ve heard all the treasurer and secretary and vice-president speeches, and n ow Danny’s giving his. And I guess in a way I forgot how he is and how intens e he gets about things he’s into (like politics and winning this election) an d all of his energy is like vibrating right across the room into me, and I’m zinging. I forgot how he can be even better than sugar.
I look around and try to figure out if people are interested or bored or if it’s mixed. Danny’s speech is very antiwar, anti-people being mean to each o ther because that’s what leads to war, which you pretty much have to agree w ith or else what does that say about you? And suddenly this wave of sadness washes over me, because I can picture Danny practicing his speech with James
and working on drafts ! of it and! asking Carl and Evan for advice on what to say, and I feel so left out and like I really missed sharing an important pa rt of his life. His speech is so good, though.
And then he holds up this sign that says peace. He just holds it up, standing
there, not saying anything for like a whole minute. Which doesn’t sound like
a long time, but a minute of silence when you’re supposed to be giving your speech is like an eternity. And I’m in this daze, just staring at him and the
sign and thinking of everything it means to him, to us. And it’s like I have
this epiphany. Right here in the third row, I have an epiphany.
I still love Danny. I never stopped loving Danny. And all of a sudden, why I
broke up with him is crystal.
It’s like the worst case of deja vu ever when I realize that I’m stuck in 243
the bathroom with Gloria again. Except this time, she’s crying.
She came in while I was peeing, and I just knew it was her by the way her
heels clacked across the floor. You know how some people have this way o f walking that you can recognize without even seeing them? Yeah. So there I was doing my thing, and she clacked over to the sinks and then . .
. she just started crying. Like out of nowhere. Which is totally freaking me
out, because it’s like, Welcome to me at therapy yesterday all over again. And it’s not like she doesn’t know at least one other person is in here. Espec ially when I flush the toilet. But it’s so wild, because even that doesn’t sto p her. She keeps crying. I didn’t know that Gloria even knew how to cry. I slide the lock and push the stall door open and walk over to the sinks. I d on’t look over at her. I just wash my hands and notice that there are actuall y paper towels today, and wow look there’s soap too, it’s like a miracle. And
this whole time, she’s standing two sinks down from me, wiping her eyes and looking in the m! irror. An! d not caring at all that I’m seeing her like this. If I were a mean person, I could totally attack her right now. Say how she de serves everything she got and how does it feel to be on the other side? But I ‘m not like that. So I walk over to the door. But just as I’m about to leave,
Gloria says, “Hey.”
I go, “Yeah?”
“Thanks.”
“For what?”
“For not harshing on me. I’m having a bad day.”
“No prob. We’ve all been there.”
And that’s when it hits me. That Gloria, despite popular opinion, really is a
human being.
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So we’re in Ree’s room getting ready for the dance, and I’m fully aware tha t I’ve been talking about Danny nonstop since his speech, but I can’t help it. And I really want a warm H&H bagel with lots of butter, but at the same
time my stomach is in all kinds of knots about Danny. And also how Mr. Far rell might be chaperoning tonight.
So of course that makes me think of the last time there was a party, and ho w Mom grilled me when I got home, and what would she say if she knew the tr uth this time? It’d be like, Yeah, Mom. The teacher I’m in love with was th ere. But don’t worry. He’s responsible and he always treats on dates. I’m like, “I hope I can go home tonight without an interrogation.” And Ree’s like, “At least your mom knows what stuff to interrogate you abou t.”
Then Ree says how she wants to connect with her mom more but she doesn’t know how because her mom’s too preoccupied with work. And how she never s ees her dad anymore, and even last night, when it was Brooke’s last night
here, he didn’t come home early. And I kind of feel bad for her, because
her dad can be really interesting.
Like this one time when I was over for dinner? We had just finished eating and her dad brought out this ! red tin o! f Italian cookies, except they weren’ t really cookies. They were more like crunchy, moon rock-looking things. An d he said how he wanted to show us something cool, so he unwrapped one of t he cookie things. The paper it was wrapped in looked like a square of tissu e paper. Then he took the wrapper and rolled it up into a cylinder. And he 245
stood the wrapper up on the table and took out a lighter and lit the wrapper along the top rim.
And I was kind of freaking out, because then there was just this cookie wrap per on fire in the middle of the table and no one was throwing water on it o r anything. But right before the flame reached the table, the wrapper jumped
up into the air and floated almost to the ceiling, and it was the coolest t hing ever. And then the burnt wrapper ash floated down, and when I went to g rab it, it crumbled all over the place. So her dad’s all right. I mean, who else knows about that kind of stuff?
Then I think of another non-Danny-related item to talk about. So I’m like, “Oh. And Sheila set up an appointment with Dr. Ribisi.”
And Ree’s like, “Awesome. Let’s hope she finally sees what a loser Brad is.” I go, “Totally.” And I want to tell her about the bruises, but something just
shuts me down and I can’t. Like taking it over there is too personal and wou ld violate Sheila in some way.
Ree says, “Thanks for doing that. I was really worried about her.” And I’m like, “I know. Same here.”
And then “Fly Away” comes on the radio, which we each liked as our favorit e song back in third grade and we didn’t even know each other then. So we’ re jumping all around and singing along, although I guess Lenny is a bette r singer. And Ree gets her feather boas out of her closet and I fling mine
around my neck and she twirls hers around and jumps up on the couch. So s he’s bouncing around and I’m busting a move on ! the beanb! ag, but then I jum p off because once a beanbag gets a hole in it it’s like game over for the
beanbag. Then we both scream the part with the yeahs at the same 246
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time and we’re cracking up and imitating Tony and if the dance is half as fun
as this, it’s going to be awesome.
We’ve only been at the dance for ten minutes and I’ve already spilled a Fant a. Plus, I didn’t get a really funny joke Danny told, because my brain is on
spin cycle and I’m currently unable to process incoming information like a normal person.
Danny’s like, “What’s wrong?”
So I go, “Nothing,” which is true. It’s not like anything is wrong. It’s just th at I’m all jumpy and swirly.
Danny’s looking at me strange. He’s like, “Seriously. Are you okay?” I’m like, “Yeah.”
And he’s all, “Are you sure?”
I go, “Totally.”
And he’s like, “You’re not sorry you came with me, are you?” Which is so far
from what’s up I can’t with that.
So I’m all like, “Ho!” and it comes out like a yell. So now I’m paranoid that he thinks I’m yelling at him because I’m annoyed. Either that or that I’m deny ing it too hard, so it must be true. And I know that I could just tell him rig ht now and there’s a chance that we’d both feel better. But if I tell him that
I’m still in love with him and I want to be with him again, he might say no, and that’s just too scary to even consider.
And then one of my favorite songs comes on (it’s actually the first song w e ever made out to, so of course it comes on now) and I would never think in a million years that Danny would even remember
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that, but he’s looking at me all deep as if he does. And he goes, “Dance wit h me?”
He puts his arms ! around me! and I press up against him, and it’s just like old
times. Like nothing ever changed, like our feelings for each other have only
gotten stronger. I can’t believe I was so stupid and scared. And I guess Dan ny feels it too because he whispers how nice this feels, dancing all close an d being together again. And I know I have to figure out a way to tell him. We dance to a few more songs and it’s feeling more and more intense betwe en us. Then Danny says, “Nicole?”
And I’m like, “Yeah?”
And he just goes, “I miss you.”
And my eyes are immediately stinging with tears and my heart is beating so fa st and I realize that I’ve waited so long to hear him say that.
So I say, “I miss you, too.”
He’s like, “Do you want to … I think we should …”
And even now, even after all I put him through, he’s saving me. I’ve been tr ying to find my way into the light for so long, and he just comes along and takes me there.
I go, “Totally.” And just like that, he’s mine again. The way it always shoul d have been.
Then Ree and James come over and say they’re leaving and are we staying? And
we tell them that we’re staying. And Ree gives me a look like, What is this ? And I give her a look like, I’ll tell you later. Because I totally wanted to tell her when I was over at her house before the dance, but for some reas on I couldn’t. It was like I had to tell Danny first, like he deserved to kn ow before anyone else, even my best friend.
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So Ree and James leave, but then a minute later Danny’s like, “Don’t go aw ay,” and he runs out. And when he doesn’t come back right away, I’m all pa ranoid like, What if he doesn’t come back? What if he’s trying to tell me that he made a mistake? And that he really doesn’t want to be with me? But
just when I’m ! convinced! that he never wants to see me again, he comes run ning back in and says we’re going on an adventure.
So the four of us take this random subway line down to the Lower East Side to this place called Welcome to the Johnsons that’s really a bar but totall y looks like someone’s living room from like nineteen-eighty-whatever. Ther e’s a plastic pink flamingo like the kind I’ve seen in movies on suburban l awns. And then I sort of zone out for a while and imagine what it’s like to
live in suburbia and drive around in cars and go to the Super Wal-Mart and
get cherry Slurpees at 7-Eleven. When we lived in Water Mill, it was such a small area with limited choices. But now I live in the middle of this eno rmous city with so many choices I don’t even know which one to make most of
the time. Or I’ll make a choice and then spend the next two weeks worrying
that I could have made a better one.
There’s this twang of feedback, and I snap back to the bar scene and check ou t the stage. There’s this chick in a cocktail dress and glasses with glitter in her hair tuning her electric violin and this punked-out guy with tattoos o f angel wings on his back and they’re called Unisex Salon. They’re so ultra c ool they make you feel insufficiently cool enough to be in the same room with
them.
Then Danny comes back and flops into the chair with me (which is huge and fluorescent pink and shaped like lips) and hands me my root beer and he go es, “To new beginnings.” And we clink bottles and some root beer spills on
his shirt. And we turn around
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to clink bottles with Ree and James and James is like, “I’ll drink to that!” We watch the band. They rock really hard. The lead singer is way cute and his
eyes are all intense and you can totally tell they’re going to be famous. Danny leans over and yells in my ear, “These guys are going to be famous!” A nd th! e crowd i! s rocking out and everyone is bobbing their heads around and m oving to the beat, and it’s like we’re all over at someone’s house listening
to the neighborhood band practice, but in this scenario they’re actually go od. And Danny’s all pressed up against me, and if you didn’t know any better
you’d think it was just like we used to be. Way back in another life, befor e I lost control.
It’s only twelve thirty on a Friday night and lots of people are still out, but Danny totally wants to protect me, so he insisted on taking the subway w ith me and walking me home.
So we’re standing on my stoop and he says, “Thanks for coming with me. An d for everything.”
And I’m like, “Of course.” And I know that Danny is figuring out if I’ll let him kiss me, and I want to but I also know there’s something I have to do fir st. Because I learned the hard way what happens if you don’t get the closure you need. So I tell him, “I’ll see you soon?”
He’s all, “Definitely.” And he has his look where he’s trying to hide being disappointed, which I think is so sweet because it probably seems like I’m s ending him mixed messages but I’m really not.
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So I go in, but I just stand in the doorway and wait a few minutes. And I go
back out on the stoop and look down the street and he’s gone.
I walk fast through the warm night with my heart pounding extra hard like th e biggest drum in the drum set, and I don’t even think about what I’m doing or how crazy this is. I just know it’s something I have to do before I can m ove on. It’s my last chance to do this before I get back with Danny. And the n I’m scared that he might be asleep and then what?
But when I get to his building his light is on, so I know he’s home. And I’m so nervous I almost faint right there on his stoop. But then I! find the! coura ge I need. Because if you take a risk, you just might find what you’re lookin g for.
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JAMES
CHAPTER 19
Wednesday
I SQUINT AT the sidewalk chalk like it’s going to explain why Rhiannon is
being such a numbskull.
There is no possible way she did this.
No possible way.
It pisses me off. Big-time. If she invests one more speck of emotional energ y in some dumbass who doesn’t even love her anymore, if he ever did at all, I’m going to lose it.
Everyone’s standing around. Discussing it. Wondering what it means. Specul ating who wrote it.
But I get it.
I read it again. This must have taken forever. Just picturing her here last nig ht, making sure the letters were all even, coloring them in….
I’m so freaking jealous I can’t stand to be next to myself. And I’m also pissed
off that I got her those flowers.
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Maybe the dance thing isn’t such a good idea. It’s a drag watching this emoti onal train wreck in action.
How can Rhiannon not know this was the worst possible idea? On my way to class, I’m relieved i just went to the computer lab for lunch a gain. But I’m having this evolving conversation in my head that I can’t get out of. It’s taking place in this alternate universe where she didn’t write on the sidewalk. And where she doesn’t give a hang about Steve anymore. The latest version goes something like this.
Me: I can’t believe you ever went out with that guy Steve.
Her: I know. I must have been deranged.
Me: That’s what I’m saying. No offense.
Her: Steve is the worst.
Me: Steve is a dumbass.
Her: Steve is the worst kind of dumbass.
Me: Word?
Her: Totally.
Me: Nice.
Her: Do you want to move tables and talk about that new computer program you’re working on? It sounded fascinating before.
Me: Let’s go.
As I pass a poster that says! , dannytr! ager for president, he still likes fruit
roll-ups, a girl coming out of the cafeteria bumps into me. She’s talking to
her friend about something that just happened at lunch. Involving Steve. And
Rhiannon.
And Gloria.
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I’ve heard some rumors going around, but I didn’t really believe them. Beca use how can they be an item already? But now it sounds like they are. Jeez. The girl moves lightning fast. It’s almost like how she approached me last month when I was with Jessica.
For some reason, Gloria and Jessica had a fight. All I know is, it wasn’t J essica’s fault. Gloria came out of nowhere, accusing Jessica of spreading s ome rumor about her. But Jessica had no idea what she was talking about. An d no one even heard that rumor, so Gloria definitely made up the whole thin g as an excuse to get mad at Jessica. And then she approached me. I was in the computer lab after school, trying to finish this endless research
paper. Gloria came in and sat at the computer next to me. At first I didn’t e ven notice her. But then she started laughing.
So I said, “What’s so funny?”
“Nothing,” she told me. But she kept laughing.
“I wasn’t aware that nothing could be so funny,” I said.
“Listen to this.” And then she read this joke that someone had e-mailed her. I t was actually really funny, so we were laughing at it together. I tried not t o look at her breasts.
“Anyway,” she said. “I hear you’re going out with Jessica.”
“Yeah.” I focused on the computer screen.
“How’s that going?”
“Good. You know. Great.”
“Which is it? Good or great?”
“Both. It fluctuates.”
Gloria laughed. “I never knew you were so funny.”
“Neither did I.” I tapped some random keys on the keyboard. I hoped this wa sn’t going where! I though! t it was..
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But apparently it was already there, because then she said, “Well, if it’s ever less than good …” And she pulled my hand toward her and wrote her nu mber on my palm.
“I have a girlfriend,” I said.
Gloria leaned over and put her lips against my ear. She whispered, “I don’t c are.” And then she just walked out. Like she didn’t just disrespect Jessica b y trying to steal me away. Like she didn’t just disrespect me by dissing my g irlfriend.
It’s all so messed up.
When Rhiannon comes into Wash World, I almost don’t recognize her. She shak es off her umbrella, but it’s raining hard and she looks frazzled. And her eyes look different. Defeated.
She sees me sitting on the couch, waiting for a wash to finish. Her sneakers
slosh and squeak as she comes over.
“Hey,” she says.
“Hey.” I’m really surprised she’s here. I left her a message, so I thought s he’d just call back whenever. I actually wanted to leave her a few messages so she’d know I was worried about her. But I’m sick of playing that game. If
she wants to talk to me, she can come to me.
And here she is.
The dryer dings.
Rhiannon’s like, “I, um. Are you mad at me or something?”
“No.”
“Are you sure?”
“Yeah.”
I go over and take the clothes out, piling them on the folding
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table. I start folding stuff. Rhiannon just stands there, watching me. The truth is, I’m furious. Which is mad annoying when you combine it with being concerned. But mostly I’m angry. Because why is she doing this to he rself? Why do girls always go for the assholes who treat them like dirt? I’m trying to be strong. Strong and detached. All folding clothes. But then she comes over and stands behind me and hugs me. I feel her cheek
pressing against my back.
&! #8220;You ! want me to wait with you?” she says. The clothes are all folded and I’m
waiting for another load of wash to finish.
“Yeah.”
So we sit on the couch. She rests her head against my shoulder.
And eventually, my anger just melts away.
I notice the rain has finally stopped. “Tell you what,” I say. “Why don’t I pu t the clothes in the dryer and we can go for a walk?”
“You can’t just leave your clothes like that.”
“Why not?”
“It’s against Wash World regulations.”
“Says who?”
Rhiannon points to a huge sign. It says: DO NOT LEAVE CLOTHES U NATtended IN MACHINES.
“Oh,” I say. “Right. That’s okay, though. I have special permission.” “From who?”
“That is top secret information.”
“Ah.”
Walking down the zigzag streets of our neighborhood, we can see in people’ s windows with no problem. So we just do that for a
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while, pointing out the wild palm trees and spiral staircases in all these sic k apartments. And then we’re standing in the middle of a really quiet street. And suddenly I realize I should do the thing I wanted to do before. “Hey, so …”
“Yeah?”
“About that dance. You know. On Friday?”
“Yeah?”
“I was thinking … it might be cool if we go together… as, like, a group thing.
I mean … if you want…”
“Oh. With who?”
“Danny and …” I can’t exactly tell her that Danny wants to ask Nicole. Rhi annon would definitely tell her before Danny gets a chance to ask. “I’m not sure. Whoever he’s taking.”
“Sure. That sounds like fun.”
“Yeah?”
“Yeah.”
“Nice.”
“Oh!” Rhiannon yells.
“What?! ” D! id she figure out I’m full of it? That the group thing is bogus? “Check out that stained-glass window!”
I relax. Apparently, she doesn’t know how I really feel.
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CHAPTER 20
Thursday
I KNOCK ON the lighting-booth door. Miguel lets me in.
“Dude,” I go.
“What’s good.”
“Everything ready for tomorrow?”
“Yeah. It’s all set.”
“Nice.” I look around at all of the lighting controls. “Just like we talked abo ut?”
“Exactly.”
“Okay. So here’s how it’s going down.”
Sheila and Brad are fighting in the hall again.
They’re too far away to hear what they’re saying. Except for two things. At o ne point Sheila yells, “That’s the last time you say you’re sorry, because yo u’re done!”
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Then Brad talks all low. You can tell from his body language that he’s trying
to persuade her about something. A lot of kids are standing around. Some of them are trying to be all undercover about it, but others are blatantly stari ng.
I hear Sheila say, “It’s over.” And she storms off.
She rocks. I tell everyone about it at Westville.
“Finally,” Rhiannon says. “I can’t believe how much he changed her!” “I know!” Nicole agrees. “How scary was that?”
“I wonder what was really going on between them, you know? Like how a pe rson lets that happen.”
Nicole looks like she’s about to say something. But then she doesn’t. After we tell Rhiannon about the plan for Gloria’s enlightenment, there’s a debate about involving Jackson.
“It’s not fair to him,” Rhiannon worries.
“Are you kidding?” Danny says. “Do you have any idea how much it’ll improv e his street cred when everyone finds out ! a hottie ! like Gloria was into hi m?” Then he cringes. “Sorry.”
But Rhiannon just says, “No, I get it.”
“And think about it,” Danny pushes on. “Why was Jackson carrying around th e note in his binder like that?”
“What do you mean?” I say.
Danny goes, “It just seems like … I don’t know, maybe he wanted someone to
find it. Like what–it just falls out of his binder? And he doesn’t even no tice when he gets up?”
“Hey yeah,” Rhiannon says. “That was sort of weird.”
“If I had a note like that and I wanted to keep it a secret, there’s no way I’d bring it to school,” Nicole adds.
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“What are you saying?” I ask. “That Jackson wanted someone to find it?” Nicole goes, “I don’t know. Maybe.”
“Oooh,” Danny says. “Scandalous.”
We keep debating about it. I can’t tell yet if Rhiannon will go for it, but I th ink she will. Because I get the feeling she wants to finally stand up for hersel f, too.
There isn’t a lot of time before I’m supposed to pick up Rhiannon and get ba ck to school by seven thirty. So I tell Danny to hurry up with the master co py.
He thought it would be more effective to title the note instead of just copyi ng it. Something to get people’s attention. Something that summarizes what th is is about. So Danny, the relentless Beatles fan, decided to title it instan t karmai He’s typing that now. Then we’re going to arrange that page with the
note on the copier glass.
“Done,” Danny announces. He snatches the paper from the printer. “We’re in .”
“Let’s just get this copied and get out of here.”
“What’s the rush? Got a hot date?”
I glare at him.
At this Kinko’s, two out of the five copy machines are usua! lly out o! f orde r.. Like they are right now. Which of course would happen when we need them
the most. Just my freaking luck. We should have gone to the other Kinko’s . But that one’s farther away and we didn’t really have time. And we can’t
make the
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copies at Carl’s dad’s place, because his dad can’t know what we’re doing. The re’s a chance we could sneak it in, but it’s not worth the risk. Even if he of fered to do them for free.
There’s a middle-aged guy in a suit hogging one of the machines. Who shoul d obviously be doing these copies at the office. The other two machines ha ve girls on them.
Mr. Inappropriate Alert Guy should be here to tell everyone to get the fuck off the machines.
“Should we go to the other Kinko’s?” Danny asks.
“Let’s just wait. One of them should be done soon.”
The girls are laughing over some story they’re yelling between them. Which i s making everything take way longer, because they’ re not paying attention t o what they’re doing. They copy a page, and then they’re all talking and lau ghing so they don’t notice the copy is done, and at this rate we’ll never ge t a machine. Plus it looks like they’re copying entire notebooks. As if that
weren’t annoying enough, I notice someone else was waiting before us. He gi ves us a look like, / was here first. So don’t even think about it.
I shift from one foot to the other.
“How many copies are we doing again?” Danny says.
“A thousand.”
“So that’s like …”
“A hundred bucks. I got it.”
“Since when? You’re Mr. PermaBroke.”
“Yeah well. Not today.” The truth is, I took the money out of my savings. Wh ich is supposed to be exclusively for college. But drastic times and all. I shift onto my other foot.
Now the girls ar! e laughing! so hard one of them drops her note261
book. It smacks onto the tiles. Random pages spill across the floor. This m akes them crack up even harder.
“Dude,” Danny says. “We need to stage an intervention.”
“Now would be a good time for that.”
The thing about Danny is that brainy chicks love him. When he goes into flirt
mode, no girl with at least half a brain cell stands a chance.
It doesn’t exactly suck to be him.
I watch as he approaches the girl who glanced at him when we came over. His
strategy is flawless.
As soon as he says something to her, she’s hooked. He has her laughing hard er than she was with her friend in under ten seconds. Then he tones it down
a little, moving closer to her. I see him touch her arm. A minute later, s he moves over to the other machine with her friend. Danny waves me over. The guy who was in front of us gives me the evil eye. I smile and shrug like
I had nothing to do with it. He scowls. For a second I worry that there’s g oing to be some major confrontation. But then the suit finishes up on his ma chine, so we’re saved.
“Incredible,” I tell Danny.
“As always.” He lifts the cover of the copy machine and lines the note up ev enly on the glass.
“What did you say to her?”
“Not much.” Danny pulls out the paper drawer. I hand him a ream of colored
paper I bought before. “Just how you’re desperate to make a certain girl really happy. And how making these copies is essential for your somewhat q uestionable success.” He rips the cover off the paper. “And how it would m ean a lot to me if she could help us out.” Danny looks over at her and win ks. She giggles.
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“Thanks, man.”
“Don’t mention it.”
The copies look great. With a thousand of these, we’re going to cover the en tire school with no problem.
After ! we put th! e second ream in, the girl comes over. She goes, “Danny, rig ht?”
“Right. Kim.”
“You remembered!” She giggles again. She attempts to pull her T-shirt down.
Which is pointless since it barely covers her belly button.
“Of course I did,” Danny says, all smooth. “What do you think I am?” “I don’t know!” She looks over her shoulder at her friend. Who’s trying desp erately not to crack up. “Yeah so . . . where do you go?”
“Eames Academy. And this is James. He goes there, too.”
“Isn’t that the design school?”
“Yeah. Well, it’s supposed to be. You know how it is.”
“Totally. We go to Environmental Studies? And it’s so not for that.” “Word?”
“Yeah. It’s so lame. There’s, like, two environmental electives and that’s it.” “Drag.”
Kim looks over her shoulder again. Her friend apparently finds the whole thing
so hilarious she can’t even look at us anymore. “Urn, so, anyway . .. I’ll ju st… be over there.”
Danny’s all, “I’ll be watching.”
I check the screen. The copies are almost done.
“You interested?” I ask.
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“In?”
“Kim, yo.”
“Nah. Just having fun.”
“She’s cute.”
“Yeah, but I think she has a boyfriend.”
“She told you that?”
Danny shakes his head. “Just a feeling.”
But I know the real reason. All he can think about is Nicole.
That’s the thing about being hooked on a girl. You see what else is going o n around you. You notice other girls. But it doesn’t register the same way it used to. You only care about one thing, one goal. And sometimes, being s o focused on what you want, you can’t see what everyone else does.! “I! ’m doing it,” Danny says. He tapes a copy of the note on the wall above th e water fountain.
“Doing what?”
“Asking Nicole to the dance.”
“Nice.”
I tape copies on some lockers. Danny moves to the other side of the hall to g et the lockers over there.
“So here’s my angle. Tomorrow night’s all about doing this like a casual thin g.”
“Copy that.”
“And after I blow away the entire school with my unbelievably impressive spe ech, I’ll be getting some definite attention.”
“Affirmative.”
“But I won’t push it too far. You know, keep it real light. See if
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we can hang as friends first. And then we’ll get back together.”
We tape up more copies.
Danny’s like, “And I’m calling that chick from Millennium for you.” I stop taping. “No.”
“Dude. What’s the problem?”
“I told you I didn’t want to be fixed up.”
“Why not?”
“I don’t want to get into a whole thing with some other girl right now.” “But that’s such a lame reason.”
I glare at him.
“She’s hot,” he says. “You’ll see.”
“No I won’t, because you’re not calling her.”
“Why not?”
If I just come right out and tell him I asked Rhiannon, he’ll still want to se t me up. But there might be a way to work this so Danny drops it. “You’re playing this off like a casual friends thing, right?”
“Yeah …”
“So what if you ask Nicole as a group thing?” I say. “Then it’ll be even more legit.”
“I feel you. But then who else is in the group?”
“Okay well, me. And … it can’t be that girl you want to set me up with.” “Why not?&! #8221; “Because then it will look like a double date. You setting me up? The four o f us going together?”
Danny nods. “Okay. So who else?”
“Rhiannon,” I tell him.
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“Sweet. Let’s do it.” He scans the hallway for a surface we didn’t cover. The re are none.
We stand there, surveying our work. The copies are everywhere. Karmic retr ibution is almost complete.
I see the swirling ambulance lights from all the way down the street. I star t running. When I get to my building, there are EMT people and a couple poli ce officers on the stoop.
“What’s going on?” I ask everyone in general.
An EMT turns to me. “Do you live here?” he says.
“Yes.”
“What floor?”
“Third.”
“Do you know Mrs. Schaffer?”
My heart stops beating entirely. Then it starts again, extra fast. “Yes.” “It seems she had an accident.”
“Is she okay?” This is the one thing I’ve been so worried about lately. Mrs. Schaffer hasn’t been herself. I’ve been afraid that one day I’ll come home an d she’ll be gone. Permanently.
“She’ll be all right,” the EMT says. “But apparently she fell.”
“Is it serious?”
“Hard to say. She may have fractured her hip. We won’t know until she’s tak en in.”
A police officer comes over to me. “James Worther?”
My mouth gets all dry. “Yes?”
“Will you be riding in the ambulance? Or would you rather ride with me?” 266
“Uh.” How do they know my name?
“I’m afraid you’ll have to come with us. She’s in no condition to fill out t he necessary paperwork at the hospital and”–he consults his tiny notebook-”do you have a copy of her insurance card?”
Why would I have a copy! of her i! nsurance card? “No. I–why would I?” The officer analyzes my face. “Are you aware that Mrs. Schaffer has you li sted as her In Case of Emergency contact?”
My mouth gets even drier. She never told me that. Did she? “Uh .. .no. I didn ‘t know that.”
“My apologies. It shouldn’t take that long. We just need you to answer some questions at the hospital.”
“Questions?”
“A social worker will be meeting us there. We need to determine if Mrs. Scha ffer is healthy enough to live in an unsupervised setting.”
“Are you–do you mean like putting her in a nursing home?”
“It’s a possibility.”
I can’t believe this. Mrs. Schaffer would die if she had to live in a place lik e that. And it’s not like she has money. If you’re a regular person, you can’t get quality care. And she’d be all alone. At least here she has me. “I don’t think she’d like that,” I tell him.
“I’m sorry, son. But it’s not up to her.”
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CHAPTER 21
Friday
THE PA SYSTEM broadcasts, “Rhiannon Ferrara to the principal’s office.” That’s my cue.
I cough.
Mr. Martin is waxing rhapsodic about the importance of air and light in sti mulating worker productivity. Which is why you have to design office spaces
with as much air and light as possible.
I cough some more.
Mr. Martin stops. He zeroes in on me, the source of this rude interruption of his profound thought process. He asks, “May I help you, James?” “Can I get some water?” I gasp. Cough, cough.
“I don’t know,” he says. “Can you?”
It’s one of those ancient teachers’ jokes they all think is still hilarious ten generations later. I wonder if they’d still tell those jokes if they knew how ti red we think they are. Probably. 268 “May I? Please go get some water?”
Mr. Martin has this smug expression. “You may,” he informs me. I walk calmly across the room. But the second I hit the hallway, it’s showtim e. I zip down the halls, round corners at lightning speed, and hurl myself in to the main office. The secretary barely looks up. She’s seen it all. “He called me,” I tell her.
She nods me in. Doesn’t even question me. Because why would someone volun tarily show up at the principal’s office and want to go in?
I burst through Mr. Pearlman’s door. Rhiannon’s already sitting there. They b oth stare at me.
I say, “I did it.”
They’re shocked.
“You?” he says.
“Yes.”
“You did it.”
“Yes. I take full responsibility.”
He turns to Rhiannon. “You’re free to go, Ms. Ferrara.”
Rhiannon is about to blow it. I can tell from the horrified look on her face. I
send her a telepathic message to stay quiet.
She goes, “But–”
“So you should go,” I say.
She gets up. I’m nervous about doing this, but there’s no way Rhiannon’s t aking the blame. And nothing’s getting in the way of my MIT scholarships o r I’m toast. My public-speaking phobia has prevented me from saying a lot of things I wish I said. Now’s my chance to speak up and make a difference. This better work. If it doesn’t, we’re all going down.
Rhiannon shuts the door behind her. Time for phase two.
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“Care to explain yourself?” Mr. Pearlman asks.
“It’s like I said. I did it.”
“What are you telling me, James?” The guy knows all about me. Second in my
class. Computer geek who can fix any problem with the school’s system. Sc ience League state finalist. Moral. Reliable. Which is why I can tell he’s
having! a hard t! ime believing me. “That you made all those copies? That yo u hung them up last night?”
“Yeah.”
“How did you even get in?”
“Not all the doors were locked.”
“Oh? Which one was open?”
“It was … the side one.”
“Which side?”
“Uh … the left?”
And then Nicole busts into the office. She says, “I did it.”
“Actually,” I say, “I did it.”
“No, I did,” Nicole argues.
“What’s going on here?” Mr. Pearlman demands. “Is this a game to you? Do you know what the punishment is for this?”
We watch him.
“Do you?”
We shake our heads. I don’t even think he knows what the punishment is for this.
“Sit down, Nicole.”
She sits in the chair next to mine.
“So both of you did this?” Mr. Pearlman says.
“No,” I clarify. “Just one of us.”
“Well if both of you are telling me you did it, then both of you will be punis hed.”
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“But we didn’t,” Nicole says. “James wasn’t even here last night.” “When you put up all these copies.”
“Exactly.”
“By yourself.”
“Uh-huh.”
“I see.” Mr. Pearlman has one of those four-color clicky pens. He goes clic k click with the pen. “And how did you get in?”
“Window.”
“Excuse me?”
“There was a window open.”
“Which window?”
“To the physics lab.”
“That’s on the third floor.”
“Really? Wow.”
And then Danny busts in. He says, “I did it.”
Now Mr. Pearlman looks really mad. He doesn’t like Danny. But Danny’s had to take three years of crap from him so he’s been ready f! or this. ! “All me,” Danny goes on. “Not that you’re surprised to hear it. I know you th ink I’ve been a nuisance and all.”
Mr. Pearlman doesn’t respond to that.
“And even if these guys said they did it, you can’t punish anyone without ab solute proof, can you?”
“Admitting to a misdemeanor is proof.”
“Even when the person is lying?”
And then Jackson busts in.
“I did it,” he says. “And I have proof.”
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It’s a good thing we don’t get searched when we come in for assemblies. Lik e some schools with their metal-detector crackdown or psycho security offic ers. So I have no problem smuggling in the remote control. It’s this trigge r apparatus I spent all week rigging. Definitely my best work yet. Rhiannon finds me and picks a seat to the right of the stage. I sit next to her
the same way I did all those other times. But this time, everything is differe nt.
Danny doesn’t even look nervous, sitting onstage with the other candidates. There are two other kids running against him for president, a guy and a girl . The girl is a ruthless Tracy Flick Election type who would kill her own mo ther to win. But the other guy doesn’t want it as badly as Danny. He hardly put up any posters, and nothing about him makes him stand out in any particu lar way. She’s some serious competition, though. But Danny’s just sitting th ere, as if he’s not about to make a speech in front of the whole school that
will be this monumental, revolutionary event.
Rhiannon looks around the auditorium. Kids are still spilling in. “Do you se e Nicole?” she says.
I scan the seats. “No.” My eyes land on Jessica. Her eyes burn a hole throug h mine.
I keep on scanning.
“Do you know what Danny’s going to say?” Rhiannon asks.
“Sort of.”
“Did he practice with you?R! 21;
! “Nah. You know Danny. He can do this stuff in his sleep.”
“Yeah. It must be awesome to be able to talk in front of everyone like that and not even get nervous.”
“Big-time.”
“Wouldn’t you be nervous?”
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“Hell yeah!”
“Right?”
“Like you wouldn’t believe.”
“Attention, please!” Keith yells into the mic. “Welcome to the student coun cil election speeches, guaranteed to provide one solid period of mindless d istraction from your otherwise abysmal routine!”
Rhiannon is still looking around for Nicole. I see her sitting up front. I lean
over and whisper, “There’s Nicole.” I point.
“Why isn’t she sitting with us?” Rhiannon whispers back.
I shrug. I check the remote control in my bag. The power switch tends to be
a little loose. I’ve got the nervous excitement thing going on. Unfortunat ely, we have to sit through the mind-numbingly vapid speeches from everyone
else before we get to the good stuff. The only good stuff being Danny. So when he finally goes up to the podium and everyone’s clapping, I’m stoked. I slip the remote out of my bag.
“In last week’s Random Hallway Poll,” Danny starts, “eighty-three percent of you told me you think elections are whack. Fourteen percent of you thin k they can make some sort of difference. And the remaining three percent?”
He pauses. “Believe, with unfaltering conviction, that I should absolutel y stop conducting Random Hallway Polls.”
Cheers all around. Only they’re fake cheers. Everyone loves Danny’s Rando m Hallway Polls.
“But seriously, folks,” he continues. “What can I, as next year’s class presi dent, do for you? I could make promises. But promises can be broken, while ac tions are the real deal. So the only promise I’ll make to! day is a ! promise for
action. As your president, I will do
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something every day to inspire you to revolutionize your lives. Even revolut ionize the world.”
I check the switch again. My hands are shaking.
“I can cut through the bullshit. I can say ‘bullshit’ when I’m not supposed to. “
More cheers.
“And I can summarize the one thing we all want the most– within ourselves , among our friends, and here in school–in one word.”
He holds up a sign. It says: peace. “Let’s have a moment of silence for all of
you to reflect on how this word relates to your life, this school, and the en tire planet. Because all three of those things are connected.” Then he just st ands there like that, holding up the sign, not saying anything. No one talks. After a while, Danny continues. “When I’m president, I won’t let you forge t about those connections. I want to open your minds to the possibility of
something bigger than this, something massive that we can actually have c ontrol over. Think about how scared you were on September eleventh.” Everyone is riveted.
“Something like that could happen again. So we need to rethink how we’re li ving our lives. Because everyone and everything on this planet is connected . You matter. And what you do every day, the choices you make, the way you interact with other people, it all matters. And it all can change the world .”
Tatyana stands up and cheers. She’s wearing a T-shirt with a peace sign on it that she made. Danny’s wearing one she made for him, too.
“Think about what you want to do after this part of your life is
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over. And what kind of person you want to be. Because everything you do now
is deciding that for you. There’s no excuse for treating people badly. Esp ecially with everything else we have to deal with. So why can’t we be bette r to each other and to! ourselve! s?
“It’s about respect. For others. For ourselves. For our futures.”
Then he holds up another sign that says: change the world. “We’re bigger th an every one of us. You all have the power to change the world. Every singl e one of you. So ask yourself this: What does your ideal world look like?” The lights go off.
Some girls scream.
Then the music starts.
Here’s the part where I flip the switch.
Words are immediately projected onto the walls of the auditorium. And the c eiling. And the floor. And even on the deco moldings from when this school was some kind of studio space in the fifties. The words look cool sliding o ver their brass surfaces.
The way I designed it, each word has a different font and color. Words like
revolution. And dream. And respect. And believe. Words that are connecting
with everyone in different ways. They don’t realize what’s happening. But it is.
It’s kind of like a giant mind fuck.
Plus, Miguel is doing this strobe thing with the lighting. And the music is b lasting that Beatles song “Because.”
At first, everyone’s quiet. Reading the walls.
Then the clapping starts. And then everyone goes crazy. They’re jumping in t heir seats, stomping on the floor, whistling.
Of course it works. It’s genius.
In the glint of the strobe light, I can barely make out Mr. Pearl-man stumbl ing onto the stage. He grabs the mic at the podium.
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He yells, “People! People!” But you can hardly hear him over the music. It l ooks kind of funny, actually. He’s all straining and screaming and trying to
get us to be quiet, but the resulting volume is mad low. “Can someone check
the lighting booth? Check the lighting booth!” I see the AP and some teache rs running back in that direction.
But it’s too late. Miguel is long gone. And the best part is, no one can accu se me of anything, eit! her. That! ’s the cool thing about this program I designe d. When they get to the booth, they won’t find any evidence that the light pr ojection is running from there. But they won’t be able to stop it, either. An d the music is programmed along with the lighting. It turns out that the PA s ystem was easier to hack than I thought.
I’m the only one who can make it stop. I’m the only one who will decide when
it’s over.
And no one can prove it.
When I heard that Brad was suspended, I immediately thought it was because
of whatever went down with Sheila. But that’s not it.
It was Jackson, man. Jackson is my hero.
People are saying that he felt all empowered by the attention from Gloria’s note. So instead of feeling embarrassed about it, which we were afraid might
happen, he turned it around. He’s like a rock star. And the way he busted i nto Mr. Pearlman’s office? Dude. I did not see that coming. Nicole said she was the one who told him about our plan, and he immediately wanted to get in
on it. He used Gloria’s original letter as proof that he was the one who pu t the copies up.
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And then there’s the Brad thing. Brad threatened Jackson’s life during a ma th test. Which was such a dumbass thing to do. Everyone knows that a verbal
threat on someone’s life could get you transferred to another school. And even if Brad was joking around, it doesn’t matter. Intent is irrelevant. So
Jackson reported Brad. I’m sure that’s why Jackson only got detention for a week instead of being suspended for the note thing. Mr. Pearlman probably
didn’t want news of Brad’s threat to get out. That wouldn’t look good for our school.
Righteous. I guess karma really does work.
But this day could not have been any crazier. So I need some tension-release
time. And I’ve got all this pent-up frustration and anxiety rustling around
for ! some reas! on.
There’s only one solution to a crisis like this: playing Halo 2 on Danny’s s ick Xbox 360. After school, we grab all the food we can carry from his kitch en and park in front of the TV.
Time for some serious action. I’m on fire. I almost rip the controller in half . Nothing can stop me.
Danny watches me make a sweet energy-sword play. He shrieks, “Tasty!” That’s pretty much the extent of our conversation for the next two hours. Her e’s what we don’t talk about:
Stuff that I’m starting to hope might happen at the dance.
And after the dance.
How Danny’s going to deal with Nicole.
How Danny’s going to deal with Nicole possibly not wanting to get back tog ether with him.
The whole thing with Mrs. Schaffer last night.
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Not that I’m thinking about any of this. I just want to chill in the year 2552 f or a while.
“You’re so in,” I tell Danny at the dance.
“It would appear so, wouldn’t it?” he yells back over the music. “Not to be an obnoxious prick or anything.”
“Of course not.”
Voting isn’t until Monday, but it’s obvious he’s got the election in the ba g. We were supposed to go back to class for two more periods after the asse mbly. Which I guess we did, technically. Or some of us did. A lot of kids b ailed after. And those of us who stayed didn’t exactly get work done. The t eachers all had this creeped-out look like it was Columbine Part Two or som ething. All anyone wanted to talk about was who did it? And how did they ge t the lights to go off when no one was in the lighting booth? And why wasn’ t Danny disqualified?
The answer to that last one is easy. They couldn’t prove anything. And in New York City the rules about punishing students are really tight. Mr. Pea rlman knows that if he disqualified Danny without any proof, Danny’s paren ts would be up his! butt so ! fast he’d wish he kept Vaseline in his desk dra wer. They only manage to nail kids whose parents don’t care. If Mr. Pearlm an accused Danny and suspended him or whatever, Mr. Pearlman would probabl y be the one to get in trouble.
Example. I remember the best teacher from seventh grade, Mr. Leto. It was the beginning of the year and some kid wasn’t doing the Do Now, which is t his short assignment you’re supposed to do right away. So Mr. Leto goes ov er to him, and he’s like, “Jose! Do
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the Do Now!” And he tapped his gradebook really lightly against Jose’s hea d. According to Jose, Mr. Leto pounded him over the head with a brick. He ran out of the room yelling, “Mr. Leto hit me!” And the principal came in and Jose was crying. Then Mr. Leto didn’t show up for a whole month. Mr. Pearlman knows that’s his reality if he does anything without absolute proof. Works for me.
I take in the scene. Rhiannon by the drinks, talking to Nicole. Tony doing t hat lame dance he always does. The way the girls standing on the side are tr ying to look like they don’t care that no one’s asking them to dance. The bo ys pretending not to notice them, even the ones they like. It’s all such a g ame. And for some reason, I’m over playing it.
I’m trying to avoid looking at the lead singer’s breasts, but it’s really hard . She’s this cute chick with a tiny shirt cut so low it doesn’t take much effo rt to imagine her naked. But I don’t want Rhiannon to think I’m interested. I’ m just looking. Kind of like admiring fine art at the Guggenheim. Ripping my eyes away and forcing myself to notice other stuff, I check out the bar and see that The Breakfast Club is playing on TV. The TV is set up with couches and a coffee table around it to look like someone’s living roo m. Actually, the whole place looks like someone’s living room.
I point to the TV and y! ell over ! to Rhiannon, “Check it out!”
She yells back, “Yeah! I saw!”
“Nice!”
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“Totally!”
We watch the band some more. Or, Rhiannon watches and I try to focus on the keyboard. And then she goes, “Are you wearing cologne?”
I’m like, “What?” Even though I heard her.
“Are you wearing cologne?!”
The correct answer is yes. But now I feel like a nimrod because I kind of put i t on for her. And if I admit that I’m wearing it she’ll probably figure that ou t, because I’ve never really worn cologne before. So I pretend that I still can ‘t hear her.
When we’re out on the street after and all talking about how sick the band was and how hot the bar is, I’m trying to think of a polite way for Rhianno n and me to ditch Danny and Nicole. This was a blast and all, but I could u se some downtime.
Danny’s got his own agenda. Eventually he says, “Peace out,” and leaves wit h Nicole.
“Do you feel like going somewhere?” I ask.
“Yeah,” Rhiannon says. “I’m not even tired.”
“Me neither.”
So we get a cab. And then we walk. We end up at the pier. Which we have en tirely to ourselves.
Someone’s home in the apartment tower across the street. You can see right in, since the tower is mostly glass. It was designed by Richard Meier, this
rad architect we studied in mechanical drawing. The people in there are so
lucky. Their view is amazing. I wonder how many of them really appreciate what an incredible home they have.
I listen to the water. All this quiet is righteous.
I’m all, “Nice how I reserved the whole pier, huh?”
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“It’s sweet.”
“Yeah. I’m sweet like that.”
I think about my new playlist. And the iPod in my pocket.
I’d only known Rhiannon for like a month w! hen we we! re doing homework at m y house and I put a Jet CD on. She said she didn’t know who they were. I told her it was total Rhiannon music. I was right. And I haven’t been wro ng since. So I made a playlist of Rhiannon music.
Then I get that anxious pang again. And I’m still not sure why. But I’m starti ng to get the picture.
“What’s wrong?” she says.
Busted.
“Nothing. Well… I guess there is something. Since you’re asking and all.” “What?”
“There’s no light show.”
“What?”
I point to the building across the river. Its slanted top is all dark. “Oh.” Rhiannon looks. “Maybe it’ll start later.”
“It better.” I wipe my hands on my jeans. I should have brought mints. There are some flowers on the grass. Rhiannon watches them bending in the b reeze. She says, “I like those flowers.”
“They’re nice.”
“Those pink ones are so pretty.”
“Well, they’re not as good as the ones in your locker, but…”
She gives me a weird look. “How do you know about that?”
“About what?”
“Did I… I didn’t tell you about the flowers, did I?”
“What flowers?”
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“Those … flowers Steve left in my locker?”
“I don’t know anything about those flowers. I only know about the flowers / l eft in your locker.”
“No way! That was you?”
“Yeah.”
“But how did you know … ?”
“Remember when we were walking past that house on Charles Street and the y had all those flowers outside? And you said how they were–” “–so pretty.”
“Yeah.”
“I totally forgot about that.”
“Yeah, well. I didn’t.”
She just looks at me for a whi! le. Then ! she goes, “Do you want to sit?” There’s that pang again.
“Um … I was thinking of… not sitting.”
“And doing what? You want to walk more?”
“Not exactly.” I take out my iPod. I separate the earbuds. I put one in her ear . “I’d rather do this.” I put the other one in my ear. I select the first song on the playlist. It’s “Look What You’ve Done.”
And then we’re dancing. I just made it up. iPod dancing. I’m not exactly the
most romantic guy, so this is kind of extreme for me.
There’s this feeling I get when we’re together like this. It feels calm. All th e noise in my head is quiet. And it feels like I’ve finally found where I’m sup posed to be.
So when I kiss her, it’s like nothing else exists but this.
But then her cell chimes. It’s the worst timing ever.
She says, “Let me turn this off.”
“It’s a text?”
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“Yeah. Sorry.” She checks the screen. “It’s from Nicole.” And then she’s li ke, “Oh my god.”
“What?”
“It says, ‘Help me.’”
“That’s all it says?”
“Hang on.” Rhiannon types back. I move next to her so I can see the screen. She types: where r u? and sends it.
A few seconds later, the screen says: 211 W 80.
That’s all I need to know. I remember when he told her he lives in her neigh borhood. So it’s pretty obvious where Nicole is.
“Is that between Broadway and Amsterdam?” Rhiannon says.
“Yeah. I know where it is.”
“Let’s go.” She types in: don’t move, we’re coming.
On the cab ride over, I tell Rhiannon about overhearing Mr. Farrell and Nic ole. And how he said he lived in Nicole’s neighborhood, so maybe she’s at h is place.
&! #8220;Why! do you think she texted instead of calling?” Rhiannon says. “I don’t know.”
“I hope she’s not, like, trapped inside.”
“I’m sure she’s okay,” I tell her. But images of what could be going down keep harassing me. Maybe I should have said something before. By the time we’re running down West 80th Street, we’re both freaking out. If he did anything to her…
We find her across the street. Sitting on the curb. Crying.
“Nicole!” Rhiannon runs over to her. She collapses on the curb and hugs N icole. “What happened?”
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But Nicole is crying too hard to answer. Every time it seems like she’s about to
tell us, she just keeps taking these big gasping breaths. All she can get out i s, “I–I–” It’s like she can’t get enough air.
“Let’s get out of here,” I say. I put my hand on Nicole’s shoulder. She’s sha king really hard. And crying even harder.
She’s having a major meltdown.
We get Nicole to her place. Her mom’s asleep, so we try to be quiet and sne ak Nicole back to her room. Rhiannon gets her into bed and piles blankets o n top of her. I pace around, furious at myself. How could I have let this h appen?
After Rhiannon brings Nicole some water and the crying slows down, Nicole starts talking. But she’s not making any sense.
“She … she knew. Maybe not at first. But she knew eventually.” Rhiannon gives me a look like, Who’s she talking about?
I shrug. The only thing I want to do right now is ask Nicole if Mr. Farrell hurt her. But when I step forward and go, “Did he–?” Rhiannon shakes her he ad at me. But I have to know. “Did he … do anything to you in there?” But Nicole says, “No. I never went in.”
Then we just listen.
“There was this one night when she came home early. ! From her ! bridge game . And I heard her coming upstairs. And then … that’s when he left my r oom. So she saw him. She saw him leaving my room.”
“Who?” Rhiannon asks.
But it’s like Nicole didn’t even hear her. She just keeps talking. “Maybe she knew for a while. Like on some subconscious level. But she didn’ t want to admit it.”
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She can’t be talking about Mr. Farrell. If Nicole’s mom caught him in her p lace, she would have gone ballistic. Everyone would know.
“After she found out… that’s when we moved here.”
“I thought you moved here because your parents got divorced,” Rhiannon sa ys.
Nicole focuses on Rhiannon. She pushes the blankets off. She’s not shaking
anymore.
And she says, “That’s why they got divorced. My dad abused me.” I can’t believe it. None of us knew.
“I think I want to talk about it,” Nicole tells us.
“Okay,” Rhiannon says. “We’re here.”
So she begins.
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EPILOGUE
Excerpt from a screenplay by Nicole Nelson:
INT. THERAPIST’S OFFICE-DAY CAMERA
zooms in on DR. RIBISI and NICOLE near a big window.
DR. RIBISI is sitting in an armchair. She is writing something on a notepad.
NICOLE is sitting on a couch, with her feet up.
DR. RIBISI
Let’s go back to that Friday night.
You were at Mr. Farrell’s door, but you didn’t ring his bell.
NICOLE I really wanted to.
DR. RIBISI What stopped you?
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NICOLE (A pause) Reality. I just realized … I mean, I was still in love wit h Danny. But I didn’t want to deal with how serious we were getting, so I pre tended I wasn’t. But then at the dance, it was obvious that we should be toge ther.
DR. RIBISI So it was your feelings for Danny that stopped you?
NICOLE It was more like … I saw myself inside and what ! would hap! pen if Mr . Farrell really liked me. And it reminded me of my dad. All I could see wa s this older guy with a way younger girl, even though that’s what I wanted.
I guess I stopped wanting it. Or with Danny, I knew it was real. And with Mr. Farrell, it was probably oust a fantasy.
DR. RIBISI You mentioned that you saw a similarity between your situation
with Mr. Farrell and what happened with your father.
NICOLE It’s weird how stuff keeps repeating. And how you don’t even know i t when you’re in the middle of it.
DR. RIBISI Why do you think that is?
NICOLE About the repeating? Or the not knowing?
DR. RIBISI Either one.
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NICOLE Well … I guess if you’re not aware that something in your life is r epeating, the cycles keep continuing until you realize what you’re doing. DR. RIBISI This is a good place to pick up next time.
NICOLE It’s time already?
DR. RIBISI (Smiles) Time flies when you’re having fun.
EXT. SIDEWALK IN FRONT OF OFFICE BUILDING–DAY NICOLE leaves the building. She takes out her cell phone and dials.
NICOLE Hey, Danny. I’m having an epiphany. Where are you?
CAMERA zooms out. NICOLE walks to the corner. Just as she gets there, the s treetlight turns green. She crosses the street.
Entry in Rhiannon’s journal:
Question: Where does love go?
Answer: It doesn’t matter. what matters is that love finds its way back home to you. and when it does, it’s stronger than ever.
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Copy of a note found on multiple lockers:
“Sexy. Jackson Thank,
You were so cute yesterday when you carried my books to class!!! I felt like
sandy in “Grease” or Something. Like a girl in a poodle skirt right out of one of those old movies you like.
Hey babe, I just wanted. to Say that even though you are really Special to me and I always want to be with you, I don’t think it’s a good idea for you to sh o! w up at p! ractice like that. It’s not that you’re not invited, but it’s way to o distracting for you to be so close! what we have is really special and i don ‘t feel like sharing it with the whole world– I want you you all to myself! L ike if I could keep you in a box I would. But a cute. heart shaped box, box, y ou know?
Anyways ….love ya!
Kisses forever.
Gloria.
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Letter to James Worther from Edith Schaffer, delivered after her death: My Dearest James,
Tell, I bet you’re surprised that an old lady like me had so much money in t he bank, huh? Especially after the way I clipped all those coupons and check ed the sales before I made my grocery lists. But you’d be surprised what sav ing a little money here and there can do after so many years. I’ve been savi ng all my life, and now I have this gift to give you. It’s my way of saying thank you for all those kind things you did for me.
I’ve heard that sometimes old people know when they’re going to die. They ha ve a feeling a little while before they pass away. And now I’m the one havin g that feeling. I don’t know how much time I have left, but I know it’s not long. So I’m writing you this letter, and my lawyer will give it to you afte r I’m gone.
Now I want to make sure you understand something. This must seem like a lo t of money to you. Believe me– I know! You may be tempted to spend it on fun things you don’t need. But this money is meant for college. You’re onl y allowed to spend it on that. I know what it’s like to grow up always doi ng without. It’s time for you to stop worrying yourself so much. You’re probably wondering how I’ll know what you spend it on, being dead a nd all. I don’t know what
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happens to us after we die, but I have my theories. Maybe there’s a way f or me to find out what’s going on down there. Who knows? Maybe I’ll make! new frie! nds and not be so lonely anymore.
People sometimes ask me what the secret of life is. I should know this? Look ing back on everything now and knowing my time left on this earth is short, I will say this: Enjoy every day of your life. Appreciate everything your li fe gives you. You’ll be surprised how fast it all goes by.
You’re a good kid, James. Stay that way. Keep working hard and you will a chieve your dreams. Take good care of you.
Remember me to your mom. And carry me in your heart, my dear. Love,
Mrs. Schaffer
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Turn the page for a preview of
Susane Colasanti’s next book,
Waiting for You
Text copyright © Susane Colasanti, 2009
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Chapter 1
The best thing about summer camp is the last day. Because that’s the day yo u get to go home and live like a normal person again.
Don’t get me wrong. Camp was freaking awesome. I spent the entire summer in Maine at a special camp for the arts. My dad gave me his old Nikon cam era and taught me how to develop photos last year, and ever since then ph otography has been my passion. There’s something about vintage film that captures the Now in a way digital can’t. It just makes everything look so fter somehow. And the whole old-school method of developing your own phot os exactly how you want them is really cool.
So yeah, I learned a lot more about photography at camp and had a ton of prac tice. I’ve also been playing the violin since seventh grade, so I had violin lessons there, too. We even had a concert last night.
I’ve only been home for like three hours but I’ve already
2
participated in the following critical post-camp activities:
Took a real shower. With water pressure. That actually got me clean. Remembered what air-conditioning felt like. Did a little happy dance at the
supermarket.
Put on clothes that didn’t smell like mildew. They also did not feel permane ntly damp.
Sat on ! the couch and watched TV.
Got a cold drink from the refrigerator. Ice rules.
The only thing left on my list is to get together with Sterling for the first t ime since June, so I’m majorly stoked. I can’t wait to see her. Not just becaus e she’s my best friend, but because school starts in a week and we’re getting p syched for it.
I love the beginning of the year. It’s all about renewal and reinventing your self, becoming the person you’ve always wanted to be. You can go back to scho ol as a whole new person and have a totally different time. Every year I get all excited about how everything’s going to be different, but it never really
is. I’m tired of always being disappointed. This has to be our year. It feels good to knock on Sterling’s door with “Wheel” playing in my head.
Like I’ve come full circle after a long journey, even though I’ve only be en at sleep-away camp for two months. But this is such a “Wheel” moment. T hat song rocks. The best part is where John Mayer says how our connections
are permanent, how if you drift apart from someone there’s always a chanc e you can be
3
part of their life again. How everything comes back around again. I have a t heory that the answers to all of life’s major questions can be found in a Jo hn Mayer song.
Sterling flings the door open. Her hair isn’t brown anymore. Now it’s blonde .
“Oh my god, your hair!” I yell.
Then she grabs me and we’re hugging and squealing and doing this thing wh ere we’re hopping around.
“I know!” Sterling goes. “It was supposed to come out more like yours, but th e stylist said your color is complicated.”
“Why didn’t you tell me you were dyeing it?”
“I wanted it to be a surprise.”
“Oh, I’m surprised.”
“So, what do you think?” Sterling twi! rls aroun! d so I can inspect her hair fro m all angles. It’s a lighter blonde than mine, since my hair has different sh ades of blonde mixed in, and I’m not sure if it works with her coloring. “It’s hot,” I say. Maybe I just have to get used to it.
She points to my usual stool in the kitchen. “Sit,” she says.
Sterling took over the kitchen when she was twelve because her mom can’t co ok. Plus, she’s never here. And Sterling got sick of eating things like hot
dogs and Tater Tots and those instant pasta sides every night for dinner. So one day, Sterling announced that she was doing all of the cooking. Now s he takes cooking classes and everything. Her mom was thrilled. The agreemen t is that Sterling puts what she needs for the week on the grocery list and
her mom gets everything.
There are four different pots going on the stove. Vegetables in
4
all different colors compete for space on the counter. Two place mats are s et out across from each other on the other counter where we always sit, wit h cloth napkins and schmancy silverware.
“You didn’t have to do all this,” I go.
“Of course I did. What kind of lame welcome home dinner did you think I was making?”
“Yeah, but it’s so … extensive.” I had to beg my parents to let me come over to Sterling’s for dinner since it’s my first day back and all, but they finally
let me. And we’re going to a pier party after.
“Only the best for you, friend girl.”
“Wow.” Something bubbles in one of the pots. Everything smells so good. “T hanks for doing all this.”
“Please. You’re the one who’s doing me a favor. No one’s tried any of this stu ff yet. Well, except for me, but I’m not exactly impartial.” Sterling picks so mething out of a bowl and stuffs it in her mouth. “I can’t stop eating these,”
sh! e says. &! #8220;Try one.”
I peer into a bowl of weird-shaped cracker thingies that look like someone c ut them out of cardboard. “What is it?”
“Feng Shui rice crackers.” Sterling used to have this tone with me when I asked her what something was, like, How can you not know this? But now she ‘s used to my culinary ignorance. My family is basically the meat-and-pota toes kind.
Slowly, I stretch my hand into the bowl, as if a rice cracker might bite me. They feel kind of sticky. But I don’t want to insult Sterling, so I take a sm all bite of my cracker. “Hmm.”
“Aren’t they so good?”
I guess I’m not a rice cracker person. “They’re . . . different,” I
5
tell her. Which I know will make her happy. That’s like the highest complime nt you can give Sterling about anything going on in her kitchen. She’s into the exotic.
“I know.” She chomps into another cracker. “I’ve already eaten like a whole bag of these.”
It’s hard not to be jealous of Sterling. She’s so tiny, but she eats constantly . If I even look at a doughnut I immediately gain five pounds.
Sterling darts to the stove and multitasks between two pans and a massive po t.
“What are you making?” I ask.
“Risotto. Wait, I have to concentrate on this part. It’s all about the timing.” While we’re eating, Sterling tells me about her new lifestyle plan. She got
on the self-improvement train the first day of summer vacay and is riding it right into sophomore year. “Okay. So.” She puts her fork down. “Do you n eed more sauce?”
“No, I’m good.” Everything tastes incredible. Sterling could be a profession al chef right now, and people eating at her restaurant would never know she’ s only fifteen. You know, if she stayed hidden in the kitchen and all. “So,” she goes. &#! 8220;You ! know how I’m kind of high-strung?”
“Pretty much.”
“Guess what I’m into now?”
“Uh … competitive Ping-Pong?”
“No.”
“Auto repair?”
“No! Guess real guesses.”
6
I give up.
Sterling puts her hands up, like, Wait for it. Then she announces: “Yoga!” “Yoga?”
“Is that cool or what?”
I’m kind of leaning toward “or what.” If it was anyone but Sterling, I’d agre e that it’s cool. But she’s the most hyperactive person I know. Her attention
span is nonexistent unless a recipe is involved. She can’t even sit still fo r more than three minutes. And now she’s doing yoga? How is that possible? Of course, I can’t say any of this. I’m her best friend. I have to be supportive .
So I go, “Is it fun?”
“It’s already changing my life! I can feel my concentration improving.” “That’s awesome.”
“Totally. Now you.”
We do this every year. We get together before school starts, when all of the
electric energy of possibility is zinging around, and make a pact on how we
want our lives to change.
“I’m tired of waiting for my real life to start,” I go. “Like, when’s all the go od stuff finally going to happen?”
“Now! This is our year!”
“How do you know?”
“I can just tell.”
I really hope she’s right. There’s only so much waiting a person can endure u ntil they start thinking that maybe nothing exciting will ever happen to them . Like, ever.
7
“Your waiting is over,” Sterling insists. “Trust me.”
The problem with the last few days of summer? Is that you can’t hold on to
them. They zoom by way too fast. You live through them in a dream until t heyR! 17;re ove! r. And then everything slows down to a glacial pace again. Usually I’m not nervous until the day before school starts. But today I’m al ready nervous because we’re going to Andrea’s pier party tonight and everyon e will be there. Or at least the one person I’m extra nervous about seeing w ill be there.
When we get to Andrea’s house, we go around back and find her sitting on t he sand. She waves us over.
“Hey, you guys,” Andrea says. “How was your summer?”
“Awesome,” we both say together. I glance around for him while trying to lo ok like I’m not looking for anyone.
And then I see him.
There’s a volleyball game and Derek is serving the ball. His shirt is off and his bathing suit is sexy. It’s red and has a thin neon orange stripe along the
seam. It’s so perfect that he plays volleyball because he’s got that classic California surfer boy look. If we didn’t live in Connecticut, you’d totally th ink he was from San Diego or something.
I watch him play. I haven’t fully absorbed how perfect his body is yet. “Hello! Earth to Marisa!”
I snap out of my Derek trance. Sterling and Andrea are looking up at me. Wh en did Sterling spread her towel out? How long was I staring at Derek? And did everyone see me staring at him like a total loser?
8
Okay, remain calm. Remember: Control your thoughts to control your action s.
I spread my towel out and try to concentrate on what they’re saying. As usua l, Sterling’s drooling over some boy who’s too old for her.
“Who’s that?” she asks Andrea.
“Who, Dan?” Andrea goes. “He’s my brother’s friend from college.” “How old is he?”
“Like, twenty-one? Twenty-two?”
“Does he have a girlfriend?” Sterling wants to know.
Andrea gives her a look.
“What?”
! “W! hy can’t you like boys your own age?”
“Ew! Maybe because they’re gross?”
She has a point. But so does Andrea. Sterling always likes guys who are way
out of her age range. And then she complains when all they do is flirt wit h her.
“I’m just saying,” Andrea goes.
“Yeah, well I’m just saying that Dan is seriously hot,” Sterling says. “Can you introduce me?”
Andrea scrunches her face up.
“What?” Sterling goes.
Andrea’s all, “Forget it.” But she obviously thinks Sterling’s a slut for goin g after older guys. Sterling’s never done anything with any of them, though. Sterling’s like, “Could it be any hotter?”
I go, “In hell, maybe.”
“The water’s great,” Andrea says. “You guys should go in.”
9
“Sweet. Coming?” Sterling asks me.
“I’m good.”
“I’ll go,” Andrea says. “I’m completely crispy.”
At first, I watch them in the water and talk to some girls I know from orche stra and convince myself that I shouldn’t stare at Derek anymore. But that d oesn’t really work, because I keep sneaking looks at him.
And then something amazing happens. Something seriously life-altering. Derek looks over at me and smiles.
He’s smiling right at me!
I think I smile back, but I’m not sure if my face is working right. He does th is little wave thing and goes back to the game.
I wish it could stay like this forever, with the anticipation of everything. It’s always weird seeing everyone when summer’s over. There are kids who go t tanner. Kids who got thinner. Kids who totally changed their hair. It’s i nteresting to see how people reinvent themselves over the summer. I wonder if anyone thinks I’ve changed.
Walking home in the dark, I see Nash out on our! dock. He! ’s sitting under th e lamplight, probably getting a head start on whatever we have to read for English. It’s so weird that I don’t really know him anymore, because he use d to be such a fixture in my life. We played together in third and fourth g rades. We practically lived out on the dock all summer, swimming in the riv er and playing water games. But then everything changed when middle school started. I just didn’t feel like hanging out with him as much anymore. The thing is, I can’t remember why.
10
We’ve known each other forever. Far Hills is one of those small Connecticu t towns where everyone knows everyone else. Where you go to school with th e same exact kids from kindergarten until you graduate. Plus, Nash and I a re neighbors. He lives three houses down, and we still use the same dock f or swimming in the summer (our town is on a peninsula, sticking out into F ive Mile River).
We actually like using the dock all year. It’s a really good place to go when
you need some space. It’s just that now we avoid using it if the other one’s
already out there. Sometimes when I see Nash on it, I want to go over and sa y hi or something, the way we used to do all those years ago. But then it’s l ike he got there first so I should respect his privacy. I know what it’s like
when you just need to be alone for a while and block out the world. It’s strange how you can live so close to someone and grow up with him wi thout ever really knowing who he is. Or maybe you used to know him, but n ow you’re like strangers. It’s weird how time can change something you th ought would always stay the same.
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Chapter 2
Can I just say that when you’re hoping things will get better but they don’t, it majorly sucks?
I really, really thought that today would be different. I imagined getting to
school and everyone reacting to me like I’m not such a freak anymore. But th at! 217;s not! how the first day of school is going. It’s bad. Like, desperately ba d. Because when everyone expects you to be a certain way, it’s really hard to
escape that image. It’s like once everyone decides who you are, you’re locke d into their version of you and that’s it. And everyone decided I was crazy l ast year. But I’m determined to break out of that. I have to believe that the re might be a possible escape route for me.
Sterling seems fine. But she’s always fine. She’s little and cute and people
like her. We don’t have any classes together this year and I have no idea h ow I’ll survive lunch. I saw her in the hall when we got our locker assignme nts and she was talking to people and laughing like she wasn’t even nervous.
I always have a knot in
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my stomach on the first day of school that doesn’t go away until I get home. P lus, I can never fall asleep the night before, so I’m trying to handle the dis aster of my life on two hours’ sleep.
I was expecting people to realize that I’ve changed. I made an effort to smi le at people and say hi in homeroom, but I was basically ignored. Why doesn’t anyone want to talk to me? I mean, other than the same people I’ ve been talking to for years. I was sort of hoping to make some new friends.
I only have a few friends and I find that to be lame. Lots of kids go out i n these big groups. That would be so fun.
Whatever. I can’t even deal with this now because we’re supposed to be doing
a getting-to-know-you activity in chemistry. I hate it when teachers make y ou sit in a circle on the first day of school and do some activity where you
have to introduce yourself. It’s like, every nerve in your body is already twanging, which is bad enough. The last thing you want to do is talk in fron t of people. How can teachers not know that?
So I guess it isn’t too heinous that Mrs. Hunter is mak! ing us do! this activit y in pairs. We already got assigned seats. I sit in front of Nash. Then we go t this sheet of questions and we had to pick ten that we would most want to a sk a potential friend. Which isn’t a bad idea if you think about it. Being ab le to interview your potential friends would rock. Because then you wouldn’t get so many nasty surprises later. It’s not like you can take back a friendship. After we pick our ten questions, I turn my desk around to face Nash. Nash goes first. “If you were a shape, which shape would you be and why?”

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I smile at my paper. That was the weirdest question, which is why it was my favorite.
“What?” Nash goes.
“I picked the shape one, too.”
“So what shape would you be?”
“Hmm.”
I have to seriously think about that. Not only am I sitting in front of this b oy for the rest of the year, but we’re also lab partners. Which means we have to do every lab report together, plus a few big projects. So if I make a sucky

impression and he thinks I’m a reject, it’ll be really hard to prove him wron g after that.
Okay, so it’s not the first time he’s meeting me. But this is the first time we’ve said more than three words to each other since elementary school and I want to make a good impact on everyone today. I don’t just care about how I l ook (shoulder-length blonde hair with natural highlights, brown eyes that hav e these green flecks if the light hits them the right way, not fat or skinny,

white T-shirt, jeans, black Converse). It’s also important to make sure my n ew personality is showing.
“I’d be … a circle,” I go. “Within a square.”
“I think you’re only supposed to pick one.”
“Well, I can’t be defined by just one shape.”
“I see.”
“I’m a very complex person,” I say, even though I’m not. But I feel daring and wild, saying it. Like I could be anybody and he wouldn’t even know the difference.
“I’m getting that,” Nash goes. He has this glint in his eyes and a smile wher e his mouth only turns up on one side.
Don’t let that fool you. He’s not potential boyfriend material.
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Here’s why. Nash is totally geeked out. His hair is always messy, his shirts usually look like he slept in them, and he constantly has to correct people w hen they’re wrong, in this annoying know-it-ally way. His social skills are p athetic and I want more friends, so we don’t exactly have the same priorities . Plus, I’ve seen him lick his fingers at lunch when the napkin is like right

there.
There’s just no way.
Nash does have some good qualities, though. I like how he’s really shy and sweet. He’s not like most other boys who are always acting all doofusy and fifth-grade about everything, where it’s like, Hello, we’re in tenth grade now, grow up already. Nash seems a lot more mature. He’s the type of person

Aunt Katie would say has an “old soul.”
All those good things about him were enough when we were younger, catching
fireflies in the summer and making snowmen in the winter. We could be fri ends without things getting weird. But everything has a different meaning now that we’re older. Now there are, like, implications.